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JANEuary

@janeuary-month

Janeuary 2026 is a month-long fandom event celebrating the works and world of Jane Austen. Fanworks of all kinds are welcome. See pinned post for rules. Organized by @FiraWren

Janeuary 2026 starts in 2 days!

A few quick reminders…

👉 Give the creators some love!

Make sure to reblog, share, give kudos to, and comment on the fanworks posted in Janeuary! Tell the creators how much you appreciate them 💕

👉 Tag @janeuary-month when you post

If you’re participating in the event, the most important thing to be sure to do is to tag the @janeuary-month account in your Tumblr post for your work so we can see it and reblog it from this account. Read the full posting instructions, including how to post to the AO3 collection, here.

👉 Take a quick look at the full rules again

In summary, your work needs to follow one of the daily prompts, be new for the event, not use AI, and include either an Austen character, Austen adaptation character, Austen herself, OR Austen-like setting regardless of fandom.

👉 Still have questions?

Check the FAQ, or send us an ask or DM, here or @firawren

👉 We’re happy to accept late entries! 

We understand that life happens, so just tag us when you’ve posted it and we’ll reblog it, even weeks later. The AO3 collection will remain open for the entire year.

Have fun, be kind, and happy Janeuary!

To celebrate the approach of Janeuary, let us share our Regency names!

Gentleman, I have composed a list of first names for you, since you are not included in the graphic above. Pick based on your date of birth:

  1. Edward
  2. Andrew
  3. John
  4. Michael
  5. Richard
  6. Daniel
  7. Charles
  8. Samuel
  9. Nathaniel
  10. James
  11. Archibald
  12. Peter
  13. George
  14. Frederick
  15. Henry
  16. Thomas
  17. Basil
  18. Stephen
  19. Edmund
  20. Matthew
  21. Christopher
  22. Walter
  23. Anthony
  24. Francis
  25. Joseph
  26. Robert
  27. Benjamin
  28. Timothy
  29. Philip
  30. William
  31. Arthur

If you enjoy the Regency period, come join us for Janeuary, a Jane Austen fandom and Regency AU fanwork event throughout the entire month of January. More info here!

I'm just back from a couple of days in Lyme Regis, which is a lovely little town on the south coast of England. For any fans of Jane Austen's Persuasion who haven't visited, here are a few photos to give you a feel for the place (some spoilers for the book later on.)

Hi @janeuary-month I wondered if this might be useful for some of your followers, if they're working on something Persuasion-related?

These houses are on Marine Parade, directly facing the beach. Most of them have thatched roofs, which doesn't seem that practical for buildings so close to the sea, but they've been there for two hundred years or more, so what do I know?

And this is a view of Marine Parade, where Regency visitors would have strolled, especially if the weather was too rough to go up on the Cobb

The main shopping street in the town is steep (it runs down to the sea) and narrow - taking a horse-drawn carriage up and down there would have been a bit lively on an icy winter's day. This is the very bottom of the main street - Broad Street (it really isn't very broad!)

Onto the Cobb! Here it is at a distance, seen from the town beach

And this is what it's like walking on the upper level of the Cobb. On one side is the sheltered harbour, on the other, the open sea. Even in calm weather it's blustery up there, and as you can see, there are no railings and the surface you're walking on is pretty uneven. Georgian and Victorian women wearing long dresses with lots of fabric acting as sails would have been really buffeted about. It is quite exciting, though - you effectively walk out into the sea and you can feel the waves crashing against the wall. On stormy days, the waves crash into the seaward side of the Cobb so fiercely they completely wash over it and make it impossible to walk on.

Here's a screenshot from some drone footage showing the Cobb being engulfed by Storm Ciarán a couple of years ago, but this is a fairly regular occurrence

Here's the video:

And so, inevitably, onto the steps leading from the lower level of the Cobb to the upper one (there's about a twelve foot difference between the lower and upper levels). There are two sets of steps - this is the first set you come to. They're narrow and uneven and there's nothing to hold onto as you go up, but they're fine if you don't have mobility issues or issues with heights.

The other steps are a different matter! They're just very narrow chunks of stone jutting out of the wall. I would not want to go up or down them, especially in a long dress and bonnet. And for that matter, I wouldn't want to jump from the top of the Cobb to the bottom, even if there was a dashing navy captain waiting to catch me!

Some helpful links for understanding Jane Austen and writing Jane Austen fan fiction:

Complete character lists for all Jane Austen books - every named character in all six novels

Faith, Science, Joy, and Jane Austen - An excellent resource about the Church of England in Jane Austen's time. I own Brenda S. Cox's book on this as well, Fashionable Goodness

Above the Vulgar Economy: Jane Austen and Money by Sheryl Bonar Craig - This is a doctoral thesis that explains the economic context of England while Jane Austen was writing by each novel. This is where I learned that Hertfordshire (Elizabeth Bennet) was the poorest and Derbyshire (Mr. Darcy) the richest region during Jane Austen's life

Calendars for All Austen novels - Every tiny clue is used to determine when events in the novels took place. Excellent resource

Austen Said: Patterns of Diction in Jane Austen's Major Novels - Site that shows which characters in Austen use what words and helpful guide to which parts of the novels are free indirect speech

The Victorian Gentleman of Modest Means in London - Budget examples from close to Austen's time

Janeuary 2026 starts in 4 weeks, on January 1, and runs through the entire month of January! You still have plenty of time to get started on your creations! As a reminder, here are the daily prompts:

Your work must follow one of the daily prompts, be new for the event, not use AI, and include at least one of the following:

  • Character from one of Jane Austen’s works
  • Character from any Jane Austen adaptation (including modern ones)
  • Jane Austen herself
  • Setting in a Jane Austen-like AU (regardless of characters)

Check out the FAQ and full rules for the event.

Last year, 57 creators made 172 new fanworks for the event, and we expect to have even more this year! This event is a great chance to get your work in front of others who love Austen and the Regency era and connect with like-minded fans.

We hope you will join us in celebrating Jane Austen’s work and world! Follow this blog to see all the creations as they are posted during the month.

6 weeks until Janeuary 2026!

The first day of Janeuary 2026, a Jane Austen fandom and Regency AU fanwork event, is here in about 6 weeks! There’s still plenty of time to create something before then! ALL types of fanworks are welcome from ANY creator—no sign-ups needed.

Here’s all the info you need for participating in the event:

If you still have any questions, feel free to send an ask or DM.

Follow this blog to see all the creations as they are posted during the month!

Reblogs are appreciated!

I should like, if I possibly could, to give the reader some idea of my mother's circulating library and sort of universal commodity shop: it was a low-windowed building, one story high, but running a long way back, where it was joined to a small parlour, in which we generally sat during the day, as it was convenient in case of company or customers, the little parlour having a glass door, which permitted us to look into the shop.
In the front windows, on one side, were all the varieties of papers, sealing-wax, inkstands, and every kind of stationery, backed by children's books, leather writing cases, prints, caricatures, and Tonbridge ware. In the other windows were ribbons, caps, gloves, scarfs, needles, and other little articles in demand by ladies, and which they required independent of their milliners.

— Frederick Marryat, Percival Keene

Illustration of a circulating library by James Green (1771-1834) in Poetical sketches of Scarborough in 1813; illustrated by twenty-one plates of humorous subjects.

Source: archive.org

2 months until Janeuary 2026!

The first day of Janeuary 2026 is here in 2 months! Now’s a great time to get started on your creations before the busy end of the year hits! As a reminder, here are the daily prompts:

Feel stuck? Find specific ideas for using the prompts at #inspiration.

You are NOT expected to do something every day! Just 1 work for 1 day of your choosing is enough, though you are welcome to do more if you like. All types of fanworks are welcome from all fandoms, provided they follow the event guidelines.

Your work must follow one of the daily prompts, be new for the event, not use AI, and include at least one of the following:

  • Character from one of Jane Austen’s works
  • Character from any Jane Austen adaptation (including modern retellings)
  • Jane Austen herself
  • Setting in a Jane Austen-like AU

Check out the FAQ and full rules for the event. If you still have any questions, feel free to send an ask or DM.

Follow this blog to see all the creations as they are posted during the month!

Excuse the format (I made this for instagram since that's what the publisher wants, rip) but this is basically a shorter, easy-to-read version of the history section at the back of my new book. (Part 1 || The book)

More about my relationship with queer history (& section 28) under the cut

This is super cool and I’m absolutely going to be checking this out for my classroom bookshelf However, I want to note something about the Ladies of Llagollen because Eleanor and Lady Sarah are very important to me:

That portrait of them is not gender non-conforming fashion, and is not the whole portrait of them. Just the shoulders up, and this is a very common piece of misconception laid down by the late Victorians.

During this point of their stay in Llagollen, a town in Wales where they lived after leaving Ireland, this was the height of French fashion. Shorter hair, similar to a tete de mouton, a plain wool overcoat or jacket, and a typical regency dress underneath.

Here are the original portraits:

These garments are called “redingotes” or, occasionally in the mid-late regency, “pelisse” or “carricks” and they were a standard part of a woman’s wardrobe. I have two I’ve made. You wear them for going out walking , riding, basically any traveling you might do, and they were super duper fashionable.

They also were not ostracized or outcasts. They lived in Llagollen after escaping the expectations of their families in Ireland. Expectations being a marriage to a much older man (Sarah) and being shipped to a convent because she was inconvenient to her family (Eleanor). They straight up became something of a tourist attraction in Wales, garnering all sorts of curiosity, affection, and patronage from the gentry and London’s wealthy. In fact, they got a small stipend from the royal coffers and Shaw wrote a poem about them while they were both still living.

That’s kind of funny because they moved to Wales to be together and live a quiet life reading, walking, and learning. And all these visitors were really annoying to Eleanor, who wrote in her diaries “when will we finally be alone!!”

Feel you, girl.

All this to say, Lady Sarah and Lady Eleanor are very dear to me and I’m so glad someone is including them in an anthology, but they aren’t considered gender non-conforming. Not modern or regency standards.

Likely queer and part of the shift in how English used “romantic friendship”, yes absolutely! But no, not gender queer or gender non-conforming.

If anyone wants to learn more about them, I have resources! And this new book is now going to be one of them!!

(Remember, historians, we don’t ascribe labels to people who did not use them themselves, even after death, no matter how much we want to. That doesn’t respect them and how they spoke of themselves in their lifetimes.)

Hello, I hope you don’t mind me replying in a public reblog. I thought it'd be interesting to expand a little bit on this history for people who haven't heard of them - and on why I sort of think all of this is simultaneously true, and considering gender variation expansively can be useful for thinking about queer history!

I definitely don’t mean to say the Ladies of Llangollen were specifically punished for what they wore, or that they didn’t also wear skirts! The writing is mostly talking about other cases, just using this picture I already drew for the full history section to break up the text, but I totally see why the placement may look misleading here.

In the book itself, this is in the fashion section after explaining short hair was fashionable on women, and next to a caption that just says they “wore riding habits and hats considered more ‘masculine’.” (We have 17-19thC records of men generally disliking women’s riding clothes because they viewed them as not feminine enough, something that still happens with women’s sports clothes today.) Personally I found a lot of even French fashion plates with women’s riding hats in this style still had some kind of softer shape or element of decoration at this time, and saw the Ladies of Llangollen picture as really looking quite like men’s hats when seen side by side.

(These were the absolute most masculine ones I could find while researching the book, among many other more decorative ones, though I’d be interested if you’ve seen more!)

I’m sure I know much less about them, but my impression was also that their having to escape family expectations in Ireland is a way in which you might say they were to some extent outcasts, insofar as they ended up having to live outwith the society they grew up in (though the wording is a bit strong because it's really discussing other figures!) Of course, they were very much famous and quite beloved, lots of big names came to visit as a curiosity - but I think we can at least agree they're still people who did actually have to leave the country to get away from gendered expectations of them.

Mainly I think we might just mean different things by ‘gender non-conforming’, which I don’t mean as ‘equivalent of non-binary or genderqueer’, but in its broad and literal sense! I would say not marrying and going to live with a woman IS inherently not conforming to what’s expected of women at this time, and so was short women’s hair, even though it was a trend.

I don’t know if this is a source you don’t rate, but from whatever image - like Anne Lister - IMO their presentation is both not way beyond the bounds of what’s generally acceptable, but I also don’t think you could say it’s wholly conforming to the ideal of what most of society expected for women then. People are even still weird about straight, cis, traditionally 'feminine' women having short hair in the 21st century, and I think 'gender non-conforming' can be a useful phrase even just to talk about elements that only relate to appearance.

As a bit of a sidebar, we also live in a time now where anti-trans legislation attempts to confine all women to a narrow presentation range, but affects cis women who'd not see themselves as anything but women in terms of their identity at all. So I suppose I see pushing any boundaries of gender presentation as very linked now and historically, and broadening out definitions can often bring new possibilities. Most queer and particularly trans historians I’ve read take quite a broad view of what to consider when thinking about the many ways gender was historically more expansive than some people might think, including trends, and don't consider one interpretation as precluding any other.

Anyway, basically those mini instagram graphics are shortened from an 8-page illustrated history notes section at the back of a historical fiction book. It's a story using real history (and my modern experience) to imagine someone who does have an internal sense of gender at odds with what they're assigned - but it doesn't actually put a label even on the character, and I hope is pretty clear that we can never know the feelings of real people in the past, who existed with their own societally-specific ideas about gender and sexuality. (Though personally I don't really have beef with say, a big researcher of Anne Lister calling her 'the modern equivalent of a butch lesbian' as a way to get people interested.)

My book just has very short introductions that don’t include all the nuance - I’m not a professional historian and wanted them to be accessible to total beginners and young readers. (Though it does include sections about romantic friendships, as well as why we can't really label historical figures in a modern way!)

Mostly I wanted to point people towards finding out more for themselves, and hope it gives interested readers specific figures to look up and resources to get into!

I know better than to go off on an impulse at 4:30 in the morning, but I was not expecting such an inordinately patient and kind reply. I actually woke up a bit ago thinking "I should delete that."

But I'm not going to because (a) this reply is so good in and of itself and (b) I like evidence of getting my ass handed to me. Having a degree doesn't make me infallible, and my being queer doesn't mean I don't still have learning, work, and re-evaluating to do.

Thank you, Haridraws, not only for this reply but for your hard work putting this book together. I'm sorry for going off half-cocked and not thinking my own self through. I'm getting 2 copies for my classroom and the library, and I look forward to having more, new stories to share with my students.

Excuse the format (I made this for instagram since that's what the publisher wants, rip) but this is basically a shorter, easy-to-read version of the history section at the back of my new book.

---

Disclaimer: I'm extremely not an expert, and this is only scratching the very surface of complex topics that are hard to simplify. I mostly made this to EXTREMELY rec these books and podcasts, and would urge you to go check them out if you're not familiar!!

This stuff might seem obvious to some of you, but let me tell you, I do NOT think it's widely known in the general UK population.

Imo a lot of the general (especially white) public think that the Windrush generation - Caribbean migrants brought in to help rebuild postwar Britain in the 50s - were the first Black communities in the UK. And yet there's deliberately not much focus on why the Caribbean has links with northern europe. HMMMM

(Britain loves, for example, to celebrate the abolition of slavery without mentioning WHAT CAME BEFORE IT - Britain being the biggest trader of enslaved people, with more than 1 million people enslaved in the British Caribbean. They literally just did it overseas.)

Telling the truth about history or British imperialism gets this massive manufactured backlash at the moment. There are so many ideas prevalent in UK politics - anti-Black, anti-refugee, anti-trans - based on going ‘back’ to some imaginary version of the past. Those are enabled by a long tradition of carving parts out of the historical record, and being selective about whose histories get told and preserved. Even though the book I was making is a fun rom-com, by the time I finished researching, I decided to make an illustrated history section at the back too (this is a mini version). My hope is that readers who haven’t come across these histories might get an introduction to them - and some pointers of what they could read next to get a clearer view of our past.

Pride & Prejudice

Some fun facts I learned while doing light research for the buccaneering story arc in Today at Pemberley:

1. While sodomy/buggery was a capital offense in England until 1861, France decriminalized it in 1791.

2. Effeminate and gay men were called mollies and meeting locations of the day were molly houses or molly markets. Pillories (stocks) were often built close to them for the convenience of law enforcement and conversely ended up being an indicator to help find molly houses.

3. Platonic female friendships of the day included a lot of physical intimacy and declarations of love. Additionally, it was common-ish for unmarried women to live together and share expenses.—So, lesbians could really fly under the radar.

4. Speaking. Of. Lesbians. There was a couple of women, Eleanor Butler and Sarah Ponsonby of upper-class birth who were famous during the Georgian Era for living together in a gothic house in Wales. These women:

  • Hosted intellectual luminaries from all over Europe including Byron and Shelley.
  • Had a series of dogs named Sappho.
  • Were buried in a single grave with a single grave marker, along with Sarah’s servant, Mary Caryll.
  • Were given a civil list pension by Queen Charlotte herself.

5. Among Eleanor and Sarah’s visitors was Anne Lister who kept an explicit diary written in a code. Her descendant, John Lister later deciphered the code and when a friend advised him to burn the diary, he preserved it instead. Anne Lister shared Holy Communion with her wife Ann Walker on March 30, 1834 in a ceremony that the two women considered to be marriage.

Not a direct answer, but ... [note: focuses on sapphic/lesbian folks and female-bodied people, so not exhaustive, but also goes beyond the Regency time period]

https://www.alpennia.com/lhmp/essays/tags-peopleevent-tags-historic-cross-dressing-and-gender-presentation

https://www.alpennia.com/lhmp/essays/tags-peopleevent-tags-literary-relationships

Janeuary is purposely a very inclusive event, open to all fandoms, ships, and characters, if placed in Regency or Austen-like universes. This is because we do not want to gatekeep what is suitably "Jane Austen enough."

One criticism leveled against the Jane Austen fandom, that I unfortunately agree with, is that it can be snobbish. We are not tolerating that here. Ship and let ship. Create works that are as weird or controversial as you like.

They do NOT need to be works that Jane Austen herself would approve of or even understand.

They do NOT need to be works that would appeal to mainstream Jane Austen fans, or even a single Austen fan—they need only appeal to you and fit the rules of the event.

There is no such thing as "not Austen enough."

If you want to write a wholesome fic about Elizabeth and Darcy living happily ever after in Jane Austen's proper style, that is wonderful and I am so excited to read it!

If you want to draw art of Mr. Darcy having sex with Michelangelo from Teenage Mutant Ninja Turtles, that is wonderful and I am so excited to see it!

As long as you follow the basic rules, your work fits this event.

Story and art ideas for Janeuary

If you'd like to participate in Janeuary but are stuck for an idea, we're compiling fanwork starters, as well as helpful Regency reference info, under the tag #inspiration.

A few examples of the free ideas for you to take and create:

There are a lot more, and more to come, under the tag #inspiration!

Writers! If you specifically want a story idea, check #prompts.

Artists! If you specifically need Regency drawing references, check #art reference.

Also remember that fic and art are not the only type of fanworks allowed for this event! You can create anything you want: gifs, memes, moodboards, fanvids, image manips, podfic, etc.

We hope you'll join us in January for Janeuary!

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