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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Roble Arts Gym (RAG) Messy Arts Space

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Anderson Collection patrons Christine Nicholas and Julia Procopé stop to discuss the Mary Weatherford’s, “black painting” a gift of Debra and Steven Wisch'83, in honor of the Anderson family.
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Pepsi Cola

This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.

2014

Color Film

By Chase Porter '17
Amboseli

Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.

2016

Acrylic Paint on Canvas

By Angela Liu '23
Saint of the Bahía

You have pomegranate trees in your backyard, well so do I. Your family can’t afford to live in the Bay Area, well neither can mine…You’re just like me

2024

Oil on canvas

By Aileen Rubio '26
Still I Rise

Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life.
Duration: 05:05

Link to Website

2018

Video Art

By Chun Wang '19
Motherhood Postponed till Further Notice

Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium.
Link to Artwork

2024

print

By Hana Dao '25
I Feel Like A Big Boy

Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling
Link to Artwork

2023

Poetry

By Shlok Sampat '24
Queer Intimacy

These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.

2022

Wood sculpture

By Bryan Defjan '24
Firenze

A colorful view of buildings and the sky over Florence (Firenze).

2014

Oil Paint on Canvas

By Francesca Colombo Colombo '19
View from Lower Haight

Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.

2022

Oil paint on canvas

By Christina Kent '22
Untitled

This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.

2017

Digital Collage

By Delaney Rua '20
Detritus

How do you heal after being discarded?

2021

Acrylic on Canvas

By Victoria Lin '27
Sonic Ovum

This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink.
Link to Artwork

2020

colored pencil, poetry

By Sam Howell Petersen '23
I’m looking at you

The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.

2023

machine embroidery on cotton fabric

By Daniel Richman '27
Nighttime

Mice own your belongings at night.

2016

Charcoal Pencil on Paper

By German Enik '22
Desire

Self portrait at the height of COVID and my own extraordinary depression.

2020

Oil paint on canvas

By Sophia Siegel '25
Illuminating the Mind

De-identified photograph taken for artistic purposes with permission from anatomy professors.

2015

Photograph

By Maia Mosse '20
So Hysterical

My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.

2023

Oil paint, acrylic paint, and IUD on wood panel

By Jackie Liu '25
Moonrise

This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.

2018

Acrylic paint on canvas

By Nicola Buskirk '22
Let Her Eat Cake

I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.

2016

Ink Resist on Paper

By Brooke Ferber '20
Not Yet

An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.

2016

Digital Visual Art

By Andrew Lesh '19
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