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In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
By Robin Willscheidt '19
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
By Dayeeta Pal '27
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
2018
acrylic on canvas
By Vedika Kanchan '23
This is a picture of the hub of the city getting reflected in the river water.
2021
Acrylic Paint on Canvas
By Dayeeta Pal '27
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
2022
Oil Paint on Canvas
By Apoorva Panidapu '27
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.
2018
Colored Pencil on Paper
By German Enik '22
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
By Will Pangburn '29
This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.
2018
Photograph of a physical collage (paper, printed image)
By Isabel Benak '22
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
2018
Oil paint on canvas
By Cairo Mo '20
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
Acrylic on Canvas
By Hannah Cha '25
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
By Maia Mosse '20
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
2018
Studio photography
By Jessica Yeung '21