Author:Catherine Gasquoine Hartley

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Catherine Gasquoine Hartley
(1860s–1928)

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British historian and literary critic. Wife of Walter Matthew Gallichan (1901–1915) and Arthur Daniel Lewis (1916–1925).

We have no works listed by this author, though works that may link to this author are here. Please add the titles of works by this author, by clicking "Edit".

Works

Life the Modeller (1899)
Stories of Early British Heroes (1902) [external source
The story of Seville, 1903 external source
A Record of Spanish Painting (1904) external source
Pictures in the Tate Gallery (1905) (external scan)
The Weaver's Shuttle (1905)
Moorish Cities in Spain (1906) external source
The Prado (1907) (external scan)
Seville (1907) (external scan)
Granada, Present and Bygone (1908) (external scan)
Velazquez (1908) (external scan)
El Greco (1909) (external scan)
Stories from the Greek Legends (1909)
Things Seen in Spain (1911) (external scan)
Spain Revisited (1911) (external scan)
The Story of Santiago de Compostela (1912) (external scan)
Cathedrals of Southern Spain (1913)
The Truth About Women (1913) (external scan)
The Position of Woman in Primitive Society (1914, US title: The Age of Mother-Power) (external scan)
Children of the Empire (1916) with Arthur Daniel Lewis external source
Motherhood and the Relationships of the Sexes (1917) (external scan)
Women's Wild Oats (1919) (external scan)
Sex Education and National Health (1920) (external scan)
Divorce To-day and To-morrow (1921) (external scan)
The Mind of the Naughty Child (c. 1923) (external scan)
Mother and Son: a psychological study of character formation in children (1923) external source
Women, Children, Love, and Marriage (1924) external source

Some or all works by this author are in the public domain in the United States because they were published before January 1, 1929.

This author died in 1928, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 95 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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