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Brazilian comics

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Brazilian comics
Zé Caipora from 1886.
Earliest publications19th century
PublishersConrad Editora
Editora Globo
Editora JBC
Panini Comics
PublicationsO Tico-Tico
O Globo Juvenil
As Aventuras de Roberto Sorocaba
CreatorsAngelo Agostini
J. Carlos
Roberto Marinho
Roger Cruz
Mike Deodato
Series and characters"Turma do Pererê"
"Monica's Gang"
"O Menino Maluquinho"
"Senninha"
"Sítio do Picapau Amarelo"
"Geraldão"
LanguagesBrazilian Portuguese
Related articles
Portuguese comics
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Speech balloon
Comics studies
Methods
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Brazilian comics (known in Brazilian Portuguese as HQs, gibis, revistinhas, historietas, quadrinhos or tirinhas) started in the 19th century, adopting a satirical style known as cartoon, charges or caricature that would later be cemented in the popular comic strips. The publication of magazines dedicated exclusively to comics, in Brazil, started at the beginning of the 20th century. Brazilian artists have worked with both styles. In the case of American comics some have achieved international fame, like Roger Cruz with X-Men and Mike Deodato with Thor, Wonder Woman and others.

History

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Precursors and initial steps (1837–1895)

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First Brazil editorial cartoon, by Manuel de Araújo Porto-alegre (1837).

Brazilian comics have a long history, that goes back to the 19th century. As a charge, the first drawing was circulated in 1837, sold in separate like a lithography, by Manuel de Araújo Porto-alegre.[1] This author would later create a magazine of political humor in 1844.

Angelo Agostini, pioneer of Brazilian comics.

In the late 1860s, Angelo Agostini continued the tradition of introducing the Brazilian journalistic and popular publications, drawings with themes of political and social satire. Between his most popular characters, drawn as protagonists of stories in comics, were Nho Quim (1869) and Zé Caipora (1883).[2] Agostini published in magazines like Vida Fluminense, O Malho, and Don Quixote.

O Tico-Tico (1905-1957)

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Released on October 11, 1905, the magazine O Tico-Tico is considered the first comic book in the country. Designed by the cartoonist Renato de Castro, the project was presented to Luís Bartolomeu de Souza e Silva, the owner of the magazine O Malho (where Angelo Agostini worked after the cancellation of Don Quixote).[3] After being approved, the magazine was attended by Angelo Agostini, who created the logo and some stories.[4] The format was inspired by the French children's magazine La Semaine de Suzette,[5] which had some of its characters adapted to a Brazilian version.[6] The magazine had the collaboration of renowned artists such as J. Carlos (responsible for the graphic changes in 1922), Max Yantok, and Alfredo Storni.[7]

The most successful character in the magazine was Chiquinho (published between 1905 and 1958), considered for many years an original Brazilian creation (however, in recent publications the character has been accused of being a rip-off of the American character Buster Brown).[8] Other characters who starred in the magazine were Reco-Reco, Bolão e Azeitona by Luiz Sá, Lamparina by J. Carlos, Kaximbown by Max Yantok, Max Muller by A. Rocha, and others.[4]

In the 1930s, some American strips and characters, such as Mickey Mouse, Krazy Kat, and Felix the Cat, were published in the magazine. J. Carlos was the first Brazilian artist to draw characters from the Walt Disney Company in the pages of Tico-Tico.[9]

The magazine lost popularity in the 1930s when new comic books and newspaper comic strips were released in Brazil. The magazine ended in 1957, with some republications until 1977.[10]

Supplements and the creation of the publishers

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In September 1929, the newspaper A Gazeta creates a comic supplement in tabloid format, based on the Sunday supplements of the American comics; in the following month, Casa Editorial Vecchi (an Italian origin publisher) published the magazine: Mundo Infantil, but the success of the supplements was given in 1934 with the creation of the magazine Suplemento Infantil (later renamed as Suplemento Juvenil) by Adolfo Aizen. Aizen was known to work in the newspaper O Globo, and also in magazines O Malho and O Tico-Tico. His project was loosely inspired by American comics, he formed partnerships to publish the stories with characters like Flash Gordon, Mandrake the Magician, Donald Duck, Popeye, along original characters created by Brazilian artists as As Aventuras de Roberto Sorocaba.[11]

With the success of the magazine other magazine supplements were created in the following years, among them the one that earned popularity was O Globo Juvenil, created by Roberto Marinho to compete against the Suplemento Juvenil. O Globo Juvenil was responsible for introducing characters such as Superman, The Phantom, Prince Valiant, Li'l Abner, Alley Oop, and the republication of some titles from Suplemento Juvenil.[11]

In 1937, a new character was created through the newspaper supplements called A Garra Cinzenta, created by Francisco Armond and Renato Silva. The character has become known for its mature themes involving mystery, horror and science fiction. The comics ended in 1939 totaling 100 pages, and was later republished in the Franco-Belgian market.

Editora Abril and other publishers (1950-2018)

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In 1949, inspired by his brother who published Disney comics in Argentina, the Italian Victor Civita moved to Brazil to found a publishing company. In May 1950, he created Editora Primavera, which published a magazine with Italian comics called Raio Vermelho. In July, he renamed the company Editora Abril.[12] The publishing house's first team had six employees, including science fiction writer and radio soap opera scriptwriter Jerônimo Monteiro as editor, and French journalist Micheline Frank, brought from César Civita's company in Argentina, in the jokes section. The Donald Duck comic book (known as O Pato Donald) was launched on July 12, 1950 and the comic soon became the market leader.[13] After its first twenty-one issues, the magazine became weekly; with the emergence of Zé Carioca comic in 1961, it became biweekly, alternating with this one on newsstands every other week. The two publications also began to adopt the same numbering, with Pato Donald receiving the even numbers and Zé Carioca continuing with the odd numbers in the sequence.[14] In 1952, the Mickey Mouse comic book debuted and original stories made by Brazilian artists were made in the following years.

In 1960, Ziraldo launched the Pererê comic, published by O Cruzeiro, becoming known for being the first entirely colored children's magazine published in the country. Pererê had appeared a year earlier in the pages of O Cruzeiro magazine in a series of gag cartoons,[15] and the comic was published until 1964.[16]

In the same period, the young artist Mauricio de Sousa began his career as a police reporter at the newspaper Folha de S.Paulo he created the characters Bidu & Franjinha (who would later be known in English translations as Franklin and Blu) in 1959 and the following year with the help of other artists he published comics with his characters in the magazines Bidu and Zaz Traz,[17] returning to Folha de S.Paulo in 1961 where he focused on strips with his character Jimmy Five (Cebolinha), as well as other series with different characters like Chuck Billy 'n' Folks, The Cavern Clan, Bubbly the Astronaut, Lionel's Kingdom, Bug-a-Booo and Horacio's World being among the best known.[18] With the commercial success of his characters Monica (Mônica) and Thunder (Jotalhão) in the late 60s,[19] Mauricio managed to form a partnership with Abril to publish the Mônica comic book, which was successful enough to generate other titles with his characters in the following decades and his works came to be referred to as Monica and Friends.

In the following years, in addition to Disney and Mauricio de Sousa comics, Abril published other well-known titles such as Little Lulu, Woody Woodpecker, The Pink Panther, Looney Tunes, The Flintstones, Yogi Bear and comics of heroes from both Marvel and DC Comics. Starting in the late 1970s popular TV shows such as Os Trapalhões and Sítio do Picapau Amarelo were adapted into long running comic books by other publishers such as Bloch and RGE.[20] In 1982, two more characters by Mauricio de Sousa gained their own title, Smudge (Cascão) and Chuck Billy (Chico Bento), however all Monica and Friends comics were discontinued in 1986 and moved the following year to Editora Globo, where the comic book for the character Maggy (Magali) debuted in 1989. With the end of Mauricio de Sousa's comics by Abril in the late 80s, the publisher resorted to new titles such as Fofura, Gordo and Patrícia of Ely Barbosa who had previously published the comic book Cacá e Sua Turma by RGE, in the beginning of the decade, and also O Menino Maluquinho based on Ziraldo's 1980 book of the same name, which ended up becoming a success, being published until 1994 and then continued by other publishers.

In the 2000s, the Abril comics became mainly limited to just Disney over time. Monica and Friends and Menino Maluquinho comics were published by Globo, however after Mauricio moved his characters to the multinational publisher Panini Comics in 2007, Globo discontinued publishing comics in 2008.[21] Abril discontinued publishing comics in 2018, making the new publisher Culturama continue with Disney comics.[22]

Celebrity comics

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In 1977, in a partnership between Mauricio de Sousa and the football player Pelé, a comic book called Pelezinho was released, showing a child version of Pelé with some inspiration from Mauricio's other work, Monica and Friends.[23]

In the 1980s, TV host Gugu Liberato, at the time known for his TV show Viva a Noite, broadcast on the SBT channel, became popular among children starting to have products with his image including a comic book published by Seqüência between 1984 and 1985 entitled Aventuras do Gugu. In 1988, another comic book starring Gugu was published by Abril, which also published the comic book based on Sérgio Mallandro (another SBT host who was also popular among children at that period) in the same year. Both comics were published until 1990, but Mallandro's comic was moved in the same year to Editora Globo when he moved to the TV channel of the same name. With the success of children's host Xuxa on her TV show Xou da Xuxa, a series was also published by Globo from 1988 to 1995. Her rival Angélica also had her own title published by Bloch Editores between 1989 and 1992.[24]

In 1991, comics based on the presenter Faustão and the singers Leandro & Leonardo also had their own comics adapted for children published respectively by Abril and Globo. In 1994, the comic book of the character Senninha was introduced, created by Rogério Martins and Ridaut Dias Jr., based on the racing driver Ayrton Senna, following the same style as the Pelezinho comic book published by Mauricio de Sousa. The comic book debuted a few months before Senna's death, which boosted sales and was published until 1999 with more than 100 issues. However, the character Senninha continued to return occasionally in new special comics and strips in the following years.[25] Between 1998 and 2001 a children's comic book called Aninha (based on the host Ana Maria Braga) was published by Nova Cultural. Also in 1998, the comic book Oscarzinho was released by publisher Mythos, based on the basketball player Oscar Schmidt.[26]

In 2006, Mauricio de Sousa formed a partnership with football player Ronaldinho Gaúcho to launch a new comic book also featuring him as a child similar to the Pelezinho comic book, initially published by Globo and continued by Panini Comics from 2007 to 2015.[27] In 2013, Mauricio repeated the same style with the player Neymar Jr. also publishing the comic book through Panini until 2015.[28]

Japanese influences

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In 1966, the publisher Edrel was founded by Salvador Bentivegna, Jinki Yamamoto and Minami Keizi, but its management occurred some time before, at the end of the 50s, when “grocery stores and warehouses” imported Japanese publications for the descendants of Japanese people.[29] One of the first characters that served as a mascot for the publisher, Tupãzinho, was clearly inspired by Osamu Tezuka's character Astro Boy however, his design was changed to more closely resemble American characters in the style of Harvey Comics because Keizi believed that the manga style would not be popular in Brazil.[30] Other characters inspired by Japanese comics were also published, but the publisher closed in 1975.

In the early 1990s, original Brazilian comics based on tokusatsu series such as Juspion, Changeman, Jiraiya and others were published and developed by artists such as Marcelo Cassaro through the Heróis da TV series published by Abril.[31][32]

In 1998, the Japanese-Brazilian artist Fábio Yabu created the webcomic Combo Rangers, initially as a parody of Japanese heroes, which, due to its success, was published in print by the publishers JBC and Panini.[33] In 1999 Marcelo Cassaro and his team created the comic Holy Avenger with strong inspiration from manga, illustrated by artist Érica Awano based on the RPG Tormenta.[34] Both series have developed a considerable legacy, becoming cult classics with Holy Avenger even being considered the most successful Brazilian manga.

In 2000, the publisher Conrad became a pioneer by launching well-known manga titles in Japan such as Dragon Ball and Saint Seiya, which achieved good sales figures.[35] This led to more manga being sold in Brazil in the following years.

Inspired by the success of manga among teenage audiences, in 2008 Mauricio de Sousa released a retelling of Monica and Friends as a manga-styled comic with its characters as teenagers entitled Turma da Mônica Jovem (later published in English as Monica Adventures), produced by several artists and writers from his studio and initially having strong references to Japanese pop culture, quickly became a top-selling success in its first few years.[36][37] The comic received a spin-off in 2013 called Chico Bento Moço, starring an older version of Chuck Billy that was published until 2021.[38]

In 2011, a new comic based on Tormenta entitled Ledd, authored by J.M. Trevisan and artist Lobo Borges, which was initially published online, but later gained printed versions.[39] Over the years, several independent authors and artists have tried to develop their own manga, with titles such as Tools Challenge, Digude, Quack, Rei de Lata, Lampião, Oxente, among others.[40][41] Similarly, attempts to create manga anthology magazines in the style of Weekly Shōnen Jump have occurred over the years, with magazines such as Ação Magazine and Action Hiken.[42]

Titles

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References

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  1. ^ Marco Morel (2003). O período das regências (1831-1840). Jorge Zahar Editor Ltda. ISBN 978-85-7110-746-5.
  2. ^ Angelo Agostini, pioneiro dos quadrinhos
  3. ^ Waldomiro Vergueiro. "A odisséia dos quadrinhos infantis brasileiros:Parte 1: De O Tico-Tico aos quadrinhos Disney, a predominância dos personagens importados". Escola de Comunicações e Artes. Archived from the original on 2016-03-03.
  4. ^ a b Franco de Rosa (Oct 2005). "A revista em quadrinhos no Brasil faz 100 anos". Wizard Brasil (25). Panini Comics: 68–69. ISSN 1679-5598.
  5. ^ Marcelo Naranjo, sobre o press release (2005-10-14). "Via Lettera lança O Tico-Tico: Cem anos de revista". Universo HQ. Archived from the original on 2009-09-29.
  6. ^ Dandara Palankof e Cruz (2008-09-16). "A História dos Quadrinhos no Brasil - Parte 1". HQManiacs. Archived from the original on 2017-01-05.
  7. ^ Gian Danton (2010-05-23). "O Tico-Tico". Bigorna.
  8. ^ Sonia Luyten. "Moinhos, tulipas e stripverhalen, os quadrinhos da Holanda". Universo HQ. Archived from the original on 2013-03-28.
  9. ^ Roberto Elísio dos Santos (2010-01-13). "80 anos de quadrinhos Disney". Omelete.
  10. ^ Marcelo Naranjo (2006-01-13). "O Tico-Tico em volume luxuoso da Opera Graphica". Universo HQ. Archived from the original on 2010-04-15.
  11. ^ a b Junior, Gonçalo (2004). A Guerra dos Gibis (in Portuguese). São Paulo: Companhia das Letras. ISBN 978-85-3590-582-3.
  12. ^ Gonçalo Júnior (October 2006). "Do fundo do baú - Raio Vermelho, a primeira revista da Abril". Revista Crash. No. 1. Editora Escala.
  13. ^ "Perfil de Victor Civita". Editora Abril. Archived from the original on 2013-04-05. Retrieved 6 June 2010.
  14. ^ Marcus Ramone. "Zé Carioca: uma aventura editorial no Brasil". Universo HQ. Archived from the original on 2011-09-07. Retrieved 2010-05-21.
  15. ^ ""Turma do Pererê", do Ziraldo, se prepara para comemorações de 50 anos". UOL. 2009-01-29.
  16. ^ Shirley Paradizo (2006-04-19). "Entrevista: Ziraldo". Bigorna.net.
  17. ^ "Mauricio de Sousa é homenageado e MSP tem 42 lançamentos na Bienal do Livro". www.universohq.com.
  18. ^ "Maurício de Sousa". Roda Viva. 1989-10-09.
  19. ^ "Monica's Gang - Mauricio de Sousa". 2008-04-22. Archived from the original on 2008-04-22. Retrieved 2023-07-06.
  20. ^ "Esqueceram de nós!". Universo HQ. 10 October 2003.
  21. ^ "Globo tira os quadrinhos das bancas e foca o trabalho em livrarias". January 28, 2008 (in Portuguese). Universo HQ. 28 January 2008. Retrieved 23 July 2022.
  22. ^ "Abril confirma, em comunicado a assinantes, o fim dos quadrinhos Disney na editora". 9 June 2018. Archived from the original on 2019-07-16. Retrieved 2019-07-16.
  23. ^ Marcus Ramone (5 April 2007). "Pelezinho: a história de um craque dos gibis". Universo HQ.
  24. ^ Marcus Ramone (6 September 2012). "Clássicos dos quadrinhos: os gibis estrelados por celebridades brasileiras". Universo HQ.
  25. ^ Emanuel Colombari (1 May 2014). "Queria que fosse um Mickey nacional, diz criador do Senninha". Terra.
  26. ^ Dani Blaschkauer (22 January 1998). "Oscar lança gibi e vira astro de cinema". Folha Online.
  27. ^ HQ de Ronaldinho Gaúcho é lançada
  28. ^ Neymar Jr., Gibi Neymar Jr. chega às bancas neste mês
  29. ^ Neto, Elydio dos Santos (September 2006). "Minami Keizi, a Edrel e as HQs brasileiras: Memórias do desenhista, do roteirista e do editor" (PDF). XXIX Congresso Brasileiro de Ciências da Comunicação (in Brazilian Portuguese). Universidade Metodista de São Paulo e Núcleo de Pesquisas em Histórias em Quadrinhos da Universidade de São Paulo. Retrieved 2024-07-07.
  30. ^ Franco de Rosa (August 2017). "Minami Keizi e as sinuosas trilhas do mangá brasileiro". Neo Tokyo [pt] (119). Editora Escala [pt]: 6–9. ISSN 1809-1784. {{cite journal}}: |author= has generic name (help)
  31. ^ Gustavo Brauner (12 July 2006). "Entrevista com Marcelo Cassaro". Sobrecarga. Archived from the original on 26 July 2011.
  32. ^ Magico (2004-03-18). "O Fantástico Jaspion". site RedeRPG (in Portuguese). Retrieved 2009-11-30.
  33. ^ "Universo Mangá". Archived from the original on 2006-05-18. Retrieved 2008-02-29.
  34. ^ Amaro Xavier Braga Junior. "Desvendando o Mangá Nacional Uma análise sociológica de Holy Avenger". Universo HQ.
  35. ^ Cassius Medauar e Sidney Gusman (2003-10-13). "A inesquecível experiência de editar Dragon Ball Z, o mangá mais vendido do planeta". Universo HQ.
  36. ^ Diego Assis (2009-09-13). "Mauricio de Sousa vai à Bienal com um pé no Rio e outro no mundo". G1 (in Brazilian Portuguese). Retrieved 2024-10-19.
  37. ^ "Turma da Mônica Jovem bate recorde de vendas". Bem Paraná (in Brazilian Portuguese). 2009-02-04. Retrieved 2024-10-19 – via Agência Estado.
  38. ^ Chico Bento ganha revista com versão adolescente Archived 2014-10-20 at the Wayback Machine Página acessada em 18/12/2013
  39. ^ Marcelo Naranjo (2011-07-06). "Conheça Ledd, série baseada em RPG com atualizações online". Universo HQ (in Brazilian Portuguese). Retrieved 2025-03-08.
  40. ^ Samuel Belizário (2020-09-09). "5 Mangás brasileiros que você precisa conhecer!". Revista Jovem Geek (in Brazilian Portuguese). Retrieved 2025-03-08.
  41. ^ Henrique Rei Amorim da Silva (2023-04-01). "Mangá Brasileiro sobre o rei do cangaço lampião alcança números incríveis". Kitsune (in Brazilian Portuguese). Retrieved 2025-03-08.
  42. ^ "Ação Magazine - Revista brasileira trará coletânea de mangás". Omelete. 22 February 2011.
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