Project MUSE - Film & History: An Interdisciplinary Journal of Film and Television Studies-Volume 34.1 (2004)

The Editor's Reflections and Reports

Peter C. Rollins

pp. 1-8

DOI: https://doi.org/10.1353/flm.2004.0025

Adrian Cronauer is Conference Speaker!

pp. 10-11

DOI: https://doi.org/10.1353/flm.2004.0012

Jim Welsh: In Appreciation of a Pioneer

John E. O'Connor

pp. 12-15

DOI: https://doi.org/10.1353/flm.2004.0024

"Outlawed" in Oz: A Film & History Associate Editor Visits Australia

Deborah A. Carmichael

pp. 16-17

DOI: https://doi.org/10.1353/flm.2004.0011

San Martin, from Bronze to Celluloid: Argentina's Liberator as Film Character

Tzvi Tal, Martha Grenzeback

pp. 21-30

DOI: https://doi.org/10.1353/flm.2004.0029

U.S.-Argentine Co-productions, 1982-1990: Roger Corman, Aries Productions, "Schlockbuster" Movies, and the International Market

Tamara L. Falicov

pp. 31-38

DOI: https://doi.org/10.1353/flm.2004.0015

Sex, Class, and Mexico in Alfonso Cuaron's Y tu mama tambien

Ernesto R. Acevedo-Munoz

pp. 39-48

DOI: https://doi.org/10.1353/flm.2004.0001

Contemporary Hi(stories) of Mexico: Fictional Re-Creation of Collective Past on Television

Rodriguez Cadena, Maria de los Angeles

pp. 49-55

DOI: https://doi.org/10.1353/flm.2004.0010

Manifesting La Historia : Systems of 'Development' and the New Latin American Cinema Manifesto

Scott L. Baugh

pp. 56-65

DOI: https://doi.org/10.1353/flm.2004.0005

A Conversation with Lordes Portillo

Hector A. Torres, Lourdes Portillo

pp. 66-72

DOI: https://doi.org/10.1353/flm.2004.0030

Ridicule (review)

Christine Adams

pp. 73-74

DOI: https://doi.org/10.1353/flm.2004.0002

The House of Yes (review)

Daniel Williford

pp. 74-75

DOI: https://doi.org/10.1353/flm.2004.0031

Finding Nemo (review)

Laurie Frankel

pp. 75-76

DOI: https://doi.org/10.1353/flm.2004.0016

Abraham and Mary Lincoln: A House Divided (review)

Charles J. Holden

pp. 76-77

DOI: https://doi.org/10.1353/flm.2004.0019

No Dumb Questions (review)

Kristin Effland

pp. 77-78

DOI: https://doi.org/10.1353/flm.2004.0014

Lagaan: Once Upon a Time in India (review)

Rebecca M. Brown

pp. 78-80

DOI: https://doi.org/10.1353/flm.2004.0008

Classics Illustrated: A Cultural History with Illustrations (review)

Robert Fyne

pp. 81-82

DOI: https://doi.org/10.1353/flm.2004.0017

The James Bond Phenomenon: A Critical Reader (review)

David Lancaster

pp. 82-83

DOI: https://doi.org/10.1353/flm.2004.0020

Cold War, Cool Medium: Television, McCarthyism, and American Culture (review)

Michael C. C. Adams

pp. 83-84

DOI: https://doi.org/10.1353/flm.2004.0003

The Matter of Images: Essays on Representations (review)

David Lancaster

pp. 84-85

DOI: https://doi.org/10.1353/flm.2004.0021

War and Film in America: Historical and Critical Essays (review)

Michael S. Shull

pp. 85-86

DOI: https://doi.org/10.1353/flm.2004.0027

Hollywood Comedians, The Film Reader (review)

Heather Butts

pp. 86-87

DOI: https://doi.org/10.1353/flm.2004.0009

Piracy In The Motion Picture Industry (review)

Suzanne Broderick

pp. 87-89

DOI: https://doi.org/10.1353/flm.2004.0007

Impossible Bodies: Femininity and Masculinity at the Movies (review)

Meredith Guthrie

p. 89

DOI: https://doi.org/10.1353/flm.2004.0018

Michael Reeves (review)

David Lancaster

pp. 90-91

DOI: https://doi.org/10.1353/flm.2004.0022

Radical Hollywood: The Untold Story Behind America's Favorite Movies (review)

Ron Briley

pp. 91-92

DOI: https://doi.org/10.1353/flm.2004.0006

Andy Warhol's Blow Job (review)

David Lancaster

p. 92

DOI: https://doi.org/10.1353/flm.2004.0023

The Imperial Screen: Japanese Film Culture in the Fifteen Years' War, 1931-1945 (review)

Michael S. Shull

pp. 93-94

DOI: https://doi.org/10.1353/flm.2004.0028

Hollywood's White House, the American Presidency in Film and History, and: The West Wing, the American Presidency as Television Drama (review)

Ken Dvorak

pp. 94-95

DOI: https://doi.org/10.1353/flm.2004.0013

The Historian-Filmmaker's Dilemma: Historical Documentaries in Sweden in the Era of Hager and Villius (review)

Hannu Salmi

pp. 95-96

DOI: https://doi.org/10.1353/flm.2004.0026

Special Issue Introduction: Historical Reflections/Cinematic Projections of Latin American Film

Scott L. Baugh, Michael K. Schoenecke

pp. 19-20

DOI: https://doi.org/10.1353/flm.2004.0004

ISSN	1548-9922
Print ISSN	0360-3695
Launched on MUSE	2004-07-08
Open Access	No

Film & History: An Interdisciplinary Journal of Film and Television Studies

In this Issue

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Table of Contents

The Editor's Reflections and Reports

Adrian Cronauer is Conference Speaker!

Jim Welsh: In Appreciation of a Pioneer

"Outlawed" in Oz: A Film & History Associate Editor Visits Australia

San Martin, from Bronze to Celluloid: Argentina's Liberator as Film Character

U.S.-Argentine Co-productions, 1982-1990: Roger Corman, Aries Productions, "Schlockbuster" Movies, and the International Market

Sex, Class, and Mexico in Alfonso Cuaron's Y tu mama tambien

Contemporary Hi(stories) of Mexico: Fictional Re-Creation of Collective Past on Television

Manifesting La Historia : Systems of 'Development' and the New Latin American Cinema Manifesto

A Conversation with Lordes Portillo

Ridicule (review)

The House of Yes (review)

Finding Nemo (review)

Abraham and Mary Lincoln: A House Divided (review)

No Dumb Questions (review)

Lagaan: Once Upon a Time in India (review)

Classics Illustrated: A Cultural History with Illustrations (review)

The James Bond Phenomenon: A Critical Reader (review)

Cold War, Cool Medium: Television, McCarthyism, and American Culture (review)

The Matter of Images: Essays on Representations (review)

War and Film in America: Historical and Critical Essays (review)

Hollywood Comedians, The Film Reader (review)

Piracy In The Motion Picture Industry (review)

Impossible Bodies: Femininity and Masculinity at the Movies (review)

Michael Reeves (review)

Radical Hollywood: The Untold Story Behind America's Favorite Movies (review)

Andy Warhol's Blow Job (review)

The Imperial Screen: Japanese Film Culture in the Fifteen Years' War, 1931-1945 (review)

Hollywood's White House, the American Presidency in Film and History, and: The West Wing, the American Presidency as Television Drama (review)

The Historian-Filmmaker's Dilemma: Historical Documentaries in Sweden in the Era of Hager and Villius (review)

Special Issue Introduction: Historical Reflections/Cinematic Projections of Latin American Film

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