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In this Issue

Table of Contents

“I want a bath!”: On the Depth and Limits of Universalist Liquefaction in Sarah Ruhl’s Eurydice

Michel Büch
pp. 406-434
DOI: https://doi.org/10.1353/cdr.2024.a950194
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“The Bible say”: August Wilson’s Scriptural Improvisation

Patrick Maley
pp. 435-459
DOI: https://doi.org/10.1353/cdr.2024.a950195
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Gender and Pilgrimage in The Digby Mary Magdalene

Jiamiao Chen
pp. 460-485
DOI: https://doi.org/10.1353/cdr.2024.a950196
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Persia in Early Modern English Drama, 1530–1699: The Imagined Empire by Chloë Houston (review)

Bernadette Andrea
pp. 486-488
DOI: https://doi.org/10.1353/cdr.2024.a950197
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The Theatre Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing by Serena Laiena (review)

Erith Jaffe-Berg
pp. 489-491
DOI: https://doi.org/10.1353/cdr.2024.a950198
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Staging Haiti in Nineteenth-Century America: Revolution, Race, and Popular Performance by Peter P. Reed (review)

John Saillant
pp. 492-494
DOI: https://doi.org/10.1353/cdr.2024.a950199
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Pragmatic Liberation and the Politics of Puerto Rican Diasporic Drama by Jon D Rossini (review)

Camilla Stevens
pp. 495-497
DOI: https://doi.org/10.1353/cdr.2024.a950200
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Cue Tears: On the Act of Crying by Daniel Sack (review)

Peta Tait
pp. 498-501
DOI: https://doi.org/10.1353/cdr.2024.a950201
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Contributors

pp. 502-504
DOI: https://doi.org/10.1353/cdr.2024.a950202
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