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William Carlos Williams Review

In this Issue

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William Carlos Williams’s The Great American Novel: Flamboyance and the Beginning of Art

April Boone

pp. 1-25

DOI: https://doi.org/10.1353/wcw.2007.0000

Compelling Objects: Form and Emotion in Williams’s Lyric Poetry

Celia Carlson

pp. 27-50

DOI: https://doi.org/10.1353/wcw.2007.0004

Paterson: Poem as Rhizome

Alba Newmann

pp. 51-73

DOI: https://doi.org/10.1353/wcw.2007.0002

In Search of the Low-Down Americano: H. H. Lewis, William Carlos Williams, and the Politics of Literary Reception, 1930–1950

Douglas C. Wixson

pp. 75-100

DOI: https://doi.org/10.1353/wcw.2007.0003

Cinematic Modernism: Modernist Poetry and Film (review)

Glen G. MacLeod

pp. 101-102

DOI: https://doi.org/10.1353/wcw.2007.0005

William Carlos Williams: Selected Poems (review)

E. P. Walkiewicz

pp. 102-104

DOI: https://doi.org/10.1353/wcw.2007.0006

Emancipating Pragmatism: Emerson, Jazz, and Experimental Writing (review)

William J. Harris

pp. 104-107

DOI: https://doi.org/10.1353/wcw.2007.0001

Additional Information
ISSN	1935-0244
Print ISSN	0196-6286
Launched on MUSE	2007-06-20
Open Access	No

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