Comic strip for Ratio (1964).
Peter Vos was a Dutch illustrator and graphic artist, best known for his detailed pen-and-ink drawings and watercolor paintings of birds. He also made many drawings of mythical creatures, metamorphoses and, erotic scenes, all characterized by a melancholic sense of humor. The artist had great powers of observation, and could depict the subtle characteristics and irregularities of his subjects. Vos even managed to capture a birds' personality, making it possible to discover which one had been his model. His favorite subject was the modest and non-pretentious sparrow, which maybe best reflected his own character. As a comic artist, he is notable for 'Sylvester en Sebastiaan' (1958-1959), printed in the regional paper Het Centrum. Vos also made some sequential illustrations about metamorphoses, particularly starring birds.
Early life and career
Petrus Antonius Carolus Augustinus Vos was born in 1935 in Utrecht. His father Cornelis J. Vos was the driving force behind De Gemeenschap, a local magazine and publishing house for young Catholics. His mother Netty Hofland worked as a hatter for Gerzon. Father Vos had many acquaintances in artistic circles, and strongly encouraged his son to further develop his drawing talent. Vos quickly started making detailed drawings in his school notebooks. Among his main influences were classic masters like Rembrandt Van Rijn, Francisco de Goya, Diego Velázquez and Henri de Toulouse-Lautrec. His first book was a series of portraits of his father, drawn as pastiches of the classic masters. Aptly titled 'Het Eerste Boek Vos' ("The First Book Vos", 1952), it was the first of many books he made with a print-run of one copy. Vos developed a lifelong fascination for Greek and Roman mythology during his education at the Sint Bonifatiuslyceum in Utrecht. Mythological stories, settings and creatures remained an inspiration throughout his career. In 1953, he enrolled at the Academy of Fine Arts in Amsterdam, where the painter Otto de Kat and the graphic artist Kuno Brinks were among his teachers. Vos settled in the Dutch capital in the following year.
'Scheppingsverhaal'.
Illustration career
In 1953, Het Spectrum published Vos' first illustrated book, 'De Kok van Marienbad', a poetry collection by Daan Zonderland. From 1956 on, Vos started making illustrations for the Utrecht newspaper Het Centrum, which later also published Vos' only printed comic strip 'Sylvester en Sebastiaan' (1958-1959). While there is also another comic by his hand, 'Meneer Miereneter' (made around 1960), it is uncertain whether or not it was published.
Vos became an illustrator and cartoonist for the student's magazine Propria Cures in 1957, and in 1959 began his long association with the news weekly Vrij Nederland in 1959. He started out as the cartoonist for 'Vrij Blijvend', a parody column written by Rinus Ferdinandusse and Hugo Brandt Corstius. It marked the debut of Vos' little lion character, an anthropomorphic representation of the Dutch man in his daily struggles. In 1965, the character became the mascot of 'Terzijde', a section of one-liners by Toon Verhoeven. Peter Vos continued to draw a lion for Vrij Nederland every week for 43 years, even after he had dropped his other commercial activities.
Vos also made regular illustrations for the literary magazines Hollands Weekblad, Tirade and Maatstaf. In 1964, he additionally participated in the comics special of the literary monthly Ratio (November-December 1964), which also featured work by Rupert van der Linden, Guus Boissevain, Marten Toonder, Frank Lodeizen, Frits Müller, Wim Boost, Opland, Hugh Jans, Waldemar Post, Thé Tjong-Khing and Peter van Straaten.
Lion with marabou (Vrij Nederland, around 2000).
Peter Vos made a great many book illustrations between 1953 and 2006, often with animal or fairy tale-related subjects. Early work included illustrations for more books of poetry by Daan Zonderland, a book with fables by Leo Vroman and several books of his friend Rinus Ferdinandusse. He also livened up works by writers and essayists like Raoul Chapkis (Hugo Brandt Corstius), Paul Rodenko, Anton Koolhaas, Renate Rubinstein, Simon Carmiggelt, Koos van Zomeren and Rudy Kousbroek, as well as children's books by Paul Biegel ('De Twaalf Rovers', 1971) and Bouke Jagt ('De Pozzebokken', 1971). Vos also provided the illustrations for a 1969 Dutch reprint of George Orwell's 'Animal Farm' and did the same with a reprint of Orwell's other classic, '1984', when the year of this future novel had arrived.
Most notable were his detailed pen drawings for 'Sprookjes van de Lage Landen' (De Bezige Bij, 1972), a collection of fairy tales from the Low Countries, compiled by Eelke de Jong and Hans Sleutelaar. He additionally provided illustrations for the follow-ups, 'De Onbekende lotgevallen van Klein Duimpje en Hans & Grietje' (1973) and 'Nieuwe Sprookjes van de Lage Landen' (1974). Peter Vos' first solo book was 'Scheppingsverhaal' (Contact, 1966), featuring the artist's version of the Creation story, which he had made as a St. Nicholas (Sinterklaas) present for his friend Mieke Heijbroek in 1959. A bestseller was his 'Beestenkwartet' (1970), a set of old maid game cards with drawings of imaginary animals from Dutch expressions.
Drawing for Hollands Maandblad #293 (1972).
Birds
Overworked, Vos hardly took any commercial assignments after the mid-1970s. He completely focused on personal projects, and spent many hours in the Amsterdam zoo Artis to study bird species. The results were collected in the booklet 'Een Studie in Grijs' (1980). He also made hundreds of bird drawings during his several trips to Spain and Eilat, Israel. Peter Vos' personal life and inner struggles were strongly represented in his more personal artworks. Already at a young age, he made several drawings at his father's deathbed. He later covered the separation from his first wife in a series of drawings he called the "depression series". He regularly used birds as a metaphor in these private works. The Pulcinella, the buffoon from Italian puppetry with a nose like a bird's beak, had served as mascot and signature in his letters, sketches and other drawings since 1955. In letters to his lovers, Vos often drew the father-in-law figure as a marabou, a bird whose long beak resembled the pointed face of his late father.
'Arlecchino'.
Graphic contributions
In 1980 and 1982, Vos designed the annual Dutch children's stamps, followed by a series of summer stamps in 1984. He already made fake stamps in his spare times, so designing official stamps wasn't that much of a stretch for him. Vos paid homage to Marten Toonder in the tribute book 'Was Tom Poes Maar Hier - Een Hommage aan Marten Toonder' (De Bezige Bij, 2006).
Recognition
Peter Vos and Bouke Jagt won the "Zilveren Griffel" for their children's book 'De Pozzebokken' in 1972. He later received the "Golden Pencil" for his illustrations for Rudy Kousbroek's 'Lieve Kinderen, Hoor Mijn Lied' (1980). Vos was also awarded the Jeanne Oosting Prize (1980), for artists active in Figurative Arts, and the Ton Smits Penning for his cartoons in 1994. On 27 April 1996, Peter Vos was knighted in the Order of the Dutch Lion. He posthumously received the Maartenspenning for his merits for the city of Utrecht in 2011.
The first expositions of his work were held in small venues in Amsterdam and Utrecht in 1958. Several expositions followed, including group shows with the Utrecht graphic collective De Luis, of which was a member in the 1960s and 1970s. When the artist turned 60 in 1995, a large overview exhibition was held in museum De Beyerd in Breda to wide media coverage. Another overview exhibition of work by Vos and his friend Charles Donker was held in the Centraal Museum in Utrecht in 2010.
'Metamorphosis' (2003).
Final years and death
Throughout his life, Vos always drew because he had an inner urge. In childhood, he drew on his test papers and exams. Every letter he wrote had drawings on it, while his characteristic handwriting was beautiful calligraphy and poetic language in its own right. But Vos lacked any artistic or commercial pretenses. Whenever somebody liked his drawings, he just gave them away. His later life was troubled by bouts of depression, which he tried to drown with alcohol. Losing his father, mother and brother at a young age and experiencing several subsequent break-ups and other setbacks took their toll. Two of his former partners were well-known in their own right. Between 1961 and 1963, he had a relationship with poet, illustrator and comic artist Fritzi Harmsen van Beek, in 1975 with novelist Renate Rubinstein and in 1976 with TV actress Marina Schapers. From 1986 on, he had a stable relationship with Saida Lokhorst, with whom he stayed together with until his death.
Vos made no secret of his drinking problem. Even during interviews, he kept pouring glasses. His moods changed along the day from shy and modest, over joyful and cunning to sad and verbally aggressive. In this light it is interesting that one of his final projects was based on the metamorphoses from Ovid's poetry, in which a human transforms into a bird in a couple of sequential images.
By the time the 2010 exhibition of his work was held in the Centraal Museum in Utrecht, Vos was already battling cancer. He passed away shortly after the opening, at age 75.
Sparrows playing billiards in a letter to Renate Rubinstein (1967).
Books about Peter Vos
Jan Piet Filedt and Eddy de Jongh posthumously compiled the book 'Peter Vos, Metamorfosen' (Thoth, 2013), which contained a great many of his artworks, to much critical acclaim. In 2017, the same authors also made a compilation of Peter Vos' correspondence under the title 'Peter Vos - Getekende brieven'. It featured letters from the period 1952-2005 to friends like Louis Andriessen, Rinus Ferdinandusse, Willem den Ouden, Karel van het Reve and Renate Rubinstein, lovers like Fritzi Harmsen van Beek and Saïda Lokhorst, and his son Sander Vos. A documentary called 'Peter Vos - Vogelparadijs' was made by director David de Jongh about his life and work, and broadcast on Dutch television on 1 May 2017.
Legacy and influence
Peter Vos has served as an inspiration for artists like Peter van Straaten and Siegfried Woldhek. His son Sander Vos (1967) is active as a Dutch film editor and as a musician in the band Sander Vos en de Waterlanders.
Self-portrait.
