Hellion

I was confused that they made this a full length movie and thought really this could better as a TV show or mini-series. Giving more of a background to the challenges the family has come across and an understanding of the community and the fathers relationships in the community.

The back luck situation was typical of many TV dramas. Husband loses Wife and gets depressed resulting in a diet of beer and fast food and emotional distancing for the family. Nothing really fresh.

However I admire that the story does not go Disney and the characters and development of events are quite believable. So if you want a look into the life of hard knocks and love Mid-West accents this is the movie for you :-)

Greetings again from the darkness. This is the perfect Film Festival movie: low budget, recognizable star trying something new, up and coming director, and potential star in the making newcomer. While it has an air of familiarity, there was enough here to make it one of my favorites from the 2014 Dallas International Film Festival.

Writer/director Kat Candler has a definite feel for creating real moments for characters, as she expands her 2012 short to feature length. She was also wise enough to nab cinematographer Brett Pawlak, who did such a great job with Short Term 12 (one of my top six films of 2013). The blue collar life gets a twist here as Aaron Paul (on top of the world after "Breaking Bad") plays an alcoholic, emotionally-distant, grieving widower having to deal with his two sons when he can barely make it through a day. This is certainly a different kind of role for Mr. Paul, and he shows real depth with minimal dialogue.

As impressive as Paul is, the real find here is young Josh Wiggins as Jacob. It's his first screen role and he absolutely owns the role of the big brother lashing out at his dad, corrupting his little brother (due to jealousy) and dealing with things that kids his age shouldn't have to. Not to give away much, but one too many incidents leads to a visit from Child Protective Services, and just like that ... the family is torn apart again.

The real guts of the story is the parallel paths of father and son as they react to the displacement of little Wes (Deke Garner). Neither seems to fully accept the role they played in this mess, but both carry sorrow and anger the way males often do. Both pursue their own idea of proving something to Wes and to themselves - in very different ways. Juliette Lewis seems a bit out of place as Paul's sister, and is the only minor misstep in the script. We needed either more on her, or less.

Rural Texas and the challenges of youth are captured through so many details, and the realistic feel of dialogue and setting certainly stands out here ... as does the spot on camera work. This is one of the little movies I am really rooting for, because if it gets a chance, many will share my appreciation.

As a foreigner traveling in America, I would classify this as . . .exemplary Amercian Cinema. The inclusion of guns and authority issues noted. But this is raw, truthful American cinema; no Hollywood/Disney fluff. This is the purest kind of family tauma about the remnants of a family trying to stay together. Again, the "Amercicanisms" of guns and violence and famly dysfunctionality overlooked, this is just good American drama. Kudos to the cast and writers.

A heartfelt story delivered in a subtle and effective way reminiscent of David Gordon Green's, JOE, and Jeff Nichols', MUD (I wasn't surprised to see Jeff's name in the credits).

Nicely understated, beautifully shot and with a great breakout performance from Josh Wiggins. Aaron Paul avoids what could otherwise be a clichéd father-gone-wrong with a beautifully underplayed performance. The incomparable Juliette Lewis brings a vulnerability to one of the least fragile characters she's ever played and overall HELLION breathes easily throughout its ebbs and flows.

Kat Candler did a great job in the director's chair and Aaron Paul should be commended for his support of emerging filmmakers and independent film.

Hellion also known as Retribution is a slight tale from writer and director Kat Candler which has slow, unrushed placing.

The film chronicles a family on the edge of destruction in rural Southeast Texas. Jacob Wilson (Josh Wiggins) likes heavy metal and loves motocross biking. He and his mates also get into vandalism and arson. Unfortunately for them, for every wrong move they make the police are immediately on to them.

His father Hollis (Aaron Paul) is also broken. He his grieving over the loss of his wife, drinks too much and not spending enough time to look after his two children, their house is squalid. Hollis was a one time local baseball star. His actions also brings him to the attention of the police. The behaviour of both puts the younger son Wes at risk and into the hands of the child protection services who have him fostered out to his aunt Pam (Juliette Lewis.)

Things take a turn for the worse when Jacob and his gang go to the aunt's house to visit Wes.

The film has naturalistic performances from the child actors which is the big plus for the film. Everything is low key, fatalistic even. The only thing sunny here is the weather. The pacing is uneven as the film is a slow burner. There is too much contrivances, the police seem to be always there when there is trouble which is hard to swallow.

There is irony to see Lewis being terrorised at the end of the movie from a gang of kids, after all she did her share of terrorising twenty years ago in films like Natural Born Killers.