Bumbling Inspector Clouseau must solve the murder of a famous soccer coach and find out who stole the infamous Pink Panther diamond.Bumbling Inspector Clouseau must solve the murder of a famous soccer coach and find out who stole the infamous Pink Panther diamond.Bumbling Inspector Clouseau must solve the murder of a famous soccer coach and find out who stole the infamous Pink Panther diamond.
- Awards
- 1 win & 8 nominations total
Featured reviews
I really enjoyed this movie. I expected the worst because of many of the comments here, but that's why they play the game, so the saying goes...
There were plenty of laughs and a simple but serviceable plot that held together for the whole film. I personally don't think Martin was trying to BE Sellers, but to do his TAKE on a character created by Sellers. Think original Clouseau + The Jerk and you get the idea.
The key is that Marin captured the spirit of the character and the film captured the spirit of the original films as well. That's all one could ask.
Jean Reno was quite good, Kevin Cline not so good. He might have taken more time to make his own Dreyfuss.
Now to clear some things up:
First: For those who lament a crappy remake of the original film, I suggest you go watch the original film. You will be surprised at how unfunny it is. Sellers is good, but the movie itself is slow and obvious. I remember loving the movie as a kid, then I tried to watch it recently and realized I was remembering the sequel. The original was really weak and boring.
Second: For those who say Martin turned Clouseau into some kind of loser, I again suggest you watch the originals. He WAS a loser. He WAS pathetic. That was the point. He was a sexual repressed, pathetic loser who lucked into solving crimes while bumbling around and trying to get laid. Martin's Clouseau fits this mold.
Third: This is not a remake, but another in a series. To suggest that the original is so sacred that another film in a series can't be made many years later is the worst kind of snobbery. Why do people treat films with such reverence but not plays or musicals? If a great star creates a character on stage, does that mean no one else can ever play that character in the history of theater? Of course not. Sorry to say, Sellars is dead. He can't come back and do it again.
Now there are things about this movie that are different than the originals in terms of tone.
One is that the subject matter has been toned down a bit. Though there is the implication of sex in multiple places and a few murders (not violent and not seen), it isn't as risqué as the original, to fit a broader market one would suppose. Still not sure how they can get away with advertising it on Nickelodeon with links to NIck.com, but that's a typical Viacom/MTV problem.
But this film is a bit lighter than the original for that reason. It is still satirical, but less blatantly pop culture gag driven than a Shrek. Pink Panther takes subtle jabs at the French and their love of cycling, hatred of American food, etc. It also incorporates a very fun sequence with 006, creates gags out of Viagra, ring tones, the TSA, etc. Basically, it's current without being so tied to 2005/6 that it will feel dated later.
If you like to laugh, you'll like this movie. If you consider yourself a tough cookie for laughs, then you may not. But that's your fault, not the movie's... ;)
There were plenty of laughs and a simple but serviceable plot that held together for the whole film. I personally don't think Martin was trying to BE Sellers, but to do his TAKE on a character created by Sellers. Think original Clouseau + The Jerk and you get the idea.
The key is that Marin captured the spirit of the character and the film captured the spirit of the original films as well. That's all one could ask.
Jean Reno was quite good, Kevin Cline not so good. He might have taken more time to make his own Dreyfuss.
Now to clear some things up:
First: For those who lament a crappy remake of the original film, I suggest you go watch the original film. You will be surprised at how unfunny it is. Sellers is good, but the movie itself is slow and obvious. I remember loving the movie as a kid, then I tried to watch it recently and realized I was remembering the sequel. The original was really weak and boring.
Second: For those who say Martin turned Clouseau into some kind of loser, I again suggest you watch the originals. He WAS a loser. He WAS pathetic. That was the point. He was a sexual repressed, pathetic loser who lucked into solving crimes while bumbling around and trying to get laid. Martin's Clouseau fits this mold.
Third: This is not a remake, but another in a series. To suggest that the original is so sacred that another film in a series can't be made many years later is the worst kind of snobbery. Why do people treat films with such reverence but not plays or musicals? If a great star creates a character on stage, does that mean no one else can ever play that character in the history of theater? Of course not. Sorry to say, Sellars is dead. He can't come back and do it again.
Now there are things about this movie that are different than the originals in terms of tone.
One is that the subject matter has been toned down a bit. Though there is the implication of sex in multiple places and a few murders (not violent and not seen), it isn't as risqué as the original, to fit a broader market one would suppose. Still not sure how they can get away with advertising it on Nickelodeon with links to NIck.com, but that's a typical Viacom/MTV problem.
But this film is a bit lighter than the original for that reason. It is still satirical, but less blatantly pop culture gag driven than a Shrek. Pink Panther takes subtle jabs at the French and their love of cycling, hatred of American food, etc. It also incorporates a very fun sequence with 006, creates gags out of Viagra, ring tones, the TSA, etc. Basically, it's current without being so tied to 2005/6 that it will feel dated later.
If you like to laugh, you'll like this movie. If you consider yourself a tough cookie for laughs, then you may not. But that's your fault, not the movie's... ;)
First off, why all the reruns? Are there NO creative minds left in the movie making business? Or are they all tangled up in making dreary reality films? Steve Martin deserves something original as he is certainly an original talent. Why must we have to go into a movie with the quintessential movie of that title already firmly etched into our mind? The comparison is going to be there, try as you may to squelch it. And in so saying, I will admit this movie isn't bad, it does have the moments and the laughs. But I, for one, am tired of rehash after rehash of previously made movies - most of which can't be improved on. (Witness the hideous remake of Charley and the Chocolate Factory. That will likely be the only movie that Johnny Depp, one of the world's best actors, shouldn't have made and that was almost embarrassing to watch.) And The Pink Panther should have been left the perfect jewel that was created by Peter Sellers.
While obviously nothing can hold a candle to Peter Sellers and the original Pink Panther, I was pleasantly surprised with this new installment. I went in being very skeptical, but I laughed through most of the movie, and left satisfied by the experience. Beyonce really should stick to singing, so it was good that her speaking role wasn't very big; honestly a different person for her role would have made the movie better. At the movie theater or renting it later, it is definitely worth a look. Plenty of slap-stick, and Martin's accent is more over the top than Sellers, which made some of the situations very funny. And yes, his pronunciation of "hamburger" features quite prominently in it.
When "The Pink Panther" came out earlier this year, it seems like many critics panned it, accusing it of being another ridiculous flick that uses a series of lamebrain gags as an excuse for a plot. THAT'S NOT TRUE AT ALL, YOU NUMBSKULL CRITICS!!!!!!!!! Yes, the movie's completely silly, but that's right up Steve Martin's alley. The plot has a coach getting murdered at a soccer game and his ring - featuring the title diamond - mysteriously disappearing. Who better to take the case than Insp. Jacques Clouseau? So yes, this is total slapstick, but that's what the original series was. I agree with a previous reviewer that Steve Martin wasn't trying to be Peter Sellers, but was rather putting his own spin on the role, while the movie was poking fun at French pomp. As Commissioner Dreyfus - you know, the guy who hates Clouseau? - Kevin Kline is more subdued than usual, but it's great to see what happens to him due to Clouseau's incompetence. I couldn't determine that Xania (Beyonce Knowles) was 100% necessary, but Ponton (Jean Reno) was great, and Nicole (Emily Mortimer) was...well, hubba hubba! All in all, this movie has clues about lots of things. Also starring Henry Czerny and Kristin Chenowith.
I'm rather surprised at the outpouring of positive commentary about this movie, especially by folks who are older than ten or so.
I saw this with my son in a crowded theatre, mostly children, and from the reaction, most of them thought it was hilarious. I'd been hoping for a bit more of a nod to adults - something along the lines of what there was in Bugs Bunny or, more recently, in a lot of the SpongeBob Squarepants episodes - something more than fart jokes and basic slapstick.
Unfortunately, that's pretty much all there was. I felt like I was sitting through Mr. Magoo again, except with Steve Martin instead of Leslie Nielsen. Sure, there were a couple of funny bits, but they were certainly not enough to carry the movie - a lot like MIB II in this regard, where it felt like they had a couple of jokes left over from the first that they tried to use to carry the movie.
The wonderful actors Kevin Kline and Jean Reno were wasted in their roles - though without them it would have been completely abysmal, and Beyonce does a good job as well.
In short, it wasn't bad enough that I felt I wasted my time, but I'm sure glad that I went on a free pass and didn't pay $17 for the experience. Then again, if you've got kids under the age of 12 or so, take them - they will love it, it's right up their alley - just don't expect much to be there for yourself.
I saw this with my son in a crowded theatre, mostly children, and from the reaction, most of them thought it was hilarious. I'd been hoping for a bit more of a nod to adults - something along the lines of what there was in Bugs Bunny or, more recently, in a lot of the SpongeBob Squarepants episodes - something more than fart jokes and basic slapstick.
Unfortunately, that's pretty much all there was. I felt like I was sitting through Mr. Magoo again, except with Steve Martin instead of Leslie Nielsen. Sure, there were a couple of funny bits, but they were certainly not enough to carry the movie - a lot like MIB II in this regard, where it felt like they had a couple of jokes left over from the first that they tried to use to carry the movie.
The wonderful actors Kevin Kline and Jean Reno were wasted in their roles - though without them it would have been completely abysmal, and Beyonce does a good job as well.
In short, it wasn't bad enough that I felt I wasted my time, but I'm sure glad that I went on a free pass and didn't pay $17 for the experience. Then again, if you've got kids under the age of 12 or so, take them - they will love it, it's right up their alley - just don't expect much to be there for yourself.
Did you know
- TriviaOriginally, the animated title sequence was going to be done in CGI, but the filmmakers decided to stick to traditional, hand-drawn animation instead. This animation was directed by Bob Kurtz, who had worked on some of the "Pink Panther" shorts. The CGI title sequence appears as an extra on the DVD, and is partly used as menu animation.
- GoofsInsp. Jacques Closeau and Chief Insp. Dreyfus mention several times that Bizu was shot in the occipital lobe. In the scene when Bizu was shot, he was facing the gunman, so he would have been shot in the forehead. The occipital lobe is in the back of the head, not in the forehead.
- Quotes
Inspector Jacques Clouseau: A woman is like a... Is like a... artichoke. You have to do a bit work before you get to her heart.
- Crazy creditsThe Metro-Goldwyn-Mayer Studios logo gets slammed open (with Leo the Lion in mid-roar) by an animated Inspector Clouseau in search of the Pink Panther. He walks off, and then the Panther appears and closes the logo, leaving the lion stunned.
- Alternate versionsAn alternate opening sequence, made in CGI.
- SoundtracksA Woman Like Me
Written by Charmelle Cofield, Ron Lawrence and Beyoncé
Produced by Ron Lawrence and Beyoncé
Special Remix by Scott Storch
Performed by Beyoncé
Beyoncé appears courtesy of Columbia Records
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- La Pantera Rosa
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $82,226,474
- Opening weekend US & Canada
- $20,220,412
- Feb 12, 2006
- Gross worldwide
- $164,115,897
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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