The Presidio

This story looks like other drama/action movies. The story take place at the Presidio (military base) and is nothing new (a criminal investigation inside military lines) but Meg Ryan, Sean Connery, Mark Harmon plays it so well that the thin story becomes a minimum. Though it isn't a complete love story and have a little attention to it, Mark Harmon and Meg Ryan does it very well. She has a complex since her father (Sean Connery) probably spent more time doing the army instead of his wife (her mother). She cannot concentrate her mind on one man for long. Of course he (Mark Harmon) falls in love with her after a few love scenes, and at a party he get furious when she wants to dance with another gentleman. They come apart. This is when I noticed that this movie was about love. At home she have a little fight with her father over the problem, and as a solution to this she goes back to Mark Harmon's apartment where she apologize. When the story reach top and they solve the puzzle the end comes very quickly, but as they walk away hand in hand I feel like something else has been solved. The love between father and daughter, and of course between daughter and her lover (Mark H.).

See for yourself Meg Ryan is made to be a father's darling.

I haven't seen "The Presidio" for about a decade, so watching it again recently after so many years was almost like watching it for the first time.

Although it's definitely not a top class thriller, more of a low-key crime drama, the final twist in the tale makes it a decent picture. It's got fantastic setting. Peter Hyams, who apart from directing the film also holds a spot as director of photography, shots exteriors stylishly. The slightly cold colours correspond well with Sean Connery's characterisation as a strict man of principles.

In case of Connery it's always as much about the acting as it is about the looks and he looks really good as an MP officer, mostly wearing regular uniforms, prefferably dark blue. If he hadn't succeeded as 007 he would have definitely made a career as a character actor playing officers.

Mark Harmon takes over as an action man from Connery which is a nice change. The chase scene is quite impressive even by today's standards, well done! On the other hand the fight scene with Connery is also well choreographed.

My only complain would be about Meg Ryan's character. She seems too soft, too childish as for a person rised only by a father, who happens to be a rather tough guy, shy of showing emotions. Somehow her character doesn't convince me at all.

In a nutshell: you'll like the film if you like San Francsico and you'll love it if you like Sean Connery. No more, no less.

While this one is no highlight in Sean Connery's or Meg Ryan's career it is better than many people make it be. It's main failing may be that it lacks a certain level of excitement we have come to expect from such films. On the other hand, it arrives at a little bit more depth than most of its contenders - which may have worked against it ...

I've always like this film. I was a huge Sean Connery fan, and this film is no exception. I also think Mark Harmon is a very good fit for his character. Jack Warden is also very good as the Sergeant Major. The film is a good length, not too long and briskly paced. No city anywhere can beat shooting a film on location in San Francisco.

A break-in at a military base leads to a murder; the perpetrators' escape causes the death of a cop outside the base, so the case will involve both the San Francisco P.D. and the military police. Former MP Jay Austin (Mark Harmon) is now a detective who will butt heads with his old commanding officer, Lieutenant Colonel Alan Caldwell (Sean Connery). They'll argue about methodology, and jurisdiction, and other such things, and Jay will naturally fall in lust with Caldwells' conveniently cute daughter Donna (Meg Ryan).

Although there are some good moments for the main actors - Jack Warden also among them, as Caldwells' longtime friend Ross Maclure - this movie is more entertaining during its murder investigation scenes. It IS played awfully straight, with not much in the way of humour, but then, this is more of a serious thriller than the typical buddy-cop action film. It does also have, however, a ridiculous scene that serves no real purpose to the plot other than to show how bad ass Connery is, as he beats up Rick Zumwalt (as a bully in a bar) with his THUMB. Slickly made, with capable direction by Peter Hyams, who again serves as as his own cinematographer (and does a better job of lighting the proceedings than usual). The location work in SF is excellent, fortunately.

The handsome Harmon is passable as our likable good guy protagonist, but he doesn't have much chemistry with either Connery or Ryan. The supporting cast is solid: Mark Blum, Marvin J. McIntyre, Dana Gladstone, the much too briefly seen Jenette Goldstein, Don Calfa (in a quick cameo), John DiSanti, Robert Lesser, Patrick Kilpatrick, etc., but Connery is the principal reason to watch "The Presidio". His effortlessly strong presence lends itself well to the role of a career military man.

This is easy enough to watch, but also easy enough to forget.

Six out of 10.