“A cinematic manifesto about learning from one’s mistakes that encourages more people to make them”
An aesthetic of anticipation and regret, caught between past and future.
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“You don’t need opera, the grandeur of apparitions and murderous confessions, to access horror. Not in America, anyway”
“Sofia’s crime is not her betrayal of the documentarian’s fiduciary duty to biographical explication but the tasteful neutering of Marc’s histrionic import”
“Spaulding attempts to repair a critical vocabulary that has long known what to do with Duchampian skepticism, but is much less sure about Beuysian belief”
“Liden’s most poignant messages, concerning the ongoing ‘redactions’ of public speech in Germany, are indirect”
Videos
Events
Together with moderator Louise O’Kelly, the artists explore the relationship between club culture and contemporary art.
The New York-based artist Janine Antoni shares her favorites, from mentor Anna Halprin’s unique relationship to movement to Piero Manzoni’s The Base of the World (1961)
London-based artist and icon of the British Black Arts movement Sonia Boyce highlights the importance of improvisation in making work and more.
Reviews
At Emmelines, the artist collective unpacks democracy in civic space.
University of Michigan Museum of Art spotlights “a long twentieth-century history of dissent”
Smith’s installation at MASS MoCA addresses labor, inspired by a neighboring car wash
