Hi, and welcome to Words_Just_Words. I love poetry and wanted a place to share what I collect. I thought some of you would too. So come on in, pull up a chair, and read or share what you have.
You may share any and all forms of poetry, including any you write. We'd love to read.
Please tag your poems from the list, if there isn't a tag for that person, let me know in your post and I'll add it. Oh, and please lock posts to members only
The Colored Band
Apr. 30th, 2025 05:10 amPaul Laurence Dunbar (June 27, 1872 – February 9, 1906) was an American poet, novelist, and short story writer of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began writing stories and verse when he was a child. He published his first poems at the age of 16 in a Dayton newspaper, and served as president of his high school's literary society.
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The Colored Band
Paul Laurence Dunbar
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The Colored Band
Paul Laurence Dunbar
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In May
by Paul Laurence Dunbar
Oh to have you in May,
To talk with you under the trees,
Dreaming throughout the day,
Drinking the wine-like breeze,
Oh it were sweet to think
That May should be ours again,
Hoping it not, I shrink,
Out of the sight of men.
May brings the flowers to bloom,
It brings the green leaves to the tree,
And the fatally sweet perfume,
Of what you once were to me.
by Paul Laurence Dunbar
Oh to have you in May,
To talk with you under the trees,
Dreaming throughout the day,
Drinking the wine-like breeze,
Oh it were sweet to think
That May should be ours again,
Hoping it not, I shrink,
Out of the sight of men.
May brings the flowers to bloom,
It brings the green leaves to the tree,
And the fatally sweet perfume,
Of what you once were to me.
Quarantine
Apr. 29th, 2025 04:39 amQuarantine
Austen Leah Rose
Chopin on the stereo. A bag of flour on the kitchen counter.
The lamp emits a thin tremble
of light. We are stirring olive oil with onions
in a steel pan and I am thinking of my Oma in 1938
on the telephone with the Swiss embassy, her daughter in a hospital bed
with diphtheria while the war went on, then sailing
across the ocean to America with a piece of rye bread
in her wool pocket. I am thinking about foresight, how it means
arriving at the moment before the moment
arrives. I am thinking of walking through a forest, how the spaces
between trees widen like telescopes. Once
my father and I rode up a chairlift in the middle of a blizzard,
then skied down toward a city we believed in but could not see.
I am thinking of the white cloud of the present.
I am thinking of a time before newspapers or windows
or the idea of heaven. I am thinking of magnetic fields, the raw material
of mountains. I stand up. I take the hand of the person I love.
Is it true that only time can tell? I ask but don't wait for an answer.
He has entered the room like a stray cat sheltering from a storm.
We will sit at a wood table encased in a circle
of light, saying the names of flowers that we know, and repeating them.
Austen Leah Rose
Chopin on the stereo. A bag of flour on the kitchen counter.
The lamp emits a thin tremble
of light. We are stirring olive oil with onions
in a steel pan and I am thinking of my Oma in 1938
on the telephone with the Swiss embassy, her daughter in a hospital bed
with diphtheria while the war went on, then sailing
across the ocean to America with a piece of rye bread
in her wool pocket. I am thinking about foresight, how it means
arriving at the moment before the moment
arrives. I am thinking of walking through a forest, how the spaces
between trees widen like telescopes. Once
my father and I rode up a chairlift in the middle of a blizzard,
then skied down toward a city we believed in but could not see.
I am thinking of the white cloud of the present.
I am thinking of a time before newspapers or windows
or the idea of heaven. I am thinking of magnetic fields, the raw material
of mountains. I stand up. I take the hand of the person I love.
Is it true that only time can tell? I ask but don't wait for an answer.
He has entered the room like a stray cat sheltering from a storm.
We will sit at a wood table encased in a circle
of light, saying the names of flowers that we know, and repeating them.
Groovin’ Low
Apr. 28th, 2025 04:50 amGroovin’ Low
BY A. B. SPELLMAN
my swing is more mellow
these days: not the hardbop drive
i used to roll but more of a cool
foxtrot. my eyes still close
when the rhythm locks; i’ve learned
to boogie with my feet on the floor
i’m still movin’, still groovin’
still fallin’ in love
i bop to the bass line now. the trap set
paradiddles ratamacues & flams
that used to spin me in place still set me
off, but i bop to the bass line now
i enter the tune from the bottom up
& let trumpet & sax wheel above me
so don’t look for me in the treble
don’t look for me in the fly
staccato splatter of the hot young horn
no, you’ll find me in the nuance
hanging out in inflection & slur
i’m the one executing the half-bent
dip in the slow slowdrag
with the smug little smile
& the really cool shades
BY A. B. SPELLMAN
my swing is more mellow
these days: not the hardbop drive
i used to roll but more of a cool
foxtrot. my eyes still close
when the rhythm locks; i’ve learned
to boogie with my feet on the floor
i’m still movin’, still groovin’
still fallin’ in love
i bop to the bass line now. the trap set
paradiddles ratamacues & flams
that used to spin me in place still set me
off, but i bop to the bass line now
i enter the tune from the bottom up
& let trumpet & sax wheel above me
so don’t look for me in the treble
don’t look for me in the fly
staccato splatter of the hot young horn
no, you’ll find me in the nuance
hanging out in inflection & slur
i’m the one executing the half-bent
dip in the slow slowdrag
with the smug little smile
& the really cool shades
Secrets
By Viggo Mortensen
Oceans take our secrets
what we don’t want to see or smell anymore.
We feel anonymous
we feel clean
when we throw our past away.
It will wash, we think.
It will sink
it will drift far from this shore.
It will disappear.
Maybe the fish will eat our words
maybe lost or spurned loves
will help deep-sea feathery green plants grow.
Secretos
El océano se lleva nuestros secretos,
lo que no queremos ver, ni oler, nunca más.
Nos sentimos limpios cuando arrojamos
lejos de nosotros el pasado.
Se lavará, pensamos, se hundirá.
La corriente se lo llevará lejos de esta orilla.
Desaparecerá.
Tal vez nuestras palabras alimenten a los peces.
Tal vez el amor perdido o abandonado haga crecer
frondosas y verdes praderas submarinas.
By Viggo Mortensen
Oceans take our secrets
what we don’t want to see or smell anymore.
We feel anonymous
we feel clean
when we throw our past away.
It will wash, we think.
It will sink
it will drift far from this shore.
It will disappear.
Maybe the fish will eat our words
maybe lost or spurned loves
will help deep-sea feathery green plants grow.
Secretos
El océano se lleva nuestros secretos,
lo que no queremos ver, ni oler, nunca más.
Nos sentimos limpios cuando arrojamos
lejos de nosotros el pasado.
Se lavará, pensamos, se hundirá.
La corriente se lo llevará lejos de esta orilla.
Desaparecerá.
Tal vez nuestras palabras alimenten a los peces.
Tal vez el amor perdido o abandonado haga crecer
frondosas y verdes praderas submarinas.
Fire Season
Apr. 26th, 2025 06:59 amFire Season.
By - Asonna
I love a sunburnt country,
but now the land's ablaze.
the oxygen we breathe has turned to dust
yet our request for help is denied.
I love a sunburnt country,
but there's not much left to last.
Firefighters aren't getting paid,
Neither are their bills.
yet our leader claims we're all fine
but he can afford to jet away.
The wildlife is damaged.
Koalas are losing homes.
much like the population
as the fires rip through their walls.
I love my sunburnt country,
but this has gone on too long.
while it's nice you're in hawaii Mr. Morrison,
everyone else is left to stand alone..
By - Asonna
I love a sunburnt country,
but now the land's ablaze.
the oxygen we breathe has turned to dust
yet our request for help is denied.
I love a sunburnt country,
but there's not much left to last.
Firefighters aren't getting paid,
Neither are their bills.
yet our leader claims we're all fine
but he can afford to jet away.
The wildlife is damaged.
Koalas are losing homes.
much like the population
as the fires rip through their walls.
I love my sunburnt country,
but this has gone on too long.
while it's nice you're in hawaii Mr. Morrison,
everyone else is left to stand alone..
Reverse Poem -I’m Used to It
Apr. 25th, 2025 04:51 amReverse Poem: “I’m Used to It”
Ariana Bagley
In her pretty brown eyes
You could see it
Even with that dainty smile
Her happiness
Vanished
She saw
The disgust
As she looked in the mirror
The hatred
Took over
Her self-love
The pain
Changed
Her mindset
Now
She had sleepless nights full of hopes and dreams
Where
Her tear stained cheeks hit the pillow
She was troubled
Her only wish
Was
Becoming an aura that made people think of the color yellow
She remembers when
If anyone asked
She would’ve said
“I’m used to it.”
Now read from bottom to top.
Intimacy
By Paisley Rekdal
How horrible it is, how horrible
that Cronenberg film where Goldblum’s trapped
with a fly inside his Material
Transformer: bits of the man emerging
gooey, many-eyed; bits of the fly
worrying that his agent’s screwed him—
I almost flinch to see the body later
that’s left its fly in the corner, I mean
the fly that’s left its body, recalling too
that medieval nightmare, Resurrection,
in which each soul must scurry
to rejoin the plush interiors of its flesh,
pushing through, marrying indiscriminately
because Heaven won’t take what’s only half:
one soul blurring forever
into another body.
If we can’t know the boundaries between ourselves
in life, what will they be in death,
corrupted steadily by maggot,
rain, or superstition, by affection
that depends on memory to survive?
People should keep their hands to themselves
for the remainder of the flight: who needs
some stranger’s waistline, joint problems,
or insecurities? Darling,
what I love in you I pray will always stay
the hell away from me.
By Paisley Rekdal
How horrible it is, how horrible
that Cronenberg film where Goldblum’s trapped
with a fly inside his Material
Transformer: bits of the man emerging
gooey, many-eyed; bits of the fly
worrying that his agent’s screwed him—
I almost flinch to see the body later
that’s left its fly in the corner, I mean
the fly that’s left its body, recalling too
that medieval nightmare, Resurrection,
in which each soul must scurry
to rejoin the plush interiors of its flesh,
pushing through, marrying indiscriminately
because Heaven won’t take what’s only half:
one soul blurring forever
into another body.
If we can’t know the boundaries between ourselves
in life, what will they be in death,
corrupted steadily by maggot,
rain, or superstition, by affection
that depends on memory to survive?
People should keep their hands to themselves
for the remainder of the flight: who needs
some stranger’s waistline, joint problems,
or insecurities? Darling,
what I love in you I pray will always stay
the hell away from me.
Done | Viggo Mortensen
For three or four months I have visited the corner where we
sometimes used to meet for breakfast--though it is now far
out of my usual way----just to see your blood. That stain is no
longer a topic of conversation even incidentally among our
few remaining friends I occasionally come across. It black-
ened over the summer, picking up tire prints and a pigeon
feather, asphalt cooking up into it and joining you as it
might a flattened wad of gum. The last time I went to see,
you had so blended with the street that it took me a few
minutes to find the familiar outline. No need to keep
looking for the essence of what I've assumed to be our
shared memory and fading connection. I may sometimes
think to cast a passing glance at the spot on rare occasions
I find myself walking up that street, but will no longer stop
and kneel to look for the right light to catch you in.
For three or four months I have visited the corner where we
sometimes used to meet for breakfast--though it is now far
out of my usual way----just to see your blood. That stain is no
longer a topic of conversation even incidentally among our
few remaining friends I occasionally come across. It black-
ened over the summer, picking up tire prints and a pigeon
feather, asphalt cooking up into it and joining you as it
might a flattened wad of gum. The last time I went to see,
you had so blended with the street that it took me a few
minutes to find the familiar outline. No need to keep
looking for the essence of what I've assumed to be our
shared memory and fading connection. I may sometimes
think to cast a passing glance at the spot on rare occasions
I find myself walking up that street, but will no longer stop
and kneel to look for the right light to catch you in.
Dragons
Devin Johnston
We gathered in a field southwest of town,
several hundred hauling coolers
and folding chairs along a gravel road
dry in August, two ruts of soft dust
that soaked into our clothes
and rose in plumes behind us.
By noon we could discern their massive coils
emerging from a bale of cloud,
scales scattering crescent dapples
through walnut fronds,
the light polarized, each leaf tip in focus.
As their bodies blotted out the sun,
the forest faded to silverpoint.
A current of cool air
extended from the bottomlands
an intimation of October,
and the bowl of sky deepened
its celestial archaeology.
Their tails, like banners of a vast army,
swept past Orion and his retinue
to sighs and scattered applause,
the faint wail of a child crying.
In half an hour they had passed on
in search of deep waters.
Before our company dispersed,
dust whirling in the wind,
we planned to meet again in seven years
for the next known migration.
Sunlight flashed on windshields
and caught along the riverbank
a cloudy, keeled scale
about the size of a dinner plate,
cool as blanc de Chine
in the heat of the afternoon.
Devin Johnston
We gathered in a field southwest of town,
several hundred hauling coolers
and folding chairs along a gravel road
dry in August, two ruts of soft dust
that soaked into our clothes
and rose in plumes behind us.
By noon we could discern their massive coils
emerging from a bale of cloud,
scales scattering crescent dapples
through walnut fronds,
the light polarized, each leaf tip in focus.
As their bodies blotted out the sun,
the forest faded to silverpoint.
A current of cool air
extended from the bottomlands
an intimation of October,
and the bowl of sky deepened
its celestial archaeology.
Their tails, like banners of a vast army,
swept past Orion and his retinue
to sighs and scattered applause,
the faint wail of a child crying.
In half an hour they had passed on
in search of deep waters.
Before our company dispersed,
dust whirling in the wind,
we planned to meet again in seven years
for the next known migration.
Sunlight flashed on windshields
and caught along the riverbank
a cloudy, keeled scale
about the size of a dinner plate,
cool as blanc de Chine
in the heat of the afternoon.
Spring Cleaning
Apr. 21st, 2025 05:08 amSpring Cleaning
By Melvin Dixon
First goes floordust, then newspapers
stacked near the bed. Peanut shells
swept out of hiding between mattress
and rug. Toenails clipped.
Sprouts of a beard shaved off.
With hourly glasses of Deer Park Water
and the barest of food, the body
sheds winter fat and filler.
The hair goes next, close
to the gleaming, gleaming skull.
You are ready for the sun
and the salt-tongued air.
You are someone new. I will be
someone new, like you, and promise
not to hear the rattle our bones make
moving from empty closets
and all through the room.
By Melvin Dixon
First goes floordust, then newspapers
stacked near the bed. Peanut shells
swept out of hiding between mattress
and rug. Toenails clipped.
Sprouts of a beard shaved off.
With hourly glasses of Deer Park Water
and the barest of food, the body
sheds winter fat and filler.
The hair goes next, close
to the gleaming, gleaming skull.
You are ready for the sun
and the salt-tongued air.
You are someone new. I will be
someone new, like you, and promise
not to hear the rattle our bones make
moving from empty closets
and all through the room.
I’LL STILL BE LOVING YOU
Apr. 20th, 2025 07:18 amI’LL STILL BE LOVING YOU
Writer: C. David Hay
When your hair has turned to winter
and your teeth are in a plate,
when your getter up and go
has gone to stop and wait—
I’ll still be loving you.
When your attributes have shifted
beyond the bounds of grace,
I’ll count your many blessings,
not the wrinkles in your face—
I’ll still be loving you.
When the crackle in your voice
matches that within your knee
and the times are getting frequent
that you don’t remember me—
I’ll still be loving you.
Growing old is not a sin,
it’s something we all do.
I hope you’ll always understand—I’ll still be loving you.
Writer: C. David Hay
When your hair has turned to winter
and your teeth are in a plate,
when your getter up and go
has gone to stop and wait—
I’ll still be loving you.
When your attributes have shifted
beyond the bounds of grace,
I’ll count your many blessings,
not the wrinkles in your face—
I’ll still be loving you.
When the crackle in your voice
matches that within your knee
and the times are getting frequent
that you don’t remember me—
I’ll still be loving you.
Growing old is not a sin,
it’s something we all do.
I hope you’ll always understand—I’ll still be loving you.
Doilies
Jacqueline Bishop
In the house off Constant Spring Road, the one
with the short spreading Julie mango tree
in the front yard, the lime tree
with their dark green leaves and delicate
white flowers; the palm-sized
burnt orange hibiscuses,
poisonous butter yellow allamandas,
I remember, I remember,
how my mother’s hands kept moving
as she produced one white crochet doily after another.
The slender silver hook and the fragile symmetry.
A Ford Escort was parked in the garage of that house.
Oil-slicked men tried stealing that powder blue
Ford Escort one night as we slept uneasily in the house—
Discussions began immediately about leaving
one i/land for another. The fat
balls of thread in my mother’s lap, at her feet,
those threads already unspooling, connecting one
memory, one life, one distant country to another.
Jacqueline Bishop
In the house off Constant Spring Road, the one
with the short spreading Julie mango tree
in the front yard, the lime tree
with their dark green leaves and delicate
white flowers; the palm-sized
burnt orange hibiscuses,
poisonous butter yellow allamandas,
I remember, I remember,
how my mother’s hands kept moving
as she produced one white crochet doily after another.
The slender silver hook and the fragile symmetry.
A Ford Escort was parked in the garage of that house.
Oil-slicked men tried stealing that powder blue
Ford Escort one night as we slept uneasily in the house—
Discussions began immediately about leaving
one i/land for another. The fat
balls of thread in my mother’s lap, at her feet,
those threads already unspooling, connecting one
memory, one life, one distant country to another.
Great Day in the Morning
Apr. 18th, 2025 04:45 amGreat Day in the Morning
by Robert Morgan
My father, when he was surprised
or suddenly impressed, would blurt
"Great day in the morning," as though
a revelation had struck him.
The figure of his speech would seem
to claim some large event appeared
at hand, if not already here;
a mighty day or luminous age
was flinging wide its doors as world
on world revealed their wonders in
the rapturous morning, always new,
beginning as the now took hold.
by Robert Morgan
My father, when he was surprised
or suddenly impressed, would blurt
"Great day in the morning," as though
a revelation had struck him.
The figure of his speech would seem
to claim some large event appeared
at hand, if not already here;
a mighty day or luminous age
was flinging wide its doors as world
on world revealed their wonders in
the rapturous morning, always new,
beginning as the now took hold.
Anne Frank Huis
Apr. 17th, 2025 05:14 amAnne Frank Huis
BY Andrew Motion
Even now, after twice her lifetime of grief
and anger in the very place, whoever comes
to climb these narrow stairs, discovers how
the bookcase slides aside, then walks through
shadow into sunlit rooms, can never help
but break her secrecy again. Just listening
is a kind of guilt: the Westerkirk repeats
itself outside, as if all time worked round
towards her fear, and made each stroke
die down on guarded streets. Imagine it—
four years of whispering, and loneliness,
and plotting, day by day, the Allied line
in Europe with a yellow chalk. What hope
she had for ordinary love and interest
survives her here, displayed above the bed
as pictures of her family; some actors;
fashions chosen by Princess Elizabeth.
And those who stoop to see them find
not only patience missing its reward,
but one enduring wish for chances
like my own: to leave as simply
as I do, and walk at ease
up dusty tree-lined avenues, or watch
a silent barge come clear of bridges
settling their reflections in the blue canal.
BY Andrew Motion
Even now, after twice her lifetime of grief
and anger in the very place, whoever comes
to climb these narrow stairs, discovers how
the bookcase slides aside, then walks through
shadow into sunlit rooms, can never help
but break her secrecy again. Just listening
is a kind of guilt: the Westerkirk repeats
itself outside, as if all time worked round
towards her fear, and made each stroke
die down on guarded streets. Imagine it—
four years of whispering, and loneliness,
and plotting, day by day, the Allied line
in Europe with a yellow chalk. What hope
she had for ordinary love and interest
survives her here, displayed above the bed
as pictures of her family; some actors;
fashions chosen by Princess Elizabeth.
And those who stoop to see them find
not only patience missing its reward,
but one enduring wish for chances
like my own: to leave as simply
as I do, and walk at ease
up dusty tree-lined avenues, or watch
a silent barge come clear of bridges
settling their reflections in the blue canal.
Greenness
Angelina Weld Grimké
Tell me is there anything lovelier,
Anything more quieting
Than the green of little blades of grass
And the green of little leaves?
Is not each leaf a cool green hand,
Is not each blade of grass a mothering green finger,
Hushing the heart that beats and beats and beats?
Angelina Weld Grimké
Tell me is there anything lovelier,
Anything more quieting
Than the green of little blades of grass
And the green of little leaves?
Is not each leaf a cool green hand,
Is not each blade of grass a mothering green finger,
Hushing the heart that beats and beats and beats?
Flying at Night
Apr. 15th, 2025 04:59 amFlying at Night
by Ted Kooser
Above us, stars. Beneath us, constellations.
Five billion miles away, a galaxy dies
like a snowflake falling on water. Below us,
some farmer, feeling the chill of that distant death,
snaps on his yard light, drawing his sheds and barn
back into the little system of his care.
All night, the cities, like shimmering novas,
tug with bright streets at lonely lights like his.
by Ted Kooser
Above us, stars. Beneath us, constellations.
Five billion miles away, a galaxy dies
like a snowflake falling on water. Below us,
some farmer, feeling the chill of that distant death,
snaps on his yard light, drawing his sheds and barn
back into the little system of his care.
All night, the cities, like shimmering novas,
tug with bright streets at lonely lights like his.
Caterpillar ("Brown and furry")
Apr. 14th, 2025 04:42 amCaterpillar ("Brown and furry")
BY Christina Rossetti
Brown and furry
Caterpillar in a hurry,
Take your walk
To the shady leaf, or stalk,
Or what not,
Which may be the chosen spot.
No toad spy you,
Hovering bird of prey pass by you;
Spin and die,
To live again a butterfly.
BY Christina Rossetti
Brown and furry
Caterpillar in a hurry,
Take your walk
To the shady leaf, or stalk,
Or what not,
Which may be the chosen spot.
No toad spy you,
Hovering bird of prey pass by you;
Spin and die,
To live again a butterfly.
I Miss You
Apr. 13th, 2025 07:40 amI Miss You
By Joanna Fuchs
I miss you in the morning,
I miss you late at night,
But I know what you are doing
Is good and just and right.
You’re always in my thoughts;
I hope that you can see
I’m proud of you for serving
Our country, God, and me.
And when you’re home again
I won’t miss you anymore,
But I’ll always admire your courage
For fighting in this war.
By Joanna Fuchs
I miss you in the morning,
I miss you late at night,
But I know what you are doing
Is good and just and right.
You’re always in my thoughts;
I hope that you can see
I’m proud of you for serving
Our country, God, and me.
And when you’re home again
I won’t miss you anymore,
But I’ll always admire your courage
For fighting in this war.
Olympus
Matthew Olzmann
I was a cobbler in the house of the Gods.
It took a lot of anonymous people
to make the mountain what it was.
I did not make swords, axes, or bolts
of lightning. I stretched leather until
it fit comfortably on the feet of the divine.
I made sandals for the Champion of War.
I did my work, then went home. I never
fought in His campaigns, but the skulls
that were crushed beneath his heel sometimes
made a sound. It was not like thunder.
It was quiet. Dead leaves.
My name. Wind through dry grasses.
Matthew Olzmann
I was a cobbler in the house of the Gods.
It took a lot of anonymous people
to make the mountain what it was.
I did not make swords, axes, or bolts
of lightning. I stretched leather until
it fit comfortably on the feet of the divine.
I made sandals for the Champion of War.
I did my work, then went home. I never
fought in His campaigns, but the skulls
that were crushed beneath his heel sometimes
made a sound. It was not like thunder.
It was quiet. Dead leaves.
My name. Wind through dry grasses.