In your own space, rec at least three fanworks that you think would make a good intro into XYZ fandom. Rec a fandom overview, a introductory picspam, stories that define and shape the fandom. Leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so. I'm going to focus on the Killjoys part of bandom, because I almost feel like Killjoys is it's own fandom, in a way.
So the first place to start is the video.
I thought about also including Sing and having both videos, but honestly, most of the fics I love stem from the first video, not so much the second, and anyway, while that one is good, Na Na Na (Na Na Na Na Na Na Na) gives everything the new person in bandom needs to immerse themselves in the Killjoys world; it is the foundation of entire 'verse and so much possibility.
I'm a big fan of origin stories, and the Killjoys 'verse lends itself really well to them. How did they get there? Some people take the current canon and add chronology; others, like
Angels from the Neon have their beginning in Battery City.
Mikey stops taking his pills the day after Gerard takes all of his at once. Likewise,
The Kids from Yesterday also starts in Battery City, as the Way brothers are in the system. I love the dynamic between Korse and Gerard in this, how utterly compelling he is as well as terrifying.
I debated whether or not to include in this rec, posts that include one Bob Bryar, as someone new to MCR might not yet (or ever) understand the significance and the reason why he still lingers. However, I do find some comfort in the explanations offered in the following two recs: why is Bob not with them in the video? These stories each explore an answer to that question, Killjoy style.
In
Giving Up the Ghost, we also get an explanation for "ghosting"--sort of, anyway. Given that I dislike death fic, especially in rpf (despite the band's fascination and obvious joy at practicing their death throes on camera, see videos for Ghost of You and Sing), but I like a kind of
post death fic, in which they have died but are still around in some form, whether brought back to life or ghosts or vampires or something, so I really like anything that offers the possibility of the boys not being permanently dead in the sing video. (As an aside, I can tell you right now, that if I ever "kill" off a character in one of my fics, they're probably only mostly dead.)
Anyway, this is less origin fic than a possible spin, but it's a great way of seeing the Killjoys through the eyes of someone who will always feel or be a bit of an outsider.
In
And the Embers Never Fade, we get a Bob origin story, or in the sense of how he meets the Killjoys. And once again, the sense of being an outsider really comes into play in this in a very h/c kind of way.
James Cameron Got it Wrong is one of the few that starts with the band as canon and keeps their aging concurrent with what they are now--with a twist. And the time travel twist is important, because it addresses the idea that maybe the whole thing could have been avoided and maybe they could still do something about it.
And last, but oh so definitely not least:
Run the Doldrums, which is another Bob POV, but with a whole new (supernatural) twist. In the sense that so much is hinted at about what's to come, this is origins in the finest sense of the word, between the glimpses of Bob's background (and what little he knows about it) and the way Teigh sets her foundations in the Desolation Row 'verse, which, when put together, makes sense. But this whole piece is about transformation, and it's a topic that Teigh does very, very well.