[personal profile] raesoflight
Keeping organized when you're writing something that's really long can be difficult, and any discussion of long form writing eventually comes around to how to keep organized while you're writing.

There are two places where most writers start from, which are: you either write chronologically or you don't.

Personally, I've never in my life been able to write chronologically, and I have so much respect for people who can. The following suggestions should be useful whether you write chronologically or not.

What I've taken to doing is having a whiteboard where I list all of my current "active" scenes-- anything that is in-progress that I am working on right at this moment. If I don't work on a scene for more than a week, it gets erased. My current fic is a multi-perspective story, with six main characters that I switch between, so the format I use is:

Character -- Scene name/title/description (notes)

Each character has their own color of wet erase marker, which is an extra help-- notes are jotted down on the other side of the whiteboard, in the color marker that corresponds to the character.

This is, by far the simplest and most fluid way of keeping track of where I am with each character's story/perspective that I've come up with yet, and I hope it'll help anyone who has trouble keeping things straight. If anyone else has a special thing they do to keep organized, share it in the comments!
[personal profile] raesoflight
One of the traps that's easy to fall into as a writer is making your main characters always in the right. It can be a difficult thing not to do, because any time the main character looks bad, the reader's faith in them is shaken, just like our faith in ourselves can be shaken when we find that we were completely in the wrong about something.

But as long as your main character isn't some totally omniscient being (and what fun would that be?) they are going to be wrong about something, and it's going to bite them in the ass.

This can be an especially precarious path tread, especially the way Fandom as whole is now, with the prevailing insistence that good characters should never make any mistakes or be biased in any way or they become "problematic"-- but it's your job as a writer to be true to the human condition, not some screwy moral high-ground put in place by people with poor to non-existent critical thinking skills. I say that because if you find your story gaining a lot of traction in it's fandom, by making your protagonists mortal and flawed you will lose readers, and it might hurt, especially if you're the type to go back through and read old reviews (as most of us are) and see those same people that loved your story a few chapters ago bashing it, and you, for exercising your discretion as an author to make your characters flawed.

The exercise for the follow week will be to create a situation where your protagonist's personal biases put them squarely on the wrong side of an issue, and resolve it. How readily do they realize they are wrong/ how do they accept it? Do they accept it? How do the characters on the right side of the situation react to it? Are they surprised the protagonist would have such a bias? These are all questions that need to be considered when you're dealing with a limited perspective.
[personal profile] raesoflight
It's finally that time everybody! The first Work in Progress Wednesday of the new year! Comment bellow with a paragraph, a line, a bit of world building or free-writing--as long as it has to do with an in-progress work, you're golden.

Commenting on what others post is encouraged, and this is really the meat of the community--help each other work out the knots and smooth over problems. I will do my best to make at least one comment on everything that someone posts.

Posting Format:

In the subject of your reply, write the Title of the fic, or put "??" followed by the Fandom, that way everyone can identify and comment on it if it's a fandom they're familiar with. Remember the guidelines for constructive criticism: one thing you like, one thing you didn't, and something that could be improved on.
[personal profile] raesoflight
Skipping this week's WIP Wednesday due to New Years and continuing the exercises on plot:

We all know that complex internal struggles are one key in creating well-developed characters, who feel real to the audience. The External plot (action) of the story can often trigger the Internal Plot right from word go, the easiest example being the traditional coming out story: the main character falling in love with someone of the same gender forces them to re-think certain biases or ideas that they had been raised with.

External Plots can also trigger chain reaction Internal Plots as multiple characters react to the External Plot in very different ways. Your main character may willingly jump into an adventure while other characters may be more reluctant, making their Internal Plot the conflict between stepping out of their comfort zone or not.

Meanwhile, Watership Down is an example of a story that introduces a character by giving them an Internal Plot that the audience doesn't expect. When Big Wig is first introduced, it's established that he has a rather high rank in his culture, one that comes with a lot of privileges that most would be reluctant to give up. So when the main characters are about to illegally leave the warren, the audience assumes that when Big Wig appears, he is going to stop them. Instead he announces that he's coming with them, and his Internal Plot becomes dealing with the loss of those privileges and the danger that incurs.

Unexpected Internal Plots are one way to hook an audience with a character and make them stand out. Internal Plots primarily deal with the motivations of the character, and how those motivations are challenged by the External Plot. This week's exercise is to simply list the External and Internal Plots for your main characters and how they interact.
[personal profile] raesoflight
While sub-plots aren't strictly necessary to long form/slow burn fic, you'll find that they may arise organically from the main plot. How you utilize your sub-plots is just as important as how you proceed with the main plot. More beneath the cut.

Read more... )

As an exercise, write out three potential sub-plots in your fic and free-write on how they can be developed.
[personal profile] raesoflight
One of the hardest things to keep up when writing a slow burn is your motivation, so SBAnon will have a number of writing challenges and prompts to keep the juices flowing. More on that below.

Read more... )
[personal profile] raesoflight
Rules are pretty simple 

 Rule # 1: This community honors the DW ToS. If it falls within Dreamwidth's ToS, it's safe to post here. Typical tagging and trigger warning etiquette applies. (Non-con, dub-con, rape, mentions of self harm should all be warned for.)

Rule #2: No ship wank, wars, or anti behavior. I don't care whose dicks you personally want to see touch, if you can't ship and let ship, kink and let kink, you will be banned. You get a grand total of one chance. First offence will be a banning offence. 

Rule #3: All criticism given will be constructive. It's one thing to say "this story sucks" it's another to say, "the premise is a little weak, maybe try X, Y, or Z."
The basic rule of constructive criticism is : list one thing you liked, one thing you didn't, and one thing that can be done to make the story better. 

Rule #4: If you want to be a beta for someone, the comm will set up reminders for writers and betas to stay in touch. There will be weekly/biweekly reminders, just so writers waiting for feedback don't have to wait forever. If life gets in the way, the reminder threads will be where you communicate that. Accountability is paramount.

FAQ:

Q: What counts as a slow burn?
A: As a baseline a slow burn is anything that will be 20k or longer when complete.

Q: I don't know how long this fic will be, can I still join?
A: Totally! It's hard to tell how long a fic will be, especially when you're laying down the ideas for the first time.

Q: Can I post my original fiction/ Is this comm friendly to OC's?
A: All types of writing are welcome here. Give me your OCs so I can fall in love with them.

Q: What's this about writing challenges?
A: One of the hardest things to do as a writer is to keep up momentum. The challenges are meant to keep community members focused and motivated to continue. They're not mandatory by any means but hopefully they will help keep the writing momentum going.

Q: What is a WIP (It Out) Wednesday?
A: WIP Wednesdays are ways authors can give progress updates, if they so choose. There will also be a prompt (usually related to the romance aspect of the slow burn, that's why we write these things, right?) 




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