Project MUSE - Notes-Volume 61, Number 1, September 2004

Notes: A Sixtieth Birthday Retrospective

Donald William Krummel

pp. 9-23

DOI: https://doi.org/10.1353/not.2004.0104

Sylvia Smith Interviews Herself on the Thirtieth Year of Smith Publications and Sonic Art Editions

Sylvia H. Smith

pp. 24-34

DOI: https://doi.org/10.1353/not.2004.0116

Knowing Mendelssohn: A Challenge from the Primary Sources

John Michael Cooper

pp. 35-95

DOI: https://doi.org/10.1353/not.2004.0090

Martin Scorsese Presents The Blues: A Musical Journey (review)

Edward M. Komara

pp. 104-106

DOI: https://doi.org/10.1353/not.2004.0101

Representing African Music: Postcolonial Notes, Queries, Positions (review)

Gabriel Solis

pp. 106-108

DOI: https://doi.org/10.1353/not.2004.0118

The African Diaspora: A Musical Perspective (review)

Frank D. Gunderson

pp. 109-111

DOI: https://doi.org/10.1353/not.2004.0095

Musical Arts in Africa: Theory, Practice and Education (review)

Kathy M. Robinson

pp. 111-113

DOI: https://doi.org/10.1353/not.2004.0114

Paul Whiteman: Pioneer in American Music (review)

Wayne Joseph Schneider

pp. 114-116

DOI: https://doi.org/10.1353/not.2004.0115

George Gershwin: A New Biography (review)

Larry Starr

pp. 116-119

DOI: https://doi.org/10.1353/not.2004.0119

Richard Rodgers (review)

Paul R. Laird

pp. 119-120

DOI: https://doi.org/10.1353/not.2004.0105

Luca Marenzio: The Career of a Musician between the Renaissance and the Counter-Reformation (review)

Noel O'Regan

pp. 121-122

DOI: https://doi.org/10.1353/not.2004.0110

The Cambridge Companion to Mozart (review)

Laurel E. Zeiss

pp. 122-124

DOI: https://doi.org/10.1353/not.2004.0122

The Cambridge Companion to Debussy (review)

Julian Onderdonk

pp. 124-126

DOI: https://doi.org/10.1353/not.2004.0109

Symphonic Metamorphoses: Subjectivity and Alienation in Mahler's Re-Cycled Songs (review)

Eftychia Papanikolaou

pp. 126-128

DOI: https://doi.org/10.1353/not.2004.0111

Sibelius Forum II: Proceedings from the Third International Jean Sibelius Conference (review)

William A. Everett

pp. 128-130

DOI: https://doi.org/10.1353/not.2004.0093

A Schoenberg Reader: Documents of a Life (review)

Phillip Murray Dineen

pp. 130-131

DOI: https://doi.org/10.1353/not.2004.0092

The Music of Luigi Dallapiccola (review)

Graham H. Phipps

pp. 131-133

DOI: https://doi.org/10.1353/not.2004.0112

Music and Nazism: Art under Tyranny, 1933-1945 (review)

Christopher Hailey

pp. 134-137

DOI: https://doi.org/10.1353/not.2004.0096

The Literary Lorgnette: Attending Opera in Imperial Russia (review)

Mary S. Woodside

pp. 137-140

DOI: https://doi.org/10.1353/not.2004.0120

From the Erotic to the Demonic: On Critical Musicology (review)

Nasser Al-Taee

pp. 140-142

DOI: https://doi.org/10.1353/not.2004.0083

Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia (review)

Mark Levy

pp. 142-145

DOI: https://doi.org/10.1353/not.2004.0106

The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (review)

Mark Kroll

pp. 145-147

DOI: https://doi.org/10.1353/not.2004.0103

C. F. Martin & His Guitars, 1796-1873 (review)

Gary R. Boye

pp. 147-150

DOI: https://doi.org/10.1353/not.2004.0088

The Flute (review)

Tula Giannini

pp. 150-152

DOI: https://doi.org/10.1353/not.2004.0094

Books Recently Published

Stephen Yusko, Karen R. Little

pp. 153-178

DOI: https://doi.org/10.1353/not.2004.0121

New Periodicals

Tracey Rudnick

pp. 179-193

DOI: https://doi.org/10.1353/not.2004.0124

Jewish Music on the Internet

Judith S. Pinnolis

pp. 194-197

DOI: https://doi.org/10.1353/not.2004.0123

RILM Online: A Comparison of Vendors

Donna M. Arnold, Judy Clarence, Stephen Luttmann, Holling Smith-Borne

pp. 197-205

DOI: https://doi.org/10.1353/not.2004.0086

Reggae Music: A History and Selective Discography

Rick Anderson

pp. 206-214

DOI: https://doi.org/10.1353/not.2004.0085

Les organa a deux voix du manuscrit de Wolfenbuttel, Herzog August Bibliothek, Cod. Guelf. 1099 Hemst. (review)

Theodore Karp

pp. 215-219

DOI: https://doi.org/10.1353/not.2004.0098

Early Masses and Mass-Pairs (review)

Jon Michael Allsen

pp. 219-222

DOI: https://doi.org/10.1353/not.2004.0084

Motetti de Passione, de Cruce, de Sacramento, de Beata Virgine et huiusmodi B, Venice, 1503 (review)

Patrick Paul Macey

pp. 222-226

DOI: https://doi.org/10.1353/not.2004.0107

Vesper and Compline Music for One Principal Voice, and: Vesper and Compline Music for Two Principal Voices, and: Vesper and Compline Music for Three Principal Voices, and: Vesper and Compline Music for Four Principal Voices, and: Vesper and Compline Music for Five Principal Voices, and: Vesper and Compline Music for Six and Seven Principal Voices, and: Vesper and Compline Music for Eight Principal Voices, and: Vesper Music for Multiple Choirs (review)

Robert L. Kendrick

pp. 226-231

DOI: https://doi.org/10.1353/not.2004.0099

Fragmente (review)

Richard Kramer

pp. 231-237

DOI: https://doi.org/10.1353/not.2004.0102

Various Works by Daniel Asia

Stephen Dankner

pp. 237-240

DOI: https://doi.org/10.1353/not.2004.0091

Chamber Music (review)

Catherine Parsons Smith

pp. 241-242

DOI: https://doi.org/10.1353/not.2004.0117

Music Publishers' Catalogs

George Robert Hill

pp. 257-264

DOI: https://doi.org/10.1353/not.2004.0097

Communications

Christopher Johnson, Liane Curtis

pp. 265-266

DOI: https://doi.org/10.1353/not.2004.0089

Notes for Notes

pp. 96-103

DOI: https://doi.org/10.1353/not.2004.0108

Music Received

David Knapp

pp. 243-256

DOI: https://doi.org/10.1353/not.2004.0100

ISSN	1534-150X
Print ISSN	0027-4380
Launched on MUSE	2004-08-13
Open Access	No

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