Project MUSE - Jewish Film & New Media: An International Journal-Volume 10, Number 2, Fall 2022

Sid Caesar's Comedy of Excess and the Jewish American 1950s

Donald Weber

pp. 163-183

DOI: https://doi.org/10.1353/jfn.2022.a936916

Rejecting the Collective: Unorthodox and the Problem of Individualist Feminism

Karen E. H. Skinazi

pp. 184-210

DOI: https://doi.org/10.1353/jfn.2022.a936917

Digital Holocaust Memory from the Margins: Practices, Places, and Narratives

Roni Mikel-Arieli, Norma Musih, Jackie Feldman

pp. 211-217

DOI: https://doi.org/10.1353/jfn.2022.a936918

Holocaust Education and Human Rights Advocacy on TikTok

Paul Morrow, Katie Schreyer

pp. 218-230

DOI: https://doi.org/10.1353/jfn.2022.a936919

Youthful Platform Commemoration: TikTok as a Frontier for Holocaust Education and Memory

Tom Divon, Tobias Ebbrecht-Hartmann

pp. 231-249

DOI: https://doi.org/10.1353/jfn.2022.a936920

Practices and Challenges in Digital Holocaust and Genocide Education: The Case Study of the Johannesburg Holocaust & Genocide Centre

Catherine Boyd, Daniella Hovsha, Mduduzi Ntuli

pp. 250-257

DOI: https://doi.org/10.1353/jfn.2022.a936921

Curating is Believing: Digital Art Exhibition and Holocaust Memory

Noga Stiassny

pp. 258-272

DOI: https://doi.org/10.1353/jfn.2022.a936922

Mapping the Unapproachable: An Analysis of Digital Mappings of Traumatic Places in Europe

Leo Dressel

pp. 273-284

DOI: https://doi.org/10.1353/jfn.2022.a936923

Media Coverage of COVID-19 Mobile Phone Surveillance as a Non-Commemorative Site of Nazi Germany and Holocaust Remembrance

Aya Yadlin, Avi Marciano

pp. 285-297

DOI: https://doi.org/10.1353/jfn.2022.a936924

Citizen Spielberg by Lester D. Friedman (review)

Nigel Morris

pp. 298-302

DOI: https://doi.org/10.1353/jfn.2022.a936925

East German Film and the Holocaust by Elizabeth Ward (review)

Simon Ward

pp. 303-305

DOI: https://doi.org/10.1353/jfn.2022.a936926

Northern Exposure: A Cultural History by Michael Samuel (review)

Vincent Brook

pp. 306-310

DOI: https://doi.org/10.1353/jfn.2022.a936927

Gender and Sexuality in Israeli Graphic Novels by Matt Reingold (review)

Kevin Haworth

pp. 311-317

DOI: https://doi.org/10.1353/jfn.2022.a936928

The Hollywood Motion Picture Blacklist: Seventy-Five Years Later by Larry Ceplair (review)

Vincent Brook

pp. 318-323

DOI: https://doi.org/10.1353/jfn.2022.a936929

Movie-Made Jews: An American Tradition by Helene Meyers (review)

Karen E. H. Skinazi

pp. 324-327

DOI: https://doi.org/10.1353/jfn.2022.a936930

Revolutionary Visions: Jewish Life and Politics in Latin American Film by Stephanie Pridgeon (review)

Raanan Rein

pp. 328-332

DOI: https://doi.org/10.1353/jfn.2022.a936931

Why the Jews? How Jewish Values Transformed Twentieth Century American Pop Culture by Robert Cherry (review)

Jarrod Tanny

pp. 333-336

DOI: https://doi.org/10.1353/jfn.2022.a936932

Reimagining the Promised Land: Israel and America in Post-War Hollywood Cinema by Rodney Wallis (review)

David B. Levy

pp. 337-341

DOI: https://doi.org/10.1353/jfn.2022.a936933

Hollywood and Israel: A History by Tony Shaw and Giora Goodman (review)

Lawrence Baron

pp. 342-347

DOI: https://doi.org/10.1353/jfn.2022.a936934

ISSN	2169-0332
Print ISSN	2169-0324
Launched on MUSE	2024-09-11
Open Access	No

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