In this Issue

Table of Contents

Letter from the Editors

Lisa Barg, Vanessa Blais-Tremblay, Kimberly White
pp. vii-viii
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"Mother City": Mothering Work, Coloured Respectability, and the Making of Contemporary Kaapse Klopse

Francesca Inglese
pp. 1-24
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Bess Disembodied: Camilla Williams's (Re)Sounding Black Womanhood in Porgy and Bess

Annie Kim
pp. 25-44
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"Thus Do All Women": Comedy, Sentimentality, Ambiguity, and a Così fan tutte for the #MeToo Era

Camille Rogers
pp. 45-67
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Introduction

Erin Johnson-Williams, Michelle Meinhart
pp. 68-73
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Performing Maternal Suffering on the Operatic Stage: The Case of Marguerite in Gounod's Faust

Molly C. Doran
pp. 74-100
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Silencing "Savage" Soundscapes: Hearing C-Section Births in the British Imperial Record

Erin Johnson-Williams
pp. 101-124
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"Is Your Baby Getting Enough Music?": Musical Interventions into Gestational Labor

Eric Drott, Marie Thompson
pp. 125-147
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Contractions, Cries, and COVID: The Traumatic Soundscapes of UK Lockdown Hospital Maternity Wards

Michelle Meinhart
pp. 148-169
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Brought to Life by the Voice: Playback Singing and Cultural Politics in South India by Amanda Weidman (review)

Elizabeth Kramer
pp. 170-175
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Unbinding Gentility: Women Making Music in the Nineteenth-Century South by Candace Bailey (review)

Lucy Caplan
pp. 175-180
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Black Diamond Queens: African American Women and Rock and Roll by Maureen Mahon (review)

Kamilla Arku
pp. 180-184
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The Female Voice in the Twentieth Century: Material, Symbolic, and Aesthetic Dimensions ed. by Serena Facci and Michela Garda (review)

Elizabeth L. Keathley
pp. 185-189
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