Project MUSE - Comparative Drama-Volume 55, Number 4, Winter 2021

1619: The Dramatic Performance Traditions of North America's First Enslaved Africans

Jeroen Dewulf

pp. 417-442

DOI: https://doi.org/10.1353/cdr.2021.0032

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Brechtian AlienAsian: Socialist ex Machina from Brecht's The Good Woman of Setzuan and David Hare's Fanshen

Sheng-mei Ma

pp. 443-463

DOI: https://doi.org/10.1353/cdr.2021.0033

Cold War Femininities in China and America: National Ideals and Uncontainable Performances in Tennessee Williams's A Streetcar Named Desire and Yang Lüfang's Cuckoo Sings Again

Zhang Ranran (张冉冉)

pp. 464-489

DOI: https://doi.org/10.1353/cdr.2021.0034

"I am underneath and oxygen is running out": Suicide as Genetically Inherited or as the Melancholy Identification with the Suicidal Mother in Alice Birch's Anatomy of a Suicide

Alireza Fakhrkonandeh, Yiğit Sümbül

pp. 490-527

DOI: https://doi.org/10.1353/cdr.2021.0035

Coronada y el toro by Francisco Nieva (review)

Carey Kasten

pp. 528-530

DOI: https://doi.org/10.1353/cdr.2021.0036

Performing Commedia dell'Arte, 1570-1630 by Natalie Crohn Schmitt (review)

Robert Henke

pp. 531-534

DOI: https://doi.org/10.1353/cdr.2021.0037

Diversifying Greek Tragedy on the Contemporary US Stage by Melinda Powers (review)

Karelisa Hartigan

pp. 535-537

DOI: https://doi.org/10.1353/cdr.2021.0023

Theatre and Knowledge by David Kornhaber (review)

Paul A. Kottman

pp. 538-539

DOI: https://doi.org/10.1353/cdr.2021.0024

Practical Cues and Social Spectacle in the Chester Plays by Matthew Sergi (review)

Pamela M. King

pp. 540-543

DOI: https://doi.org/10.1353/cdr.2021.0025

Laughter and Civility: the Theater of Emma Gad by Lynn R. Wilkinson (review)

Ulla Kallenbach

pp. 544-547

DOI: https://doi.org/10.1353/cdr.2021.0026

Tennessee Williams, T-shirt Modernism and the Refashionings of Theater by S. E. Gontarski (review)

John S. Bak

pp. 548-554

DOI: https://doi.org/10.1353/cdr.2021.0027

Dancing the Dharma: Religious and Political Allegory in Japanese Noh Theatre by Susan Blakely Klein (review)

Elizabeth Oyler

pp. 555-558

DOI: https://doi.org/10.1353/cdr.2021.0028

Gaming the Stage: Playable Media and the Rise of the English Commercial Theater by Gina Bloom (review)

Rebecca Bushnell

pp. 559-561

DOI: https://doi.org/10.1353/cdr.2021.0029

King Lear 'After' Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama by Richard Ashby (review)

Peter Holland

pp. 562-565

DOI: https://doi.org/10.1353/cdr.2021.0030

Contributors

pp. 566-569

DOI: https://doi.org/10.1353/cdr.2021.0031

ISSN	1936-1637
Print ISSN	0010-4078
Launched on MUSE	2022-02-17
Open Access	No

Comparative Drama

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