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In this Issue

Table of Contents

Suspicion Revisited

Michael Walker
pp. 1-38
DOI: https://doi.org/10.1353/hit.2020.0000
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Under Capricorn and the Hitchcockian Melodrama of Trauma, Recovery, and Remarriage

Sidney Gottlieb
pp. 39-62
DOI: https://doi.org/10.1353/hit.2020.0001
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Queering the Cattle: Hitchcock and Performance

Thomas Leitch
pp. 63-84
DOI: https://doi.org/10.1353/hit.2020.0002
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The Dark Comedy Side of Genius

John Bruns
pp. 85-105
DOI: https://doi.org/10.1353/hit.2020.0003
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The Guardians of Morality vs. the Master of Suspense

David Sterritt
pp. 106-116
DOI: https://doi.org/10.1353/hit.2020.0004
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Hitchcock’s Spy Films

Henry K. Miller
pp. 117-127
DOI: https://doi.org/10.1353/hit.2020.0005
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The Forgotten Woman Behind Hitchcock

Nathalie Morris
pp. 128-137
DOI: https://doi.org/10.1353/hit.2020.0006
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Hitchcock’s Shadow of a Doubt: Social Critique and Cinematic Triumph

Diane Carson
pp. 138-145
DOI: https://doi.org/10.1353/hit.2020.0007
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Fragments and Fury

David Greven
pp. 146-151
DOI: https://doi.org/10.1353/hit.2020.0008
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Contributors

pp. 152-154
DOI: https://doi.org/10.1353/hit.2020.0009
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