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In this Issue

Table of Contents

Cinema: The Georeligious Aesthetic

S. Brent Plate
pp. 203-205
DOI: https://doi.org/10.1353/cro.2020.0018
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Nollywood and Pentecostalism: Preaching Salvation, Propagating the Supernatural

Chijioke Azuawusiefe
pp. 206-219
DOI: https://doi.org/10.1353/cro.2020.0019
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Film as a Ritual of Seeing Beyond the Visible: The Case of Manshin: Ten Thousand Spirits (2013)

Hwasun Choe
pp. 220-232
DOI: https://doi.org/10.1353/cro.2020.0020
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“As They Really Are”: The World Outlook of Protestant-Sponsored Mission Films, 1930–1950

April Makgoeng
pp. 233-247
DOI: https://doi.org/10.1353/cro.2020.0021
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Parasite as Parable: Bong Joon-Ho’s Cinematic Capitalism

Minjung Noh
pp. 248-262
DOI: https://doi.org/10.1353/cro.2020.0022
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People on the Move: Religion, Film and Migration

Daria Pezzoli-Olgiati
pp. 263-275
DOI: https://doi.org/10.1353/cro.2020.0023
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Once the Buddha Was Born as Keanu Reeves: The Shaping of Buddhism in American Film and Popular Culture

Sharon A. Suh
pp. 276-288
DOI: https://doi.org/10.1353/cro.2020.0024
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Resurrection, Remediation, and Religious Fundamentalism in Contemporary Indian Sci-Fi/Fantasy Films

Anu Thapa
pp. 289-301
DOI: https://doi.org/10.1353/cro.2020.0025
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Making a Way Out of No Way: Black Faith in Barry Jenkins’s If Beale Street Could Talk

Joe Tolbert Jr.
pp. 302-309
DOI: https://doi.org/10.1353/cro.2020.0026
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Souvenirs of the Apocalypse: Guns as Authenticating Props

Rachel Wagner
pp. 310-321
DOI: https://doi.org/10.1353/cro.2020.0027
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Contributors

pp. 322-323
DOI: https://doi.org/10.1353/cro.2020.0028
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