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Front Cover: The Faulkner Journal thanks the Phillips Collection for permission to use Edward Hopper’s Approaching a City for this special issues cover. The painting emphasizes the metropolis’s significance in Faulkner’s writing and suggests the city’s encroachment into Faulkner’s small rural community. (Hopper, Edward. Approaching a City. 1946. Oil on Canvas. Phillips Collection, Washington, D. C.)

The Faulkner Journal

In this Issue

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Introduction: Faulkner and the Metropolis

Peter Lurie

pp. 3-16

DOI: https://doi.org/10.1353/fau.2012.0008

The City Specter: William Faulkner and the Threat of Urban Encroachment

Anne Hirsch Moffitt

pp. 17-36

DOI: https://doi.org/10.1353/fau.2012.0009

“Same as a Nigger on an Excursion”: Memphis, Black Migration, and White Flight in Sanctuary

Cheryl Lester

pp. 37-55

DOI: https://doi.org/10.1353/fau.2012.0010

Vernacular Kinship, the Creole City, and Faulkner’s “New Orleans”

Cynthia Dobbs

pp. 57-73

DOI: https://doi.org/10.1353/fau.2012.0011

“The Megaphone’s Bellowing and Bodiless Profanity”: If I Forget Thee, Jerusalem and the Culture of Cacophony

Phil Smith

pp. 75-96

DOI: https://doi.org/10.1353/fau.2012.0012

Pylon and the Rise of European Fascism

Michael Zeitlin

pp. 97-114

DOI: https://doi.org/10.1353/fau.2012.0013

Faulkner’s Paris: State and Metropole in A Fable

Barbara Ladd

pp. 115-128

DOI: https://doi.org/10.1353/fau.2012.0014

Contributors

pp. 129-130

DOI: https://doi.org/10.1353/fau.2012.0015

Additional Information
ISSN	2640-1703
Print ISSN	0884-2949
Launched on MUSE	2019-01-02
Open Access	No

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