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Front Cover: Marco Cianfanelli Release (2012) from a distance of 35 m
Painted laser-cut mild steel and steel tube construction/ to be rusted; W: 5.19m, H: 9.48 m, L: 20.8 m
Nelson Mandela Capture Site near Howick, KwaZulu-Natal, South Africa, October 2017

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Back Cover: Moyo Okediji, Nigerian, Born 1956: The Dutchman, 1995, Acrylic on Canvas, Canvas: 68 3/4 × 100 1/4 in. (174.6 × 254.6 Cm)
Ackland Art Museum, The University of North Carolina at Chapel Hill. Ackland Fund, 2001.8

African Arts

In this Issue

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Art for Sale: Covering the Contemporary, Courting the Commercial

Evelyn Owen

pp. 1-4

Are Biennials the Solution or the Problem for African Art's Global Reach?

Sidney Kasfir

pp. 5-6

Erratum

p. 6

Producing, Collecting, and Exhibiting Bizango Sculptures from HaitiTransatlantic Vodou on the International Art Scene

Catherine Benoît, André Delpuech

pp. 8-19

Assemblage, Occlusion, and the Art of Survival in the Black Atlantic

Matthew Francis Rarey

pp. 20-33

Art of Central Africa at the Indianapolis Museum of Art

Constantine Petridis, Kirstin Krause Gotway

pp. 34-47

Crosses from Ethiopia at the Dallas Museum of Art: An Overview

Jacopo Gnisci

pp. 48-55

An Arresting PortrayalMarco Cianfanelli's Release at the Nelson Mandela Capture Site

Brenda Schmahmann

pp. 56-69

Of Milk Pots and Cattle KeepersStyle and Role Changes of the Inkongoro in Nyagatare District, Rwanda

Karangwa Isaie, Rutikanga Emmanuel, Philip Fry

pp. 70-85

documenta 14: Learning from Athens by Adam Szymczyk (review)

Stephan Köhler

pp. 86-88

documenta 14: Learning from Athens by Adam Szymczyk (review)

Ugochukwu-Smooth C. Nzewi

pp. 89-91

Picasso Primitif by Yves Le Fur (review)

John Warne Monroe

pp. 92-94

Congo Art Works: Popular Painting ed. by Bambi Ceuppens and Sammy Baloji (review)

Sarah Van Beurden

pp. 94-96

Scorched Earth: 100 Years of Southern African Potteries by Wendy Gers (review)

Johnathan Hopp

p. 96

Additional Information
ISSN	1937-2108
Print ISSN	0001-9933
Launched on MUSE	2018-11-19
Open Access	No

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