Project MUSE - African American Review-Volume 50, Number 4, Winter 2017

All Our Names

Nathan L. Grant

pp. 343-344

DOI: https://doi.org/10.1353/afa.2017.0044

Move!, and: Sounding, and: Masked Angel Costume

Amiri Baraka

pp. 345-351

DOI: https://doi.org/10.1353/afa.2017.0045

Homebound: Homeground, and: A Coltrane Poem: 9 23 98, and: Meditation for Inese, and: An Umbrella of Maple Leaves

Michael S. Harper

pp. 352-356

DOI: https://doi.org/10.1353/afa.2017.0046

The Black Experience Cannot Be Defined in One Way; The Black Experience Cannot Be Summed Up in One Word and: Get Along Cindy

Clarence Major

pp. 357-358

DOI: https://doi.org/10.1353/afa.2017.0047

Four from Chapultepec

Jay Wright

pp. 359-360

DOI: https://doi.org/10.1353/afa.2017.0048

It Goes Deep; It’s Nothing and: For the Poets (Christopher Okigbo and Henry Dumas)

Jayne Cortez

pp. 361-363

DOI: https://doi.org/10.1353/afa.2017.0049

Ivory Masks in Orbit

W. Keorapetse Kgositsile

p. 364

DOI: https://doi.org/10.1353/afa.2017.0050

Portrait; Children and: Reading Poetry by Henry Dumas While Listening to Cool Jazz

Pinkie Gordon Lane

pp. 365-367

DOI: https://doi.org/10.1353/afa.2017.0051

Black Power

Horace Coleman

p. 368

DOI: https://doi.org/10.1353/afa.2017.0052

Perhaps

Bob Kaufman

p. 369

DOI: https://doi.org/10.1353/afa.2017.0053

Umbra Poets, 1980

Tom Dent, Lorenzo Thomas, Askia Muhammad Touré, Calvin Hernton

pp. 370-374

DOI: https://doi.org/10.1353/afa.2017.0054

Sometimie Woman

Amina Baraka

p. 375

DOI: https://doi.org/10.1353/afa.2017.0055

Telephone Conversations

Gwendolyn Brooks

p. 376

DOI: https://doi.org/10.1353/afa.2017.0056

The Night She Dreamed She Was Mad; the sculpture at night; The House is the Enemy; beau monde and: The Anesthesia is Taking Effect

Toi Derricotte

p. 377

DOI: https://doi.org/10.1353/afa.2017.0057

After the Heart’s Interrogation; From Across Years; Butterfly-Toed Shoes; Modern Medea and: Basilique

Yusef Komunyakaa

pp. 378-381

DOI: https://doi.org/10.1353/afa.2017.0058

New York Beirut Nagasaki; Spring, 1862; Dear Daughter and: Remembering Sally Hemings

Gale P. Jackson

pp. 382-386

DOI: https://doi.org/10.1353/afa.2017.0059

Painting in Sound

John A. Williams

pp. 387-389

DOI: https://doi.org/10.1353/afa.2017.0060

Messages: For Ntozake Shange, Secrets in Prophecy; In Paris on a Humble; Neo-African Sculpture; Enemies; The Southpaw; Thelonious; The Doves and: The Poets

Michael S. Weaver

pp. 390-398

DOI: https://doi.org/10.1353/afa.2017.0061

The First Suite (from a novel-in-progress)

Rita Dove

pp. 399-408

DOI: https://doi.org/10.1353/afa.2017.0062

Wings of the Dove

Hal Bennett

pp. 409-416

DOI: https://doi.org/10.1353/afa.2017.0063

Dumas

Jabari Asim

p. 417

DOI: https://doi.org/10.1353/afa.2017.0064

Ode

Elizabeth Alexander

p. 418

DOI: https://doi.org/10.1353/afa.2017.0065

Praise in Bluesville and: Tribal Differences

Reggie Scott Young

pp. 419-423

DOI: https://doi.org/10.1353/afa.2017.0066

Marvin Gaye’s Lament and: What can you do with a fan?

Hermine Pinson

pp. 424-427

DOI: https://doi.org/10.1353/afa.2017.0067

Hairpeace

Pearl Cleage

pp. 428-432

DOI: https://doi.org/10.1353/afa.2017.0068

my father is dead. again.

Kalamu ya Salaam

pp. 433-436

DOI: https://doi.org/10.1353/afa.2017.0069

Soon There Will Be None

Ann Allen Shockley

pp. 437-442

DOI: https://doi.org/10.1353/afa.2017.0070

The Fence

Opal J. Moore

pp. 443-450

DOI: https://doi.org/10.1353/afa.2017.0071

At the Owl Club, North Gulfport, Mississippi 1950; His Hands; Circa 1922 and: Gesture of a Woman in Process

Natasha Trethewey

pp. 451-454

DOI: https://doi.org/10.1353/afa.2017.0072

When the Neighbors Fight

Terrance Hayes

p. 455

DOI: https://doi.org/10.1353/afa.2017.0073

European Folktale Variant; Fancy Cortex and: Selection from Tanka Diary

Harryette Mullen

pp. 456-458

DOI: https://doi.org/10.1353/afa.2017.0074

Ante-Bellum, Autumn 1860, By Abraham Lincoln and: Letter to the (African Baptist) Messiah

George Elliott Clarke

pp. 459-463

DOI: https://doi.org/10.1353/afa.2017.0075

Communion; The Pine-Tree Sweetens My Body and: I’ll Take You to Africa

Cyrus Cassells

pp. 464-467

DOI: https://doi.org/10.1353/afa.2017.0076

Millie-Christine

Marilyn Nelson

pp. 468-471

DOI: https://doi.org/10.1353/afa.2017.0077

Song of the Andoumboulou: 93 and: Door Peep Shall Not Enter

Nathaniel Mackey

pp. 472-481

DOI: https://doi.org/10.1353/afa.2017.0078

The World’s Shortest African American Story

Wanda Coleman

p. 482

DOI: https://doi.org/10.1353/afa.2017.0079

Sunset

Yaa Gyasi

pp. 483-488

DOI: https://doi.org/10.1353/afa.2017.0080

The Branch of Thorns

Gail Dore

pp. 489-492

DOI: https://doi.org/10.1353/afa.2017.0081

And Another Passing: Jean Toomer

Darwin T. Turner

p. 493

DOI: https://doi.org/10.1353/afa.2017.0082

Literature and Politics: The Black Investment

Gloria Oden

pp. 494-495

DOI: https://doi.org/10.1353/afa.2017.0083

In Reply: Of Integrity, Hope and Dead Dialogue

Hoyt Fuller

pp. 495-496

DOI: https://doi.org/10.1353/afa.2017.0084

The Deification of Booker T. Washington

Charles R. Larson

pp. 497-498

DOI: https://doi.org/10.1353/afa.2017.0085

Black Idiom

Geneva Smitherman

pp. 499-505

DOI: https://doi.org/10.1353/afa.2017.0086

The White Critic in a Black World

C. W. E. Bigsby

pp. 506-512

DOI: https://doi.org/10.1353/afa.2017.0087

Balancing the Perspective, a Look at Early Black American Literary Artistry

Houston A. Baker Jr.

pp. 513-518

DOI: https://doi.org/10.1353/afa.2017.0088

Interview with Ed Bullins

John O’Brien

pp. 519-523

DOI: https://doi.org/10.1353/afa.2017.0089

Contemporary Militant Black Humor

Daryl C. Dance

pp. 524-529

DOI: https://doi.org/10.1353/afa.2017.0090

The Poetry of Black Experience as Counterpoint to the Poetry of the Black Aesthetic

Sandra Govan

pp. 530-534

DOI: https://doi.org/10.1353/afa.2017.0091

Afro-American Literature in the Soviet Union

Boris Gilenson

pp. 535-537

DOI: https://doi.org/10.1353/afa.2017.0092

Hatch-Billops Collection: Archives of Black American Cultural History

James V. Hatch, Camille Billops

pp. 538-539

DOI: https://doi.org/10.1353/afa.2017.0093

“For The Characters Are Myself”: Adrienne Kennedy’s Funnyhouse of a Negro

Lorraine A. Brown

pp. 540-542

DOI: https://doi.org/10.1353/afa.2017.0094

The Black Writer: A White Perspective

Harry James Cargas

pp. 543-545

DOI: https://doi.org/10.1353/afa.2017.0095

The Barbershop in Black Literature

Trudier Harris

pp. 547-553

DOI: https://doi.org/10.1353/afa.2017.0096

Teaching Black-Eyed Susans: An Approach to the Study of Black Women Writers

Mary Helen Washington

pp. 554-558

DOI: https://doi.org/10.1353/afa.2017.0097

Defining the Black Voice in Fiction

John Wideman

pp. 559-562

DOI: https://doi.org/10.1353/afa.2017.0098

“‘We Ain’t Going Back There’”: The Idea of Progress in The Autobiography of Miss Jane Pittman

William L. Andrews

pp. 563-566

DOI: https://doi.org/10.1353/afa.2017.0099

Chaos, Complexity and Possibility: The Historical Frequencies of Ralph Waldo Ellison

John F. Callahan

pp. 567-575

DOI: https://doi.org/10.1353/afa.2017.0100

An Interview with Elma Stuckey

David Roediger

pp. 576-578

DOI: https://doi.org/10.1353/afa.2017.0101

Introductory Remarks about the Black Literary Tradition in the United States of America

Darwin T. Turner

pp. 579-586

DOI: https://doi.org/10.1353/afa.2017.0102

Two Fighters on Film

William Greaves

pp. 587-589

DOI: https://doi.org/10.1353/afa.2017.0103

Notes on a Marxist Interpretation of Black American Literature

Gloria T. Hull

pp. 591-596

DOI: https://doi.org/10.1353/afa.2017.0104

Nella Larsen’s Passing: A Problem of Interpretation

Claudia Tate

pp. 597-601

DOI: https://doi.org/10.1353/afa.2017.0105

The Black Critic as Reader

Jerry W. Ward Jr.

pp. 603-605

DOI: https://doi.org/10.1353/afa.2017.0106

New Directions for Black Feminist Criticism

Deborah E. McDowell

pp. 606-612

DOI: https://doi.org/10.1353/afa.2017.0107

Black Autobiography and the Comic Vision

Richard K. Barksdale

pp. 613-618

DOI: https://doi.org/10.1353/afa.2017.0108

A Tribute to Hoyt W. Fuller (1927–1981), In Remembrance of Fire

Chester J. Fontenot, Sterling Plumpp

p. 619

DOI: https://doi.org/10.1353/afa.2017.0109

“In Respect to Females …”: Differences in the Portrayals of Women by Male and Female Narrators

Frances Foster

pp. 620-624

DOI: https://doi.org/10.1353/afa.2017.0110

Introduction: Criticism in De Jungle

Henry Louis Gates Jr.

pp. 625-629

DOI: https://doi.org/10.1353/afa.2017.0111

Negritude and Structuralism

Sunday O. Anozie

pp. 629-634

DOI: https://doi.org/10.1353/afa.2017.0112

The Critic and Society: Barthes, Leftocracy, and Other Mythologies

Wole Soyinka

pp. 635-648

DOI: https://doi.org/10.1353/afa.2017.0113

On Repetition in Black Culture

James A. Snead

pp. 648-656

DOI: https://doi.org/10.1353/afa.2017.0114

Structuralist Criticism and African Fiction: An Analytic Critique

Anthony Appiah

pp. 657-666

DOI: https://doi.org/10.1353/afa.2017.0115

“I Yam What I Am”: Naming and Unnaming in Afro-American Literature

Kimberly W. Benston

pp. 667-675

DOI: https://doi.org/10.1353/afa.2017.0116

The Distant Closeness of Dancing Doubles: Sterling Brown and William Carlos Williams

Vera M. Kutzinski

pp. 676-682

DOI: https://doi.org/10.1353/afa.2017.0117

Eruptions of Funk: Historicizing Toni Morrison

Susan Willis

pp. 683-691

DOI: https://doi.org/10.1353/afa.2017.0118

Formalism Comes to Harlem

Hortense J. Spillers

pp. 692-697

DOI: https://doi.org/10.1353/afa.2017.0119

The Sighted Eyes and Feeling Heart of Lorraine Hansberry

Margaret B. Wilkerson

pp. 698-703

DOI: https://doi.org/10.1353/afa.2017.0120

The Politics of Black Arts

Woodie King Jr.

p. 704

DOI: https://doi.org/10.1353/afa.2017.0121

The Free Southern Theatre, 1963–1979

Geneviève Fabre

pp. 705-709

DOI: https://doi.org/10.1353/afa.2017.0122

A Conversation with Etheridge Knight

Sanford Pinsker

pp. 711-714

DOI: https://doi.org/10.1353/afa.2017.0123

An Interview with Nikki Giovanni

Carrington Bonner

pp. 715-716

DOI: https://doi.org/10.1353/afa.2017.0124

Wright’s Native Son and Two Novels by Zola: A Comparative Study

Robert James Butler

pp. 717-722

DOI: https://doi.org/10.1353/afa.2017.0125

The Sexual Mountain and Black Women Writers

Calvin Hernton

pp. 723-729

DOI: https://doi.org/10.1353/afa.2017.0126

Beyond Black Macho: An Interview with Michele Wallace

Karen Boorstein

pp. 730-734

DOI: https://doi.org/10.1353/afa.2017.0127

The First Step of Becoming an Art Historian

Hilton Als

pp. 735-737

DOI: https://doi.org/10.1353/afa.2017.0128

On Behalf of Henry Dumas

Toni Morrison

pp. 739-741

DOI: https://doi.org/10.1353/afa.2017.0129

Henry Dumas’s World of Fiction

Arnold Rampersad

pp. 742-745

DOI: https://doi.org/10.1353/afa.2017.0130

Henry Dumas: The Poet of Resurrection

Ishmael Reed

p. 746

DOI: https://doi.org/10.1353/afa.2017.0131

Remembering Prof. Sterling A. Brown, 1901–1989

Sherley Anne Williams

pp. 747-749

DOI: https://doi.org/10.1353/afa.2017.0132

At the Heart of Shange’s Feminism: An Interview

Neal A. Lester

pp. 751-764

DOI: https://doi.org/10.1353/afa.2017.0133

Revision and (Re)membrance: A Theory of Literary Structures in Literature by African-American Women Writers

Karla F. C. Holloway

pp. 765-779

DOI: https://doi.org/10.1353/afa.2017.0134

Black Macho Revisited: Reflections of a Snap! Queen

Marlon T. Riggs

pp. 781-786

DOI: https://doi.org/10.1353/afa.2017.0135

An Interview with Charles Burnett

Bérénice Reynaud

pp. 787-798

DOI: https://doi.org/10.1353/afa.2017.0136

Thoughts and Concepts: The Making of Ashes and Embers

Haile Gerima

pp. 799-814

DOI: https://doi.org/10.1353/afa.2017.0137

Micheaux: Celebrating Blackness

Bell Hooks

pp. 815-824

DOI: https://doi.org/10.1353/afa.2017.0138

Encounters: The Film Odyssey of Camille Billops

Barbara Lekatsas

pp. 825-838

DOI: https://doi.org/10.1353/afa.2017.0139

“The Subject is Money”: Reconsidering the Black Film Audience as a Theoretical Paradigm

Jacqueline Bobo

pp. 839-850

DOI: https://doi.org/10.1353/afa.2017.0140

Are You as Colored as That Negro?: The Politics of Being Seen in Julie Dash’s Illusions

S. V. Hartman, Farah Jasmine Griffin

pp. 851-863

DOI: https://doi.org/10.1353/afa.2017.0141

The Enigma of Arrival: The Wonderful Adventures of Mrs. Seacole in Many Lands

Sandra Pouchet Paquet

pp. 864-876

DOI: https://doi.org/10.1353/afa.2017.0142

African-American Critical Discourse and the Invention of Cultural Identities

Tejumola Olaniyan

pp. 877-889

DOI: https://doi.org/10.1353/afa.2017.0143

Albert Murray: Literary Reconstruction of the Vernacular Community

Warren Carson

pp. 890-898

DOI: https://doi.org/10.1353/afa.2017.0144

Noir by Noirs: Towards a New Realism in Black Cinema

Manthia Diawara

pp. 899-911

DOI: https://doi.org/10.1353/afa.2017.0145

“I was a weird example of Art”: My Amputations as Cubist Confession

Stuart Klawans

pp. 912-922

DOI: https://doi.org/10.1353/afa.2017.0146

Disseminating Heterotopia

Robert F. Reid-Pharr

pp. 923-933

DOI: https://doi.org/10.1353/afa.2017.0147

Black Music On Radio During the Jazz Age

William Barlow

pp. 934-937

DOI: https://doi.org/10.1353/afa.2017.0148

Popular Fronts: Negro Story Magazine and the African American Literary Response to World War II

Bill Mullen

pp. 938-948

DOI: https://doi.org/10.1353/afa.2017.0149

The Black Church and the Harlem Renaissance

Jon Michael Spencer

pp. 949-956

DOI: https://doi.org/10.1353/afa.2017.0150

Oxherding Tale and Siddhartha: Philosophy, Fiction, and the Emergence of a Hidden Tradition

Rudolph P. Byrd

pp. 957-966

DOI: https://doi.org/10.1353/afa.2017.0151

Reading Rice: A Local Habitation and a Name

Kwame Dawes

pp. 967-977

DOI: https://doi.org/10.1353/afa.2017.0152

A Transplant That Did Not Take: August Wilson’s Views on the Great Migration

Sandra G. Shannon

pp. 979-986

DOI: https://doi.org/10.1353/afa.2017.0153

“In the Land of Cotton”: Economics and Violence in Jean Toomer’s Cane

Barbara Foley

pp. 987-1004

DOI: https://doi.org/10.1353/afa.2017.0154

“Mislike Me Not for My Complexion…”: Ira Aldridge in Whiteface

Bernth Lindfors

pp. 1005-1012

DOI: https://doi.org/10.1353/afa.2017.0155

Angularity: An Interview with Leon Forrest

Keith Byerman

pp. 1013-1024

DOI: https://doi.org/10.1353/afa.2017.0156

Sugarcane as History in Paule Marshall’s “To Da-Duh, in Memoriam”

Martin Japtok

pp. 1025-1032

DOI: https://doi.org/10.1353/afa.2017.0157

Discipline and Craft: An Interview with Sonia Sanchez

Susan Kelly

pp. 1033-1041

DOI: https://doi.org/10.1353/afa.2017.0158

“A Gentleman of Superior Cultivation and Refinement”: Recovering the Biography of Frank J. Webb

Eric Gardner

pp. 1043-1054

DOI: https://doi.org/10.1353/afa.2017.0159

Baraka’s Billie Holiday as a Blues Poet of Black Longing

Farah Jasmine Griffin

pp. 1055-1062

DOI: https://doi.org/10.1353/afa.2017.0160

The Christian Recorder, Broken Families, and Educated Nations in Julia C. Collins’s Civil War Novel The Curse of Caste

P. Gabrielle Foreman

pp. 1063-1074

DOI: https://doi.org/10.1353/afa.2017.0161

Intimate Intercessions in the Poetry of Paul Laurence Dunbar

Joanne Gabbin

pp. 1075-1079

DOI: https://doi.org/10.1353/afa.2017.0162

An Interview with Edward P. Jones

Maryemma Graham

pp. 1081-1098

DOI: https://doi.org/10.1353/afa.2017.0163

True Terror: The Haunting of Spike Lee’s 25th Hour

Derik Smith

pp. 1099-1114

DOI: https://doi.org/10.1353/afa.2017.0164

Launching Black American Literature Forum, the Progenitor of African American Review

Joe Weixlmann

pp. 1115-1120

DOI: https://doi.org/10.1353/afa.2017.0165

Index of Previously Published Works

pp. 1121-1124

DOI: https://doi.org/10.1353/afa.2017.0166

ISSN	1945-6182
Print ISSN	1062-4783
Launched on MUSE	2018-03-13
Open Access	No

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