In this Issue

Table of Contents

poem for far too many brilliant scholars, not enough of whom are with us today

Sherrie Tucker
pp. 1-2
DOI: https://doi.org/10.1353/wam.2017.0001
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“Votes and Notes”: Exhibiting and Contesting Gender in the Orchestra of the New Zealand and South Seas Exhibition (1889–1890)

Inge van Rij
pp. 3-42
DOI: https://doi.org/10.1353/wam.2017.0002
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“A Dreadful Bit of Silliness”: Feminine Frivolity and Ella Fitzgerald’s Early Critical Reception

Christopher J. Wells
pp. 43-65
DOI: https://doi.org/10.1353/wam.2017.0003
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Fort Greene

Núria Bonet
pp. 66-71
DOI: https://doi.org/10.1353/wam.2017.0004
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A Lady-in-Waiting’s Account of Marie Antoinette’s Musical Politics: Women, Music, and the French Revolution

Rebecca Dowd Geoffroy-Schwinden
pp. 72-100
DOI: https://doi.org/10.1353/wam.2017.0005
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A Rondo for the Harp: Sophia Dussek (1775–1847)

Katelyn Clark
pp. 101-106
DOI: https://doi.org/10.1353/wam.2017.0006
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(Re)Considering the Priestess: Clara Schumann, Historiography, and the Visual

April L. Prince
pp. 107-140
DOI: https://doi.org/10.1353/wam.2017.0007
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After Orlando

Toby Young, Jennifer Thorp
pp. 141-145
DOI: https://doi.org/10.1353/wam.2017.0008
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Writing Gender Identity through Musical Metaphor in Dorothy L. Sayers’s Gaudy Night

Stephen Armstrong
pp. 146-168
DOI: https://doi.org/10.1353/wam.2017.0009
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Coco Chanel Said . . .

Gigi Chi Ying Lam
pp. 169-174
DOI: https://doi.org/10.1353/wam.2017.0010
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“Luck, Classic Coke, and the Love of a Good Man”: The Politics of Hope and AIDS in Two Songs by Michael Callen

Matthew J. Jones
pp. 175-198
DOI: https://doi.org/10.1353/wam.2017.0011
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Voicing Girlhood in Popular Music: Performance, Authority, Authenticity ed. by Jacqueline Warwick, Allison Adrian (review)

Jennifer O’Meara
pp. 199-202
DOI: https://doi.org/10.1353/wam.2017.0012
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Negotiated Moments: Improvisation, Sound, and Subjectivity ed. by Gillian Siddall, Ellen Waterman (review)

Marc Hannaford
pp. 202-208
DOI: https://doi.org/10.1353/wam.2017.0013
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Letter from the Editor

Emily Wilbourne
pp. vii-ix
DOI: https://doi.org/10.1353/wam.2017.0000
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