Project MUSE - Palimpsest: A Journal on Women, Gender, and the Black International-Volume 4, Issue 2, 2015

“Chained Together in Time and Space”: W. E. B. Du Bois Looks at the Warsaw Ghetto; James Baldwin Regards the Harlem Ghetto

Magdalena J. Zaborowska

pp. 97-114

DOI: https://doi.org/10.1353/pal.2015.0018

Cold War and Black Transnationalism: Aimé Césaire and Mercer Cook at the First International Congress of Black Writers and Artists

Guirdex Massé

pp. 115-134

DOI: https://doi.org/10.1353/pal.2015.0019

“On being young—a woman—and colored” in Paris and Tangier: The “strange longings” of Anita Thompson Dickinson Reynolds’s Early Years

Claire Oberon Garcia

pp. 135-154

DOI: https://doi.org/10.1353/pal.2015.0020

Kenny Clarke and the Desire for More Inclusive “Black Music”

Rashida K. Braggs

pp. 155-170

DOI: https://doi.org/10.1353/pal.2015.0021

“Don’t Look So Sad Because You’re a Little Negro”: Marie Nejar, Afro-German Stardom, and Negotiations with Black Subjectivity 1

Priscilla Layne

pp. 171-188

DOI: https://doi.org/10.1353/pal.2015.0022

Neither Color-Blind Nor Color-Conscious: Challenging French Universalism in the Plantation Colonies of the Antilles (Eighteenth and Nineteenth Centuries)

Silyane Larcher

pp. 189-210

DOI: https://doi.org/10.1353/pal.2015.0023

Frantz Fanon: De l’anticolonialisme à la critique postcoloniale by Matthieu Renault (review)

Lewis R. Gordon

pp. 211-213

DOI: https://doi.org/10.1353/pal.2015.0024

Paris Noir, African Americans in the City of Light by Tyler Stovall, and: Black France/France Noire, The History and Politics of Blackness ed. by Trica Danielle Keaton, T. Denean Sharpley-Whiting, and Tyler Stovall (review)

Laurence Cossu-Beaumont

pp. 214-217

DOI: https://doi.org/10.1353/pal.2015.0025

The Nine Muses dir. by John Akomfrah (review)

Dagmar Brunow

pp. 218-219

DOI: https://doi.org/10.1353/pal.2015.0026

French Immersion: Black France in L. Miano’s Tels des astres éteints and A. Mabanckou’s Black Bazar

Cyril Vettorato

pp. 220-223

DOI: https://doi.org/10.1353/pal.2015.0027

The Word’s Image—Self-Portrait as a Conscious Lie

Jean-Paul Rocchi

pp. 225-234

DOI: https://doi.org/10.1353/pal.2015.0028

Editors’ Introduction

T. Denean Sharpley-Whiting, Tiffany Ruby Patterson-Myers

pp. v-vi

DOI: https://doi.org/10.1353/pal.2015.0001

A View from Europe and the World—An Introduction to Black Europe: Subjects, Struggles, and Shifting Perceptions:

Jean-Paul Rocchi, Frédéric Sylvanise

pp. vii-xi

DOI: https://doi.org/10.1353/pal.2015.0017

Contributors

pp. 235-238

DOI: https://doi.org/10.1353/pal.2015.0029

ISSN	2165-1612
Print ISSN	2165-1604
Launched on MUSE	2016-11-11
Open Access	No

Palimpsest: A Journal on Women, Gender, and the Black International

In this Issue

published by

viewing issue

Table of Contents