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Black Music Research Journal

In this Issue

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The Endangered Musical Genre: The Case of Akwunechenyi Music of Ukpo

Ijeoma I. Forchu

pp. 1-22

Black Skin, White Music: Afroporteño Musicians and Composers in Europe in the Second Half of the Nineteenth Century

Norberto Pablo Cirio

pp. 23-40

Uplift, Gender, and Scott Joplin’s Treemonisha

Rachel Lumsden

pp. 41-69

Mingus in the Workshop: Leading the Improvisation From New Orleans to Pentecostal Trance

Jennifer Griffith

pp. 71-95

Indivisible: The Nation and Its Anthem in Black Musical Performance

Shana L. Redmond

pp. 97-118

Why Saints Love Samba: A Historical Perspective on Black Agency and the Rearticulation of Catholicism in Bahia, Brazil

Michael Iyanaga

pp. 119-147

Additional Information
ISSN	1946-1615
Print ISSN	0276-3605
Launched on MUSE	2015-11-01
Open Access	No
Archive Status	Ceased Publication

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