In this Issue

Table of Contents

Editors’ Introduction

David Miller
pp. vii-viii
DOI: https://doi.org/10.1353/jlt.2014.0015
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Articles

“The Grey and the Coloured Truth”: Memory and Post-memory in George Tabori’s Holocaust Plays

Antje Diedrich
pp. 1-21
DOI: https://doi.org/10.1353/jlt.2014.0017
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Traumatic Memory and Bodily Inscription in Georges Perec’s W; ou, Le souvenir d’enfance and Philippe Grimbert’s Un secret

Charlotte F. Werbe
pp. 23-42
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From the Position of the Victim to the Position of the Witness: Traumatic Testimony

Dana Amir
pp. 43-62
DOI: https://doi.org/10.1353/jlt.2014.0019
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“To Learn to Live without Alternatives”: Forgetting as Remembering in Christa Wolf’s The City of Angels; or, The Overcoat of Dr. Freud

Angelica Michelis
pp. 63-80
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“Every Moment Is Two Moments”: Witnessing and the Poetics of Trauma in Fugitive Pieces, by Anne Michaels

Michael Richardson
pp. 81-99
DOI: https://doi.org/10.1353/jlt.2014.0021
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Book Review

Representing Perpetrators in Holocaust Literature and Film ed. by Jenni Adams and Sue Vice (review)

Victoria Stewart
pp. 101-106
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Notes on Contributors

pp. 107-108
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