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In this Issue

Table of Contents

Film, Document, and the Historian

Patrick Griffin
pp. 14-21
DOI: https://doi.org/10.1353/flm.1972.a487419
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The Making of Goodbye Billy

Patrick Griffin
pp. 17-22
DOI: https://doi.org/10.1353/flm.1972.a487420
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Brechts Kuhle Wampe: An Expression of Communism in the Weimar Republic

David Schoenbaum
pp. 22-27
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Circumstances Within Our Control: Television As a Synthesizer of Multi-Media Teaching Resources

Thomas Cripps
pp. 27-31
DOI: https://doi.org/10.1353/flm.1972.a487422
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World War II Films As Propaganda

Taylor Stults
pp. 31-36
DOI: https://doi.org/10.1353/flm.1972.a487423
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The Rhode Island Historical Society Film Archive

Barbara Humphrys
pp. 36-38
DOI: https://doi.org/10.1353/flm.1972.a487424
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Film & History News

pp. 39-41
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The Sorrow and the Pity (review)

Martin A. Jackson
pp. 41-42
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Russia (review)

Jack Mazelis
pp. 42-44
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The Island Called Ellis (review)

Jacob L. Susskind
pp. 44-45
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The Journals of Lewis and Clark (review)

Marvin Fletcher
p. 45
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Focus on Paul Revere (review)

Louis C. Smith
p. 45
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Nightmare in Red (review)

Taylor Stults
pp. 45-46
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Letters

Vernon O. Stumpf, Arthur L. Smith
pp. 47-48
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Source Notes

pp. 46-47
DOI: https://doi.org/10.1353/flm.1972.a487432
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