In this Issue

Table of Contents

Preface

John R. Porter
pp. v-x
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List of Abbreviations Used in This Volume

pp. xi-xii
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Articles

1. Ancient Theatre and the Other: Ancient and Modern Perspectives

Humani nil a me alienum puto: The Ethics of Terentian Performance

Niall W. Slater
pp. 1-21
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Staging Ancient Drama: The Difference Women Make

Mary-Kay Gamel
pp. 22-42
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ϵὔνους καὶ πóλϵι σωτήριος / μϵ́τοικος: Metics, Tragedy, and Civic Ideology

Geoff Bakewell
pp. 43-64
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2. Ancient Stage and Stagecraft

Orchestra and Stage in Sophocles: Oedipus Tyrannus and the Theater of Dionysus

Stephen Scully
pp. 65-86
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Knowledge and Authority in the Choral Voice of Euripidean Tragedy

Donald J. Mastronarde
pp. 87-104
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Quis Hic Loquitur?: Plautine Delivery and the “Double Aside”

C.W. Marshall
pp. 105-129
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Facing the Music: Character and Musical Accompaniment in Roman Comedy

Timothy Moore
pp. 130-153
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Performance and Iconographic Tradition in the Illustrations of Menander

Eric Csapo
pp. 154-188
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Reconstructing Ancient Theater with the Aid of Computer Simulation

Richard Beacham
pp. 189-214
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3. Modern Production and Adaptation

Senecanism and the “Sulla” Operas of Handel and Mozart

Robert C. Ketterer
pp. 215-234
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"A New Athens Rising Near the Pole": Canada and the Greek Exemplum 1606–1954

Moira Day
pp. 235-258
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Unsuitable for Women and Children?: Greek Tragedies in Modern British Theaters

Ruth Hazel
pp. 259-277
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Cross-Referencing the Stages: The Collection, Research, and Database of the Archive of Performances of Greek and Roman Drama at the University of Oxford

David Gowen
pp. 278-282
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