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In this Issue

Table of Contents

The Editor's Reflections and Reports

Peter C. Rollins
pp. 1-3
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Hollywood and Politics Caught in the Cold War Crossfire (1947)

Jennifer Holt
pp. 6-12
DOI: https://doi.org/10.1353/flm.2001.a400670
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All East on the Western Frontier: John Ford's My Darling Clementine (1946)

Robert Sickels
pp. 13-21
DOI: https://doi.org/10.1353/flm.2001.a400671
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Fear of the Public Sphere: The Boxing Film in Cold War America (1947-1957)

Marc P. Singer
pp. 22-27
DOI: https://doi.org/10.1353/flm.2001.a400672
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John Wayne and Big Jim McLain (1952): The Duke's Cold War Legacy

Ron Briley
pp. 28-33
DOI: https://doi.org/10.1353/flm.2001.a400673
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"Oh, You Thing from Another World, You": How Warner Bros. Animators Responded to the Cold War (1948-1980)

Michael E. Birdwell
pp. 34-39
DOI: https://doi.org/10.1353/flm.2001.a400674
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George F. Kennan as Represented by Chuck Jones: Road Runner and the Cold War Policy of Containment (1949-1980)

Roger Chapman
pp. 40-43
DOI: https://doi.org/10.1353/flm.2001.a400675
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"Eine Revolution des Films": The Third Man (1949), The Cold War and Alternatives to Nationalism & Coca-colonization in Europe

Anne-Marie Scholz
pp. 44-53
DOI: https://doi.org/10.1353/flm.2001.a400676
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Students For a Democratic Society, Heroically Portrayed, Before the Inexplicable Fall: Consensus History in a Left Film

Jesse Lemisch
pp. 54-57
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An Interview with Robert Toplin (Fall, 2000)

Bruce Dennett
pp. 58-59
DOI: https://doi.org/10.1353/flm.2001.a400678
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On Why We Fight: History, Documentation, and the Newsreel (1946)

André Bazin, Bert Cardullo
pp. 60-62
DOI: https://doi.org/10.1353/flm.2001.a400679
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Go Moan for Man: The Literary Odyssey of Jack Kerouac: (A RealFilms Production)

Michael Baldwin
pp. 65-66
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Ali-Frazier 1: One Nation Divisible: An HBO Sports Documentary (Originally aired in Fall 2000)

Tim Coleman
p. 66
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Human Remains: A Locomotion Films Release, 1998. www.jayrosenblattfilms.com

Linda Alkana
pp. 66-67
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Napolean: A PBS Documentary Aired in Fall 2000

James J. Ward
pp. 67-69
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Thirteen Days: A New Line Cinema Release Fall 2000

Robert Waters
pp. 69-70
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Hollywood as Historian: American Film in a Cultural Context (review)

Robert Fyne
p. 71
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Silent Films, 1877-1996: A Critical Guide to 646 Movies (review)

Ron Briley
pp. 71-72
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Seductive Cinema: The Art of Silent Film (review)

Angela Schwarz
pp. 72-73
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Shakespeare on Film (review)

Hugh H. Davis
pp. 73-74
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The Theater and Cinema of Buster Keaton (review)

James Krukones
pp. 74-75
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Constructing Wildlife: Reel Nature: America's Romance with Wildlife on Film (review)

Michael Lundblad
pp. 75-76
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Feminism and Documentary (review)

Patrick H. Griffin
pp. 76-77
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Lawrence of Arabia: A Film's Anthropology (review)

Harvey Young
pp. 77-78
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Introduction

Philip J. Landon
pp. 4-5
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The Corner: An HBO Miniseries (Aired Spring, 2000)

Marc Oxoby
pp. 63-65
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