Project MUSE - Film & History: An Interdisciplinary Journal of Film and Television Studies-Volume 26, Numbers 1-4, 1996

Oliver Stone Session at 1997 American Historical Association Meeting in New York City: A Pictorial Report

Peter C. Rollins

pp. 1-3

DOI: https://doi.org/10.1353/flm.1996.a395951

Overview of Our Mega-Issue on the West

Peter C. Rollins

pp. 4-5

DOI: https://doi.org/10.1353/flm.1996.a395952

John Ford's Vision of the Closing West: From Optimism to Cynicism

Mike Yawn, Bob Beatty

pp. 6-19

DOI: https://doi.org/10.1353/flm.1996.a395953

Too Long in the Wasteland: Visions of the American West in Film, 1980-1990

Douglas W. Reitinger

pp. 20-29

DOI: https://doi.org/10.1353/flm.1996.a395954

Representing Truth and History in Native American Documentary: Indigenous Efforts to Counter Mass Media Stereotypes

Steven Leuthold

pp. 30-39

DOI: https://doi.org/10.1353/flm.1996.a395955

American Frontier Myth and the Flight of Apollo 13: From News Event to Feature Film

Susan K. Opt

pp. 40-51

DOI: https://doi.org/10.1353/flm.1996.a395956

The American Jewish Immigrant Family in Film and History: The Historical Accuracy of Barry Levinson's Avalon

Michael B. Kassel

pp. 52-60

DOI: https://doi.org/10.1353/flm.1996.a395957

Our Town in Cold War America: The George Burns and Gracie Allen Show (1950-1958)

Eileen Eagan

pp. 62-70

DOI: https://doi.org/10.1353/flm.1996.a395958

From Celluloid to Silicon: A Practical Guide to Film Resources on the World Wide Web

David Silver

pp. 72-77

DOI: https://doi.org/10.1353/flm.1996.a395959

Western Films: A Bibliography

Steven Mintz

pp. 78-80

DOI: https://doi.org/10.1353/flm.1996.a395960

The Hollywood Feature Film as Historical Artifact

Ron Briley

pp. 82-84

DOI: https://doi.org/10.1353/flm.1996.a395961

Make Time for Movies in Time

Suzanne Broderick

pp. 86-88

DOI: https://doi.org/10.1353/flm.1996.a395962

Independence Day: A Survival Guide for the Next Invasion

Ken Dvorak

pp. 90-91

DOI: https://doi.org/10.1353/flm.1996.a395963

Aliens 'R' Us: A Critique of D4

John Dixon

pp. 92-88

DOI: https://doi.org/10.1353/flm.1996.a395964

Shtetl and Hotel Terminus: History and Memory of the Shoah

Neal R. McCrillis

pp. 94-95

DOI: https://doi.org/10.1353/flm.1996.a395965

Unique Construction

Victor Or

p. 96

Linking Aviation and Cinema

Uday Mohan

pp. 97-99

Our Enduring Fascination

Kent Ryden

pp. 98-99

A Bundle of Contradictions

Joseph Dorinson

pp. 100-101

Lexington's Early Nickelodeons

George Potamianos

pp. 102-105

A Dense and Rich Forêt

Laurent Ditmann

pp. 104-105

Land of Oz

Robert Fyne

pp. 106-111

A Monumental Ego

Michael D. Yates

pp. 107-109

Multiple Storylines

Victor Or

pp. 108-109

Change Your Name

Robert Fyne

pp. 110-111

Hollywood's First Feminist

Rick Donovan

pp. 112-115

Dedicated to Keeping Mouths Shut

J. David Slocum

pp. 114-115

Menial Beginnings

Dale Schmitt

p. 116

Groundbreaking Work

Dan Cabaniss

p. 117

Mixed Media: Painting in Film

Kevin O'Brien

p. 118

Familiar Tunes

Dorothea Newnam

p. 119

ISSN	1548-9922
Print ISSN	0360-3695
Launched on MUSE	2013-01-02
Open Access	No

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