gloss: (TM: Doc Brown bridge)
I was toying with the idea of signing up for the Unthemed Flash Exchange. I made some nominations, then sat down to cobble together a sign-up from my previous ones. cut for having feelings about fandom & fic exchanges )

OTW intransigence on anti-racism, and now its deeply weird shittiness around AI, is just sort of reinforcing/underlining a lot of this negativity on my part, I think. Sharing a hobby does not make a community: this is something I understood from the beginning wrt knitting, but I guess now 20 years on is the time to apply it to fanfic.

*

Another fantastic essay about Jordan Neely: One Nation Under Fear - Part 1: Jordan Neely Was a Person by A.R. Moxon.

eta The Rambam's handwriting, holy shit!

I finished reading Patricia Lockwood's No One Is Talking About This earlier this week. It's phenomenal, both hilariously funny and hugely, deeply, moving; if I'm able, I'll try to write up my thoughts.

Now I'm reading David Copperfield and I honestly cannot get enough of it. Also Saidiya Hartman's Lose Your Mother: A Journey Along the Atlantic Slave Route, ditto.
gloss: screens monitoring two characters (Eva - mediation is all)
I'm posting this for accountability/in the hope that sharing these ridiculous thought processes will shake something loose and let me see a solution.

This is so dumb. I have two mini-things I'm working on for the EAD Birthday Bash: a drawing and a ficlet. The first is pencil-sketched, the second is half-drafted.

But I'm frozen now. ... )
gloss: woman in front of birch tree looking to the right (Valkyrie)
I'm starting to realize that quitting meme, especially BFE, cold turkey was probably the best thing I did this year in terms of self-care. And that includes getting vaccinated. Just like Twitter, it was a timesuck and relentless firehose of terrible opinions that left me feeling alienated and lost and constantly on the defensive.

(Disclaimer: I'm sure individual posters are lovely people who are wonderfully thoughtful and take the time to craft interesting opinions. It's about the aggregate experience for me.)

*

There are a couple interesting non-exchange things happening or getting underway:
*

That stocking-stuffer fest, the recent opening of [community profile] femslashex, and the chatter around the new [community profile] rarefemslashexchange has reminded me how bad I am at the various streams of f/f fannishness. I was never into what I always thought of as Handsome Pantsuit Cops & Lawyers femslash fandom, like on L&O and Rizzoli & Isles; I'm too squeamish and over-sensitive for the much edgier "terrible beautiful, often high-femme women being terrible to each other, maybe with vivisection" vibe that's around now.

This is just weird and sad, given that I'm, you know. A lesbian. Then I thought about how a lot of lesbian lit doesn't work for me, either.

*

I've been stupidly, yet profoundly, annoyed by the jokey SLANDER of Melville quoted in the promo post for the digression fest for a while now. This short piece from Nature is a pretty good rebuttal: Cetology: How science inspired Moby-Dick; the philosophical implications of classifications and monsters and the Unknowable from that one chapter alone are immeasurable. Not to mention the literary achievement!

But anyway who tf cares about this besides me. My nerd-rage has at least inspired me to sit down and reread Moby-Dick in the new year, along with the following two books, if not more. I began the phenomenal Undrowned: Black Feminist Lessons from Marine Mammals this year but I will start over anew. Ahab’s Rolling Sea: A Natural History of “Moby-Dick” looks amazing.
gloss: (Elementary: Watson is seriously awesome)
Just feel really disaffected, but idk why, really.

In the middle of the night last night, I unfollowed all the Kevin Abstract-related accounts on IG that I had been following. There was only so much content of sullen, underfed young people, pubescently gawky (yet in their mid-20s) that I could take until I felt awful. His new song's video seems to be little more than an ad for his "line" of clothes.

...I don't get designers of streetwear like this. There are some (Benny Gold, Quiet Life) who do truly interesting things, with fabric, print, and texture, within the simple, utilitarian constraints of the style, but the vast majority of designs feel like c.Y2K Adbusters spreads except on products literally for sale. Redoing the Stüssy logo to say Büssy is clever, but that's all. IDK. It's not my thing.

It's that damn parasocial attachment thing again, which, of course, contemporary social media marketing draws on constantly. Go follow [X], someone I like/admire says, and I'll follow back. And of course they don't, but anyway. None of these people are real, none of them care about you/me/us, only as open wallets. I know that is both obvious and long past being avoided, but it needs repeating.

I really ought to realize, at some point, that I'm too old and resolutely uncool for any of this anyway.

I read Last Call by Elon Green and All Adults Here by Emma Straub this week. cutting for length )

eta I'm still thinking about how shallow and facile All Adults Here is. more )

I'm sorry this post is so grumpy. I should probably lock it or something.

*
I signed up for [community profile] iddyiddybangbang. Maybe this is my year again.

I'm in the midst of another WDLF writing marathon. I hope I can get the ideas I have in my head out in something like a timely manner but also do a bit of justice to them.

For one of the pieces I'm working on I reread the introduction to Frederick Jackson Turner's Frontier thesis essay yesterday (I know, I know, pretension=me), and all I can say, fervently, is fuck that guy, holy shit. He's so bugged by other historians making a big deal out of "the slavery question"; there's so much material for reams of essays on white anxiety and -rage as currents in this piece.

Thanks to him, I learned about von Holst's interest in slavery as foundational to US self-conception, but none of von Holst's work is available on Gutenberg, not even his biography of John Brown (1888) -- but it is on the internet archive, thankfully.

*
RIP Biz Markie.
gloss: little girl befriending a robot (Yotsuba & Danbo)
A big reason I'm always reluctant to post detailed criticism of things I read is that I worry (maybe baselessly, but probably not) that whatever I say could be used against my own work. I don't mean the tired old retort of "if you know so much, I'd like to see you try to do [X]", because there should be room for critics who are not artists.

What I'm worried about is different: What if I notice what I'm criticizing because I worry about the same weaknesses/flaws in my own work? I'm not sure that would mean that everything I criticize is "just" a projection of my own insecurities, but maybe it is. Moreover, if I put some criticism out into the world, there's a paranoid part of me that is convinced that it will come back and be used to tear apart my own work. (On one hand, this paranoia is not unjustified; I've had some truly harrowing experiences in fandom and out of it! On the other hand, isn't such a worry evidence of thinking just a *little* too highly of myself, that I would ever deserve/receive such attention?)

Anyway. I don't think I can keep reading Sorrowland*. Its style is just too clunky -- lots of phrases that don't do very much at all but sort of conceal the lack of focus -- and its narrative POV frequently simply doesn't make any sense. All of these are real worries I have about my own writing, *especially* around overwriting as an attempt to conceal other flaws. (But at the same time, when I try to write plainly, I worry that I'm being too obvious and expository. bah.) Also, I...I want (and *need*) books to exist about difference and rebellion, resistance and marginalization, but there's something irritatingly *overt* and over-determined about this book that just doesn't work for me. (In part, because we need to invent new ways of telling the non-normative and "un"-familiar, writing and reading such stories can sometimes be excruciating in not-great ways.)

...I have no idea where I'm going with this. This is just a large part of what has been on my mind the last several days.


* the publisher's copy uses words like "unignorable" and "seminal", which just makes me want to crylaugh
gloss: pinkhaired girl curled over her knees in the top bunk (Utena - alone now normal never)
A/some fic(s) I wrote went live in a/some exchange(s) this weekend and my emotions are all over the map. I got a little burst of kudos and even comments at first, and I was over the moon. It's been a very long while since I got comments/interaction from anyone but a few friends, and I'd honestly forgotten just how great it feels. I made that! And people are telling me nice things about it!

(Insert disclaimer here about how ~art must be for yourself and the muse~ not craven comment-seeking blah blah. I know that; I kept writing and posting when even crickets weren't around.)

Then this morning my happiness crashed. Partly because I really fucked up the friendships with those few commenters, and I need to do something about that, and I don't know what to do because I am a coward. But also, even more immediately, because recs started getting made and my stuff wasn't mentioned. This reminded me of that Ask Metafilter recs thing that happened last summer with like 500 recs...

Anyway, I'm going to stop whining now. I feel like I forever need to sort out my various emotional needs (and problems) from the act of writing. Maybe that's very obvious?

I really should find a new hobby so I can whine about something different on here.
gloss: sassy little hero in spanky pants & gogo boots (Toro: fiercely sassy)
While I'm here, some quick thoughts from scanning my flist:
* [community profile] intoabar is back! WOOOOOO
* looks like I can't even get recced in an ancient fandom like DCU, that's just great :/
* master list for July's [community profile] sunshine_challenge
gloss: woman in front of birch tree looking to the right (SW: Leia gesture)
haha, I don't know how this keeps happening to me. Is it a function of writing in a large ship? Is it just because I'm unclear? I write what I think is dub-con, and it's dismissed as too fluffy. I write what's very clearly a character's rape fantasy, and I'm criticized for not including *aftercare*. I write what I assumed was a cheerful threesome and apparently it's *dub-con* because one guy wasn't AS into it as the others.

I know the answer is to stop caring but I've yet to figure out how to do that.

*

Oh, hey, I can do Wednesday reading!

Stones, Timothy Findley. I'm about halfway through these stories. I haven't read any Findley in *ages*, which I regret. His style is nearly translucent, so clean, yet the subject matter invariably somehow squirmy and dark. I love this. I'd forgotten that short stories can be as surprising and full of unexpected turns as any novel, but I really needed the reminder.

Up next, new novels by my two favourite living lesbian authors - The Cosmopolitans by Sarah Schulman and Heyday by Marnie Woodrow.
gloss: man gazing into the distance idealistically, backed up by partner (Cap & Falc: so very married)
Dropped out of [community profile] intoabar, ugh. Poe in Twin Peaks still fascinates me, but Poe and Lucy? Not so much. I double-checked and the two characters' interaction *does* have to be the focus, and I just can't deal with Lucy.

May the 4th fics are still anon. But there's some great stuff in both the main and treat archives.

Still entirely failing at talking to/getting to know new people. I even tried to start a meme, but.

I'm *really* interested in [tumblr.com profile] wildehack's meta about the White Minor Dude Ghost, but I was also pretty proud of my note about not minimizing Hux's overt fascism. That tangent didn't go anywhere, however.

I'm having the weirdest deja vu with Cap and Civil War happening again. And I'm still kind of sad that everyone seems to love Steve and Bucky and Sam NOW, not six years ago.

Tumblr is hard. So's fandom. *hands*
gloss: man grinning devilishly (SW: Poe grin)
Feedback like that realllllllllly helps with my stupid hangups about fluff, yeah.

Another writing check-in:
I *think* my [community profile] smutswap piece is just about finished. The beta said it was fine, phew. Without even meaning to, I then came up with something even darker and more non-conny over the weekend and kind of hate myself for it right now; I don't think I'll write *that* particular scene.

I keep looking at other [community profile] smutswap requests for possible treat-writing. I guess I'm just still in a super-porny place.

The last several days, I've been working on weaving together those two Finn/Poe fics that (probably) want to be the same story. Christ, it's draining, sort of like editing turned up to 11, because I'm editing both at the same time (and they have *such* different tones) but also editing them toward the imaginary third, synthesis story they'll become. It's good experience, I guess. Character building.

There's a big hole right at the end, about two scenes from the end, where a lot of motivation pivots. And I have NO IDEA how to dramatize those changes. I'm setting it aside for a couple/several days to see if something stews or congeals in the back of my mind. It would be *fantastic* if the problem solved itself, but that's really dreaming big.

I should concentrate on the s2b2 hipsters fic this week, since it's due the 19th. As part of motivating/spurring myself, I actually contacted an artist to see if I could commission an illustration for it, eek. (Because clearly I'm rolling in money.) The vague overall idea I have for the story -- meet cute, then get pulled apart due to misunderstandings for almost two years, then meet up again with ~issues -- is decent, but I think it might be too complicated. Maybe they should just bang. Ironically. In between silkscreening t-shirts or whatever.

I did have something of an ~insight into contemporary aesthetics' references to past technology's effects - like all the cross-processing filters and Polaroid filters on Instagram, etc. - something about needing to feel like you've existed in a historical moment, and the *look* of history is better than nothing. But I don't think Finn or Poe are at all inclined that way to have an organic thought like that in the story itself. :/

eta artist turned me down; currently awash in self-loathing for ever even thinking of having asked. great.

ice old?

Mar. 20th, 2016 06:38 pm
gloss: handsome wolf in profile stands his ground behind departing Mountie (dS: Dief stands alone)
So this just happened. I know Kit's very sour on me, but this really made me smile.

Even if I do now feel a gazillion years old.

*

Unfortunately [community profile] pbam posting has been pushed back a day, so I'm still, uh. Sitting on this Captain Cold threesome. *eyebrow waggle*

*

OMG [community profile] intoabar signups are live! While I never did write the Rosa Diaz/Homestuck crossover for it, I *did* write Michael Scott & Roxy Lalonde, which remains one of my favourite stories. Come talk to me about fandoms & characters! My current thoughts )

Cripes, now I want Poe Dameron/Max Blum backroom hookup AND Columbo vs. Han Solo. And about a million other things.
gloss: Stevie Wonder & Grover regarding each other dreamily (Grover<>Stevie)
I wrote a thing yesterday:
Molt DW | AO3
R, KStew/CTheron, secretly dragons

It was for the [community profile] fan_flashworks transformation challenge. First thing I managed to finish and post in two months; it's short and not great but I felt okay about it. A post made five minutes later in the comm got an insta-rec from the mod. So that happened.

*

I can't write my Yuletide letter. The prospect of saying what I like and what I want feels utterly impossible. GDI.
gloss: woman in front of birch tree looking to the right (Suburgatory: sass and snarl)
My to-do list is the most boring: list and writing angst )

Random media things:
  • Last night's Suburgatory had Tessa noting what a good body Dalia has. *____*
  • Watching Revolutionary Girl Utena. It is literally, *literally*, the best (Utena! Juri! WAKABA). Or close to it. But I get so squirrelly about certain things I don't understand - it's such a central show, something people have been fannish about for a long time, so my points of confusion are probably extremely laughable.
  • I am not watching Parks & Rec tonight. Handtogod.
gloss: woman in front of birch tree looking to the right (Anya)
I have so many posts drafted and rejected, both in my head and in NoteTab, but it's all so negative. writing & reviewing )

I wrote something. I wasn't going to do Yuletide, but I am an inveterate pinch-hitter (because, despite my grouchiness, I am a big softie, too). I could not pass up [personal profile] emei's fantastic prompts.

I can be productive when it's anonymous, whether for kinkmemes or YT. That's weird.

Anyway.

A Magic World
Valerie Solanas, RPF, Adult, Lesbionic
"In actual fact, the female function is to explore, discover, invent, solve problems, crack jokes, make music -- all with love. In other words, create a magic world."
Contains references to sexual and physical abuse as well as political/politicized violence.

Here at AO3. Navel-gazing )

More jumbled thoughts, foodish and foolish: ... )
gloss: woman in front of birch tree looking to the right (haha)
This feels like an allegory of my life: boring household crap )

In other news, I think I do not understand, at a truly fundamental level, how to write idfic. This might well jeopardize the, uh. Idfic that's coming due.
gloss: woman in front of birch tree looking to the right (Psych - Gus)
prolegomena to any future gus/shawn fic ... )

(This post brought to you by the looming ficathon deadline and my crisis of confidence.)
gloss: woman in front of birch tree looking to the right (Hikaru: what's that now?)
I'm here but not, feeling alienated and off-key. The meta environment seems to have turned from obliviously exclusionary to actively hostile. I just don't trust my words to say what I think and I don't trust what I think to mean very much.

The rest of the ficlets I owe are coming, I promise. Apologies for the delay, truly.
gloss: woman in front of birch tree looking to the right (snow mommy!)
I wrote two stories for Yuletide this year; both busted my ass in some pretty productive ways and both were responses (good ones, I hope) to the [community profile] dark_agenda challenge.

El Búho de Engranajes, Love & Rockets, Ray & Maggie & Hopey gen set in volume 2.

Today the World Is Dreaming, Yotsuba&!, wintertime gen.

Their recipients seemed pleased with the fics.

*

I thought about the "last ten years" meme, but I'm coming out of that period with just two "accomplishments": my kitty (but two others were lost in this time) and having quit smoking. And a grad degree I can't use. So I don't think I'm up to studying ten years of grief, loss, and fucking up just now.

*

To nominate for Yuletide next year, so I don't forget:
* Kate Beaton's Mystery Solving Teens
* Ice Pilots NWT. Holy *crap*, this show pretty much owns me right now.
* eta Recess

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gloss: woman in front of birch tree looking to the right (Default)
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