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Jan. 15th, 2026 08:54 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
hannahChallenge #8
Talk about your creative process.
I can sum it up: "Fuck the muse." I don't write when inspiration strikes, I don't wait to get seized with a passion and fury to create and communicate, I don't try to alter my mental state by getting drunk, high, wasted, plastered, or otherwise out of it. I sit down, and I get the words out.
Assuming I'm at home and not traveling, assuming I've gotten my head clear enough, assuming I haven't devoted the evening to something that's going to get me some income, assuming I'm not out of it because of something like a cold or food poisoning - trust me, it was memorably bad tofu - then I'll get my ass in the chair and work. The AIC Method isn't elegant, and it's less about elegance and more about results. The results are 1,000 words when I'm composing. I may write a few more than that one night, meaning that the next night might see me writing a few less to get to the next thousand according to the raw wordcount. The raw wordcount is key at this stage. I don't write out of order as a matter of course; I can't tell myself the story that way. I write it from beginning to end as best I'm able so I can figure out what the story is, so when I go back and edit everything, I can work at getting it to what it needs to be.
I write quietly, without music or background noise. I write at varying speeds, sometimes getting 1,000 words an hour and sometimes averaging out closer to 250. I'll let inspiration arrive at its own pace, and I usually seek out inspiration and passion and ideas when I'm not writing, so I can save up the energy for the work. I write at night, sometimes in the dark and sometimes before sundown depending on the season. I find a lot of pleasure to turning off the overhead light, turning on the desk lap, and sitting in a little bubble of words - I stumbled over it some decades ago, and the only time I've shifted from that was because of one telecommuting job with a set of on-call hours that had me working in the afternoons, which I still look back on as a fairly bizarre time. But it worked for that time frame. Because it was when I got my ass in the chair and wrote the words.
Walks help. Bike rides help. Going to the movies helps. Going to art museums works, too. Reading nonfiction, fiction, poetry, and going to live performances all help feed the creative spirit. But not the muse. I don't want to think about it in those terms. Nights when I don't write always feel a little bereft. I could be at the movies, I could be out with friends, I could be visiting Paris, and as good a time as I'll be having - and trust me, while I haven't done all three at the same time, I've done each of them alone and in varying combinations, so I can say that even doing that, I'll be thinking about what scenes I want to work out and the story I want to tell. I'll sometimes take longhand notes to help get words together so I can figure out if they're the right way to approach an idea, and that helps a bit, but it's not the same as sitting down and writing 1,000 new words, or cleaning up a chapter, or filling in something I set aside to research later to avoid breaking the creative flow, or line-editing according to someone else's patient notes.
I've joked there's only one proper writing method, and that's whatever works for the individual author to get their words out. I've also joked there's only one kind of writer, and that's someone who gets the writing done. I can advocate for what works for me. I can't say it'll work for everyone, but I'm willing to go on record about its success rate at finishing what I start.
Ass In Chair. Learn it. Love it. Live it. Because it always happens one word at a time.
Talk about your creative process.
I can sum it up: "Fuck the muse." I don't write when inspiration strikes, I don't wait to get seized with a passion and fury to create and communicate, I don't try to alter my mental state by getting drunk, high, wasted, plastered, or otherwise out of it. I sit down, and I get the words out.
Assuming I'm at home and not traveling, assuming I've gotten my head clear enough, assuming I haven't devoted the evening to something that's going to get me some income, assuming I'm not out of it because of something like a cold or food poisoning - trust me, it was memorably bad tofu - then I'll get my ass in the chair and work. The AIC Method isn't elegant, and it's less about elegance and more about results. The results are 1,000 words when I'm composing. I may write a few more than that one night, meaning that the next night might see me writing a few less to get to the next thousand according to the raw wordcount. The raw wordcount is key at this stage. I don't write out of order as a matter of course; I can't tell myself the story that way. I write it from beginning to end as best I'm able so I can figure out what the story is, so when I go back and edit everything, I can work at getting it to what it needs to be.
I write quietly, without music or background noise. I write at varying speeds, sometimes getting 1,000 words an hour and sometimes averaging out closer to 250. I'll let inspiration arrive at its own pace, and I usually seek out inspiration and passion and ideas when I'm not writing, so I can save up the energy for the work. I write at night, sometimes in the dark and sometimes before sundown depending on the season. I find a lot of pleasure to turning off the overhead light, turning on the desk lap, and sitting in a little bubble of words - I stumbled over it some decades ago, and the only time I've shifted from that was because of one telecommuting job with a set of on-call hours that had me working in the afternoons, which I still look back on as a fairly bizarre time. But it worked for that time frame. Because it was when I got my ass in the chair and wrote the words.
Walks help. Bike rides help. Going to the movies helps. Going to art museums works, too. Reading nonfiction, fiction, poetry, and going to live performances all help feed the creative spirit. But not the muse. I don't want to think about it in those terms. Nights when I don't write always feel a little bereft. I could be at the movies, I could be out with friends, I could be visiting Paris, and as good a time as I'll be having - and trust me, while I haven't done all three at the same time, I've done each of them alone and in varying combinations, so I can say that even doing that, I'll be thinking about what scenes I want to work out and the story I want to tell. I'll sometimes take longhand notes to help get words together so I can figure out if they're the right way to approach an idea, and that helps a bit, but it's not the same as sitting down and writing 1,000 new words, or cleaning up a chapter, or filling in something I set aside to research later to avoid breaking the creative flow, or line-editing according to someone else's patient notes.
I've joked there's only one proper writing method, and that's whatever works for the individual author to get their words out. I've also joked there's only one kind of writer, and that's someone who gets the writing done. I can advocate for what works for me. I can't say it'll work for everyone, but I'm willing to go on record about its success rate at finishing what I start.
Ass In Chair. Learn it. Love it. Live it. Because it always happens one word at a time.
