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A [[hard disk recorder]] was used to create backing vocals echoing the original through [[Audio timescale-pitch modification|time stretching and pitch shifting]].<ref name="sos"/>
A [[hard disk recorder]] was used to create backing vocals echoing the original through [[Audio timescale-pitch modification|time stretching and pitch shifting]].<ref name="sos"/>

[[Bob Stanley (Saint Etienne)|Bob Stanley]] told ''[[Select (magazine)|Select]]'' in 1995 about Daho's contribution to the track, "The stuff he's done on the single we've only heard rough translations of, but it's meant to be pretty obscene. He's massive in France — he's the French [[George Michael]]. He spends a lot of time in Britain, and he can't walk through [[Covent Garden]] without being mobbed by French tourists. We met him after he came to one of out shows. He's written a book about [[Françoise Hardy]], so that interested us."<ref>{{cite magazine|first=Roy|last=Wilkinson|url=https://selectmagazinescans.monkeon.co.uk/showpage.php?file=wp-content/uploads/2012/12/stetienne1.jpg|title=You Can Hear A Real Leaning Towards Progressive Rock!|work=[[Select (magazine)|Select]]|date=December 1995|page=119|access-date=23 December 2024|author-link=Roy Wilkinson}}</ref>


==Critical reception==
==Critical reception==
Glenn Swan from [[AllMusic]] praised the song as "smart", noting that it "once again [are] showcasing the gorgeous voice of [[Sarah Cracknell]] and the plaintive [[Brit-pop]] songwriting skills of [[Bob Stanley (Saint Etienne)|Bob Stanley]], [[Pete Wiggs]], and [[Ian Catt]]."<ref>{{cite web|first= Glenn |last= Swan |title= Saint Etienne – ''He's on the Phone'' |publisher= [[AllMusic]] |access-date= 6 November 2020 |url= https://www.allmusic.com/album/hes-on-the-phone-mw0000424117}}</ref> Christopher Burns from ''[[Associated Press]]'' said it is "truly plastic, shameless [[Eurodisco]] with plenty of strings and horns. ''The hotel life, forget your wife, you're on your own'', they sing in "He's on the Phone". It's a contrast from the more experimental stuff [[Saint Etienne (band)|Saint Etienne]] has done in the past."<ref>{{cite magazine|first=Christopher|last=Burns|url=https://books.google.com/books?id=dPoaAAAAIBAJ|title=Saint Etienne's only prayer is listener's desire to disco|magazine=[[The Daily News (Kentucky)|Daily News]]|date=28 July 1996|access-date=15 March 2020}}</ref> [[Larry Flick]] from ''[[Billboard (magazine)|Billboard]]'' described it as a "twirlin' U.K. club smash", that with "its deliciously sweet pop hook and adorable girl-group vocals" is "ripe for pop radio picking." He also stated that [[Steve Rodway|Motiv8]] "kicks a snappy [[hi-NRG]] beat on its jiggly remix".<ref>{{cite magazine|first=Larry|last=Flick|url=https://www.americanradiohistory.com/Archive-Billboard/90s/1996/BB-1996-11-09.pdf|title=Single Reviews|magazine=[[Billboard (magazine)|Billboard]]|date=9 November 1996|access-date=5 February 2020|page=68|author-link=Larry Flick}}</ref> [[James Masterton]] for ''[[Dotmusic]]'' complimented it as a "fantastic single", noting that "this is the first time they have ever release an out-and-out pop stomper." He concluded, "One of Britain's most unique bands is finally a major chart force."<ref>{{cite web|last=Masterton|first=James|title=Week Ending November 11th 1995|url=https://chart-watch.uk/archives/1995/week-ending-november-11th-1995|website=Chart Watch UK|date=5 November 1995|accessdate=4 October 2021|author-link=James Masterton}}</ref> Swedish ''[[Expressen]]'' highlighted the "lovely" [[disco]] mix by the remixer.<ref>''[[Expressen]]''. 11 December 1995.</ref> Tom Ewing of ''[[Freaky Trigger]]'' featured "He's on the Phone" in his list of "Top 100 Singles of the 90s" in 1999, saying, "Of course it would take this supremely thoughtful pop group to realise the naive potential of [[handbag house]] and then alchemise it into a single which is both their and handbag’s most ravishing five minutes.".<ref name="trigger"/>
Glenn Swan from [[AllMusic]] praised the song as "smart", noting that it "once again [are] showcasing the gorgeous voice of [[Sarah Cracknell]] and the plaintive [[Brit-pop]] songwriting skills of [[Bob Stanley (Saint Etienne)|Bob Stanley]], [[Pete Wiggs]], and [[Ian Catt]]."<ref>{{cite web|first= Glenn |last= Swan |title= Saint Etienne – ''He's on the Phone'' |publisher= [[AllMusic]] |access-date= 6 November 2020 |url= https://www.allmusic.com/album/hes-on-the-phone-mw0000424117}}</ref> Christopher Burns from ''[[Associated Press]]'' said it is "truly plastic, shameless [[Eurodisco]] with plenty of strings and horns. ''The hotel life, forget your wife, you're on your own'', they sing in "He's on the Phone". It's a contrast from the more experimental stuff [[Saint Etienne (band)|Saint Etienne]] has done in the past."<ref>{{cite magazine|first=Christopher|last=Burns|url=https://books.google.com/books?id=dPoaAAAAIBAJ|title=Saint Etienne's only prayer is listener's desire to disco|magazine=[[The Daily News (Kentucky)|Daily News]]|date=28 July 1996|access-date=15 March 2020}}</ref> [[Larry Flick]] from ''[[Billboard (magazine)|Billboard]]'' described it as a "twirlin' U.K. club smash", that with "its deliciously sweet pop hook and adorable girl-group vocals" is "ripe for pop radio picking." He also stated that [[Steve Rodway|Motiv8]] "kicks a snappy [[hi-NRG]] beat on its jiggly remix".<ref>{{cite magazine|first=Larry|last=Flick|url=https://www.americanradiohistory.com/Archive-Billboard/90s/1996/BB-1996-11-09.pdf|title=Single Reviews|magazine=[[Billboard (magazine)|Billboard]]|date=9 November 1996|access-date=5 February 2020|page=68|author-link=Larry Flick}}</ref> [[James Masterton]] for ''[[Dotmusic]]'' complimented it as a "fantastic single", noting that "this is the first time they have ever release an out-and-out pop stomper." He concluded, "One of Britain's most unique bands is finally a major chart force."<ref>{{cite web|last=Masterton|first=James|title=Week Ending November 11th 1995|url=https://chart-watch.uk/archives/1995/week-ending-november-11th-1995|website=Chart Watch UK|date=5 November 1995|accessdate=4 October 2021|author-link=James Masterton}}</ref> Swedish ''[[Expressen]]'' highlighted the "lovely" [[disco]] mix by the remixer.<ref>''[[Expressen]]''. 11 December 1995.</ref> Tom Ewing of ''[[Freaky Trigger]]'' featured "He's on the Phone" in his list of "Top 100 Singles of the 90s" in 1999, saying, "Of course it would take this supremely thoughtful pop group to realise the naive potential of [[handbag house]] and then alchemise it into a single which is both their and handbag’s most ravishing five minutes.".<ref name="trigger"/>


John Hamilton from ''[[Idolator (website)|Idolator]]'' remarked that the remixer had "painstaking rearranged Sarah’s vocals into a more melodic chorus and injected the track with what can only be described as a high dose of poppers: a galloping bass line, bright keyboards and a relentless [[nu-disco]] beat, with [[Étienne Daho|Daho]]’s spoken-word passage figuring powerfully in the breakdown."<ref>{{cite web|author=Hamilton, John|title=The 50 Best Pop Singles Of 1995 (Featuring New Interviews With Alanis Morissette, Garbage, Kylie Minogue, Monica, Ace Of Base & More!)|work=[[Idolator (website)|Idolator]]|date=9 December 2015|access-date=8 April 2020|url=https://www.idolator.com/7615149/the-50-best-pop-singles-of-1995-alanis-morissette-garbage-kylie-minogue-monica-ace-of-base-interview}}{{Dead link|date=July 2024 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> Ross Jones from ''[[The Guardian]]'' stated, "Saint Etienne's marriage to [[Europop]] is now official. 'He's on the Phone' has it all – schlurping cymbals, swooping strings, pumping piano, forlorn chords, heartbroken lyrics, ramblings in a foreign tongue..."<ref>Jones, Ross (4 November 1995). "Reviews: Singles". p. 31. ''[[The Guardian]]''.</ref> [[Taylor Parkes]] from ''[[Melody Maker]]'' named it Single of the Week, writing, "This is winter disco, sweet, sad and strong. You don't have to buy it, just believe in it."<ref>{{cite magazine|first=Taylor|last=Parkes|url=https://www.flickr.com/photos/nothingelseon/53574598522/|title=Singles|magazine=[[Melody Maker]]|date=21 October 1995|page=36|access-date=17 March 2024|author-link=Taylor Parkes}}</ref> Brad Beatnik from ''[[Music Week]]'''s ''RM'' Dance Update gave it four out of five, saying that Motiv8 "have given the single a very upbeat Euro feel that's both sassy and trashy."<ref>{{cite magazine|first= Brad |last= Beatnik |title= Hot Vinyl |magazine= [[Music Week]], in [[Record Mirror]] (Dance Update Supplemental Insert) |date= 28 October 1995 |page= 12 |access-date= 13 May 2021 |url= https://worldradiohistory.com/UK/Music-Week/1995/Music-Week-1995-10-28.pdf}}</ref> In his ''RM'' dance column, [[James Hamilton (DJ and journalist)|James Hamilton]] viewed it as a "sweetly enunciated tuneful gentle ditty".<ref>{{cite magazine|first= James |last= Hamilton |title= Dj directory |magazine= [[Music Week]], in [[Record Mirror]] (Dance Update Supplemental Insert) |date= 4 November 1995 |page= 15 |access-date= 15 May 2021 |url= https://worldradiohistory.com/UK/Music-Week/1995/Music-Week-1995-11-04.pdf |author-link= James Hamilton (DJ and journalist)}}</ref> John Robinson from ''[[New Musical Express|NME]]'' wrote, "In fact, 'He's on the Phone' is very much entirely standard Etienne — slightly wistful initial melancholia daubed with essence of [[Peter Purves]] — and poses the same question: why the Hi-NRG drumbeats of marauding arse?"<ref>{{cite magazine|first=John|last=Robinson|url=https://www.flickr.com/photos/nothingelseon/53581831638/|title=Singles|magazine=[[New Musical Express|NME]]|date=28 October 1995|page=51|access-date=17 March 2024}}</ref> Another ''NME'' editor, Jim Wirth, called it "stunning", adding that the single, together with "[[Sylvie (Saint Etienne song)|Sylvie]]", are "a stellar amalgamation of handbag house and [[Burt Bacharach|Bacharachian]] pop aesthetics."<ref>{{cite web|first= Jim |last= Wirth |title= St Etienne – London Kentish Town Forum |url= http://www.nme.com/reviews/reviews/19990005105525reviews.html |work= [[NME]] |archive-url= https://web.archive.org/web/20000817175611/http://www.nme.com/reviews/reviews/19990005105525reviews.html |access-date= 24 November 2020|archive-date= 2000-08-17 }}</ref> Rob Sheffield from ''[[Rolling Stone]]'' declared it the "perfect" U.K. hit.<ref>{{cite magazine|first= Rob |last= Sheffield |title= Saint Etienne – Good Humor |magazine= [[Rolling Stone]] |date= 4 September 1998 |access-date= 6 November 2020 |url= http://www.rollingstone.com/reviews/album/188925/good_humor|url-status= dead |archive-url= https://web.archive.org/web/20070930180555/http://www.rollingstone.com/reviews/album/188925/good_humor |archive-date= 2007-09-30 }}</ref>
John Hamilton from ''[[Idolator (website)|Idolator]]'' remarked that the remixer had "painstaking rearranged Sarah’s vocals into a more melodic chorus and injected the track with what can only be described as a high dose of poppers: a galloping bass line, bright keyboards and a relentless [[nu-disco]] beat, with [[Étienne Daho|Daho]]’s spoken-word passage figuring powerfully in the breakdown."<ref>{{cite web|author=Hamilton, John|title=The 50 Best Pop Singles Of 1995 (Featuring New Interviews With Alanis Morissette, Garbage, Kylie Minogue, Monica, Ace Of Base & More!)|work=[[Idolator (website)|Idolator]]|date=9 December 2015|access-date=8 April 2020|url=https://www.idolator.com/7615149/the-50-best-pop-singles-of-1995-alanis-morissette-garbage-kylie-minogue-monica-ace-of-base-interview}}{{Dead link|date=July 2024 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> Ross Jones from ''[[The Guardian]]'' stated, "Saint Etienne's marriage to [[Europop]] is now official. 'He's on the Phone' has it all – schlurping cymbals, swooping strings, pumping piano, forlorn chords, heartbroken lyrics, ramblings in a foreign tongue..."<ref>Jones, Ross (4 November 1995). "Reviews: Singles". p. 31. ''[[The Guardian]]''.</ref> [[Taylor Parkes]] from ''[[Melody Maker]]'' named it Single of the Week, writing, "This is winter disco, sweet, sad and strong. You don't have to buy it, just believe in it."<ref>{{cite magazine|first=Taylor|last=Parkes|url=https://www.flickr.com/photos/nothingelseon/53574598522/|title=Singles|magazine=[[Melody Maker]]|date=21 October 1995|page=36|access-date=17 March 2024|author-link=Taylor Parkes}}</ref> Brad Beatnik from ''[[Music Week]]'''s ''RM'' Dance Update gave it four out of five, saying that Motiv8 "have given the single a very upbeat Euro feel that's both sassy and trashy."<ref>{{cite magazine|first= Brad |last= Beatnik |title= Hot Vinyl |magazine= [[Music Week]], in [[Record Mirror]] (Dance Update Supplemental Insert) |date= 28 October 1995 |page= 12 |access-date= 13 May 2021 |url= https://worldradiohistory.com/UK/Music-Week/1995/Music-Week-1995-10-28.pdf}}</ref> In his ''RM'' dance column, [[James Hamilton (DJ and journalist)|James Hamilton]] viewed it as a "sweetly enunciated tuneful gentle ditty".<ref>{{cite magazine|first= James |last= Hamilton |title= Dj directory |magazine= [[Music Week]], in [[Record Mirror]] (Dance Update Supplemental Insert) |date= 4 November 1995 |page= 15 |access-date= 15 May 2021 |url= https://worldradiohistory.com/UK/Music-Week/1995/Music-Week-1995-11-04.pdf |author-link= James Hamilton (DJ and journalist)}}</ref> John Robinson from ''[[New Musical Express|NME]]'' wrote, "In fact, 'He's on the Phone' is very much entirely standard Etienne — slightly wistful initial melancholia daubed with essence of [[Peter Purves]] — and poses the same question: why the Hi-NRG drumbeats of marauding arse?"<ref>{{cite magazine|first=John|last=Robinson|url=https://www.flickr.com/photos/nothingelseon/53581831638/|title=Singles|magazine=[[New Musical Express|NME]]|date=28 October 1995|page=51|access-date=17 March 2024}}</ref> Another ''NME'' editor, Jim Wirth, called it "stunning", adding that the single, together with "[[Sylvie (Saint Etienne song)|Sylvie]]", are "a stellar amalgamation of handbag house and [[Burt Bacharach|Bacharachian]] pop aesthetics."<ref>{{cite web|first= Jim |last= Wirth |title= St Etienne – London Kentish Town Forum |url= http://www.nme.com/reviews/reviews/19990005105525reviews.html |work= [[NME]] |archive-url= https://web.archive.org/web/20000817175611/http://www.nme.com/reviews/reviews/19990005105525reviews.html |access-date= 24 November 2020|archive-date= 2000-08-17 }}</ref> Rob Sheffield from ''[[Rolling Stone]]'' declared it the "perfect" U.K. hit.<ref>{{cite magazine|first= Rob |last= Sheffield |title= Saint Etienne – Good Humor |magazine= [[Rolling Stone]] |date= 4 September 1998 |access-date= 6 November 2020 |url= http://www.rollingstone.com/reviews/album/188925/good_humor|url-status= dead |archive-url= https://web.archive.org/web/20070930180555/http://www.rollingstone.com/reviews/album/188925/good_humor |archive-date= 2007-09-30 }}</ref> Gina Morris from ''[[Select (magazine)|Select]]'' named it "a splendid life-affirmating disco tune".<ref>{{cite magazine|first=Gina|last=Morris|url=https://selectmagazinescans.monkeon.co.uk/showpage.php?file=wp-content/uploads/2011/01/singles1.jpg|title=New Singles|work=[[Select (magazine)|Select]]|date=November 1995|page=120|access-date=23 December 2024}}</ref>


==Chart performance==
==Chart performance==

Latest revision as of 18:47, 23 December 2024

"He's on the Phone"
Single by Saint Etienne
from the album Too Young to Die
B-side
  • "Groveley Road"
  • "Is It True"
  • "The Process"
  • "How I Learned to Love the Bomb"
Released30 October 1995 (1995-10-30)[1]
Genre
Length5:10
Label
Songwriter(s)
Producer(s)
Saint Etienne singles chronology
"Hug My Soul"
(1994) 		"He's on the Phone"
(1995) 		"Sylvie"
(1997)
Music video
"He's on the Phone" on YouTube

"He's on the Phone" is a song by British pop group Saint Etienne in collaboration with French singer-songwriter Étienne Daho, released in October 1995 by Heavenly and MCA as a single from their third compilation album, Too Young to Die (1995). A fast-paced dance track, it is one of Saint Etienne's biggest hits, reaching number 11 on the UK Singles Chart, number 31 in Iceland, number 41 in Sweden and number 33 on the US Billboard Dance Club Songs chart. The lyrics tell of an "academia girl" trying to escape from a relationship with a married man: He's on the phone / And she wants to go home, / Shoes in hand, / Don't make a sound, / It's time to go. At the centre of the track is a spoken-word section by Daho.

The song is a remix by Motiv8 of "Accident", which appeared on the Saint Etienne/Étienne Daho Reserection EP, released a few months previously in June 1995. "Accident" itself is a rewritten version of Daho's 1984 French-language hit single "Weekend à Rome", with original English lyrics. Daho's spoken-word vocals are from the Reserection opening track, "Reserection".

The single was credited to "Saint Etienne featuring Étienne Daho". Daho also appears in the song's music video, which was directed by Paul Kelly, and joined the band in their performance of the song on Top of the Pops. He would also go on to perform the original "Weekend à Rome" lyrics with the instrumentation from "He's on the Phone" in a performance on the French edition of Star Academy. The single also had the honour of being Pete Tong's essential tune on Radio One.[4]

Production

[edit]

According to producer Steve Rodway, the band had never intended to use "Accident" as single material, but had given it to him for remixing as it was "the only new track they had" at the time of the release of Too Young to Die. Rodway retained an edited-down portion of Daho's vocals, and otherwise only kept the opening piano riff from the original instrumentation (both at the band's request).[5]

Sound on Sound magazine describes "He's on the Phone" as characteristic of most of Rodway's "trademark" sounds:

...the bass is a sampled Minimoog, and the driving arpeggios are taken from Steve's Juno 106. The rhythm is again composed of TR909 samples, overlaid with a programmed conga pattern, and the snare only performs fill duties... The high string line is once again from the U220, and pads are supplied by the faithful Wavestation and JD800.[5]

A hard disk recorder was used to create backing vocals echoing the original through time stretching and pitch shifting.[5]

Bob Stanley told Select in 1995 about Daho's contribution to the track, "The stuff he's done on the single we've only heard rough translations of, but it's meant to be pretty obscene. He's massive in France — he's the French George Michael. He spends a lot of time in Britain, and he can't walk through Covent Garden without being mobbed by French tourists. We met him after he came to one of out shows. He's written a book about Françoise Hardy, so that interested us."[6]

Critical reception

[edit]

Glenn Swan from AllMusic praised the song as "smart", noting that it "once again [are] showcasing the gorgeous voice of Sarah Cracknell and the plaintive Brit-pop songwriting skills of Bob Stanley, Pete Wiggs, and Ian Catt."[7] Christopher Burns from Associated Press said it is "truly plastic, shameless Eurodisco with plenty of strings and horns. The hotel life, forget your wife, you're on your own, they sing in "He's on the Phone". It's a contrast from the more experimental stuff Saint Etienne has done in the past."[8] Larry Flick from Billboard described it as a "twirlin' U.K. club smash", that with "its deliciously sweet pop hook and adorable girl-group vocals" is "ripe for pop radio picking." He also stated that Motiv8 "kicks a snappy hi-NRG beat on its jiggly remix".[9] James Masterton for Dotmusic complimented it as a "fantastic single", noting that "this is the first time they have ever release an out-and-out pop stomper." He concluded, "One of Britain's most unique bands is finally a major chart force."[10] Swedish Expressen highlighted the "lovely" disco mix by the remixer.[11] Tom Ewing of Freaky Trigger featured "He's on the Phone" in his list of "Top 100 Singles of the 90s" in 1999, saying, "Of course it would take this supremely thoughtful pop group to realise the naive potential of handbag house and then alchemise it into a single which is both their and handbag’s most ravishing five minutes.".[2]

John Hamilton from Idolator remarked that the remixer had "painstaking rearranged Sarah’s vocals into a more melodic chorus and injected the track with what can only be described as a high dose of poppers: a galloping bass line, bright keyboards and a relentless nu-disco beat, with Daho’s spoken-word passage figuring powerfully in the breakdown."[12] Ross Jones from The Guardian stated, "Saint Etienne's marriage to Europop is now official. 'He's on the Phone' has it all – schlurping cymbals, swooping strings, pumping piano, forlorn chords, heartbroken lyrics, ramblings in a foreign tongue..."[13] Taylor Parkes from Melody Maker named it Single of the Week, writing, "This is winter disco, sweet, sad and strong. You don't have to buy it, just believe in it."[14] Brad Beatnik from Music Week's RM Dance Update gave it four out of five, saying that Motiv8 "have given the single a very upbeat Euro feel that's both sassy and trashy."[15] In his RM dance column, James Hamilton viewed it as a "sweetly enunciated tuneful gentle ditty".[16] John Robinson from NME wrote, "In fact, 'He's on the Phone' is very much entirely standard Etienne — slightly wistful initial melancholia daubed with essence of Peter Purves — and poses the same question: why the Hi-NRG drumbeats of marauding arse?"[17] Another NME editor, Jim Wirth, called it "stunning", adding that the single, together with "Sylvie", are "a stellar amalgamation of handbag house and Bacharachian pop aesthetics."[18] Rob Sheffield from Rolling Stone declared it the "perfect" U.K. hit.[19] Gina Morris from Select named it "a splendid life-affirmating disco tune".[20]

Chart performance

[edit]

"He's on the Phone" was a notable hit in Europe, peaking at number nine in Scotland and number eleven in the UK. In the latter, it peaked in its first week at the UK Singles Chart, on 5 November 1995,[21] becoming the group's most successful single there. Additionally, it entered the top 40 in Iceland (31),[22] as well as the top 50 in Sweden (41), and on the Eurochart Hot 100, where it peaked at number 44 on November 25.[23] Outside Europe, it was very successful in Israel, peaking at number three in 1996. In the US, the song made it to a respectable number 33 on the Billboard Dance Club Songs chart.

Music video

[edit]

The accompanying music video for "He's on the Phone" was directed by English film director, musician, photographer and designer Paul Kelly.[24][25] It features the group performing at a white set. In some scenes, Cracknell sits on a purple bed by a red telephone on the nightstand. Other scenes shows the singer wandering alone around town at night. Étienne Daho appears in some scenes throughout the video.

Track listings

[edit]

All tracks were written and composed by Cracknell, Stanley, Wiggs, Daho; except where indicated.

Charts

[edit]
Chart (1995–1997) Peak
position
Europe (Eurochart Hot 100)[23] 44
Iceland (Íslenski Listinn Topp 40)[22] 31
Scotland (OCC)[26] 9
Sweden (Sverigetopplistan)[27] 41
UK Singles (OCC)[21] 11
US Dance Club Songs (Billboard)[28] 33

References

[edit]
  1. ^ "New Releases: Singles" (PDF). Music Week. 28 October 1995. p. 43. Retrieved 28 June 2021.
  2. ^ a b Ewing, Tom (12 November 1999). "29. Saint Etienne – "He's On The Phone"". Freaky Trigger. Retrieved 15 January 2017.
  3. ^ Bradley, Larry (November 4, 2014). "The 1990s: Saint Etienne - "He's on the Phone". The Alternative Jukebox. Cassell. p. 203. ISBN 978-1-84403-789-6.
  4. ^ "Motiv8 Break Out With New Release" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). 14 October 1995. p. 2. Retrieved 13 May 2021.
  5. ^ a b c Bell, Matt (June 1996), "Motivating the Mix", Sound on Sound, vol. 11, no. 8, pp. 72–76, ISSN 0951-6816
  6. ^ Wilkinson, Roy (December 1995). "You Can Hear A Real Leaning Towards Progressive Rock!". Select. p. 119. Retrieved 23 December 2024.
  7. ^ Swan, Glenn. "Saint Etienne – He's on the Phone". AllMusic. Retrieved 6 November 2020.
  8. ^ Burns, Christopher (28 July 1996). "Saint Etienne's only prayer is listener's desire to disco". Daily News. Retrieved 15 March 2020.
  9. ^ Flick, Larry (9 November 1996). "Single Reviews" (PDF). Billboard. p. 68. Retrieved 5 February 2020.
  10. ^ Masterton, James (5 November 1995). "Week Ending November 11th 1995". Chart Watch UK. Retrieved 4 October 2021.
  11. ^ Expressen. 11 December 1995.
  12. ^ Hamilton, John (9 December 2015). "The 50 Best Pop Singles Of 1995 (Featuring New Interviews With Alanis Morissette, Garbage, Kylie Minogue, Monica, Ace Of Base & More!)". Idolator. Retrieved 8 April 2020.[permanent dead link‍]
  13. ^ Jones, Ross (4 November 1995). "Reviews: Singles". p. 31. The Guardian.
  14. ^ Parkes, Taylor (21 October 1995). "Singles". Melody Maker. p. 36. Retrieved 17 March 2024.
  15. ^ Beatnik, Brad (28 October 1995). "Hot Vinyl" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). p. 12. Retrieved 13 May 2021.
  16. ^ Hamilton, James (4 November 1995). "Dj directory" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). p. 15. Retrieved 15 May 2021.
  17. ^ Robinson, John (28 October 1995). "Singles". NME. p. 51. Retrieved 17 March 2024.
  18. ^ Wirth, Jim. "St Etienne – London Kentish Town Forum". NME. Archived from the original on 2000-08-17. Retrieved 24 November 2020.
  19. ^ Sheffield, Rob (4 September 1998). "Saint Etienne – Good Humor". Rolling Stone. Archived from the original on 2007-09-30. Retrieved 6 November 2020.
  20. ^ Morris, Gina (November 1995). "New Singles". Select. p. 120. Retrieved 23 December 2024.
  21. ^ a b "Official Singles Chart Top 100". Official Charts Company. Retrieved 28 February 2019.
  22. ^ a b "Íslenski Listinn Topp 40 (25.11.1995 – 01.12.1995)". Dagblaðið Vísir (in Icelandic). 25 November 1995. p. 60. Retrieved 3 February 2018.
  23. ^ a b "Eurochart Hot 100 Singles" (PDF). Music & Media. Vol. 12, no. 47. 25 November 1995. p. 18. Retrieved 9 April 2018.
  24. ^ "Saint Etienne featuring Etienne Daho - He's on the phone (Clip officiel)". IMDb. Retrieved 18 March 2024.
  25. ^ London Conversations: The Best of Saint Etienne (2009)
  26. ^ "Official Scottish Singles Sales Chart Top 100". Official Charts Company. Retrieved 28 February 2019.
  27. ^ "Saint Etienne – He's on the Phone". Singles Top 100.
  28. ^ "Saint Etienne Chart History (Dance Club Songs)". Billboard.
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