avidbeader: pile of beads (Default)
( Feb. 22nd, 2025 05:13 pm)
Signal-boosting this, especially for any long-time Sheith folks from 2016-19: Donya Abrams, the writer who wrote everything Voltron for the website Hypable, is searching to see if anyone saved the text for one of her articles: https://www.hypable.com/voltron-shiro-lgbt-disability-importance/ (dead link). This was an essay, rather than an interview or review, that was very personal to her.

She has the rest, but this one got lost when she had to replace her computer and Hypable failed to reach out to her directly before shutting down their servers. Wayback doesn't have a capture. If anyone happens to have it, please ping me!
avidbeader: alchemy symbols (alchemy)
( Aug. 4th, 2023 10:52 pm)
Most of the opinions I have seen of the second season of "Good Omens" have fallen into two camps. Either people loved it for various reasons and appreciated the cliff-hangery ending or people are howling for Gaiman's blood and screaming betrayal. I've even seen a few people compare it to known clumsy or bad endings like "Sherlock", saying there was no foreshadowing for it.

And I'm trying to sort out how such comparisons can happen.

"Voltron" had a BAD ending. The final season had one thing to do, finish the arc of defeating the final villain so our team could emerge triumphant. Instead we got multiple filler episodes, unnecessary revisiting of already-dead villains, the erasing of the strongest relationship in the series (whether because it was an almost entirely new team of writers/directors or because DreamWorks interfered to prevent two main characters being a canon gay couple, who knows), and the incredibly bad choice to make the female POC character be the single sacrifice to prevent the End of Everything.

Do NOT tell me it's somehow feminist for that character to have lost 99% of her life--her family, her planet, the chance to do something before the evil empire spread across the galaxy, her home-- and gain a new set of friends strong enough to be found family, only to be the single one to give it all up. The lion ships were right there. When we have as many female-led properties of unquestionable triumph without sacrificing everything as we do male-led properties, then something like this would fly. Right now it does not.

"Voltron" dropped subplots and storylines and character arcs everywhere. Things that were foreshadowed directly and with parallels never came to pass. The last season was A Mess. That was an example of a bad ending.

"Good Omens" is NOT an example of a bad ending, because it hasn't ended yet. There is a plan for a third and final season. Gaiman has stated that if for some reason Amazon does not greenlight a final season that he will write the novel for it. Season 2 is ACT 2 and there's more to come.

Good Omens Spoilers )

On a different note, I am very curious about the mini-phenomenon in "The Sandman" that is the Dreamling ship. I am one of those fans who read the comics back in the 90s. I know how this story goes.

Spoilers for the Sandman comics and S1 of the series )

So I absolutely hope they get more seasons and are able to tell the full "Sandman" story, once the strikes are done and writers and actors and crews are getting paid what they deserve.
Once in a while, I trip and fall into re-reading a whole lot of HP fanfic. This time around, having been pointed to an archive for Fiction Alley which enabled me to recover a few favorite fics by an author I have huge respect for, I was reminded of the archive that exists for the H/Hr Portkey site and have been browsing it as well. Which led me to take another look at FF-dot-Net and some of the authors I had marked as favorites there.

And in re-reading, I am finding that my tastes in fanfic have definitely shifted over the years as I've gone through new fandoms. I used to be able to overlook a lot of gory violence in a fic if the plot was strong and the characters rang true. And I see a LOT of unnecessary violence in some HP fics, that feels like it was inserted just to make it feel more like war. Sudden POVs of a character introduced solely to be killed in yet another gruesome way. Rampant destruction in as many ways and places that the writer can think of. The apparent need to hurt as much as possible and provide no comfort.

And yeah, that just doesn't appeal anymore. I want my favorite characters to survive. I want them to land in a good place if they have to go through trials. I am definitely on Team Fluff over Team Angst and have no more patience with nihilism for nihilism's sake.

Some of this is probably coming from the diametrically opposed reactions I'm seeing to the second season of "Good Omens", which will be its own entry when I have time to get my thoughts in order. (Spoiler - I thought it was masterfully done, but does require a third season to complete the arc.) Suffice to say, a story has to stick the landing. In my opinion, HP did not stick the landing and fell apart in the last two books as Rowling suddenly realized she had to cram all the world-building and character development back into her preconceived box. The final season of "Voltron" was a hollow shell character-wise and full of bad decisions, only some of which were probably forced on the creative team by DreamWorks execs. My understanding is that "Game of Thrones" ended in a disaster, thanks to the TV team having to make up endings since GRR Martin is still writing the books. While I personally enjoyed some parts of the final season of "Sherlock", the kindest thing to say about it was it was messy.

I was mostly satisfied with how "Ted Lasso" ended. I felt the writing team had given themselves plenty of options to choose from, any of which would have support in the story. The main quibble I have is with the mostly male writers apparently not getting spoilers ) But there, I was invested in seeing the team land in a good place more than any specific ship.

Anyway, all this pondering is a reminder of the best advice to ever exist, especially with fanfic: write what YOU want to read. Because you're never going to satisfy everyone else who reads/views your work, even when it is ostensibly excellent in structure and development. So write for yourself, not an audience.
"The Night Circus" by Erin Morgenstern

I am WAY late to the party on this book, which was published in 2011, I think. I've had a copy sitting in my TBR pile for probably at least seven years. I think I started it once but got interrupted almost immediately and didn't pick it back up for years. I finally took it with me on the big vacation that included a couple of long plane rides and a train ride and finally made progress with it.

Overall the book was right up my alley: it was historical fantasy, full of magic and full of lots of the details I love to read when I do read fiction set in historical settings: food and drink, modes of dress, rules of interactions. I liked the main characters well enough that I was rather irritated with the first part of the book as it jumped around to various characters in setting up the main plot.

But once it got going, it went pretty well. Spoilers just in case )

An engrossing book overall. We'll see if I feel like re-reading it sometime.
While I still think at its core AO3 is an incredible achievement in fandom, I will agree that things have been fraying around the edges there for a while. It was never meant to be THE fanfic repository - they make their code open source so that people can make their own sites for specific fandoms/ships, but that hasn't happened much. Then there was the DDOS attack that took down the site for several days.

The controversies last year and this year with electing new board members shows that there are struggles within the OTW and its leadership. I really don't think committed antis would have the patience or acting ability to volunteer for upwards of a year and then go through the platform/Q&A/chats process to get elected. But last year we had a candidate who (I think in part because of language barriers) appeared to endorse taking down enough "problematic" content from AO3 to make it acceptable to the Chinese government in the name of wider access. And while understandably that is not an option if AO3 is going to remain true to its stated mission of preserving all fanworks, some of the reactions were frankly unhinged in the levels of racism and conspiracy theories. And AO3 did nothing to try and address it.

This year we had a candidate who, in my opinion, did not deserve the automatic reaction of Republican=evil based on many of her political stances. However, she works for a non-profit with unclear motives in its save-the-children-from-screens purpose, her answers to the official Q&A showed a lack of understanding in a lot of areas in spite of volunteering at the OTW for months, and when pressed she chose to react with vitriol instead of try and give level-headed responses that might have convinced some people that her intentions were good. But this time AO3 tried to address it and did so in a very clumsy manner and never really addressed last year's problems.

The clumsiness continues with the org's current stance on LLM-produced texts (AI), better named as plagiarism software. While I admit that the OTW is kind of in between a rock and a hard place with how to enforce a ban on plagiarism software-produced texts, I disagree profoundly with the assertion that such texts qualify as transformative works. My compromise suggestion would be making some kind of tag to add to the Big Six, asking account holders to mark any works that were produced with plagiarism software. It's not a perfect solution - people are still not tagging/mis-tagging things every day - but it would help until such time that governments get a handle on the harm of plagiarism software and restricts its use to get it out of the arts.

The point of all this rambling is that I am thinking of backing up my fics here. They would be entries with the text hidden under cuts, tagged with fandom/ship and a unique tag. I need to verify that if I limit access to my subscribers or create a custom filter, that it would be enough to prevent them being scraped. I know the horse is out of the barn as far as my older fics, but I am currently keeping WIPs and my new work locked on AO3.

So, you may see some slightly spammy entries from me in the coming weeks if I go through with this. Scroll past the fics that don't interest you, but if you do read, I hope you feel moved to comment.
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avidbeader: pile of beads (beads)
( May. 3rd, 2009 02:23 pm)
Many thanks to [personal profile] misscake for the invite!
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