I wanna hug you like an animal
Jan. 25th, 2026 12:36 am
On the eve of what the media is promising will be a snowpocalypse, I offer you a few St. John's Cemetery shots from about a week ago when we had recent but less snow. The sky in them was very pretty. You can see the eight photos at my Flickr.+++
It’s impossible to find snow boots at a brick and mortar store nearby, and my feet don’t let me pick something willynilly online. I’m facing this storm with breaking 30-year-old boots I have to stick plastic bags in and sneakers.
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I am so bored with Bleach: Thousand-Year Blood War. At this point, I feel like it's been going on forever without revealing much I actually want to know, like what Uryu's deal is (in the anime). It's been so long I barely care anymore. (The manga didn't take this long.) It looks pretty but that's not enough.
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I've been watching several videos from Captain Pikant, whom one commenter said was Bob Ross but with drum machines. I don't understand all the technical stuff involved but there's something so satisfying in how the different elements come together to gradually become the song you recognize. Also, it really makes you appreciate how much work goes into the music. The videos have a great aesthetic and moments of humor and are well edited, and the visualizer used gives the viewer an idea of the elements involved. Like, all the drum stuff in Michael Sembello's "Maniac" is, well, insane. At the end of each breakdown, they do an instrumental cover of the song.
So far, I've watched that, "Blue Monday," "Sweet Dreams (Are Made of This)" (it turns out the typewriter type thing in their music video I didn't understand was a drum machine), "You Spin Me Round," a drum machine analysis of three Nine Inch Nails songs, and a similar analysis of three Depeche Mode songs.
There was a lot more cowbell in the '80s than I realized.
I really want a Beatbunny T-shirt.
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"The Bad Touch" but it’s a Cyberpunk Club Anthem






